What Youth?
Hour 1, 4 October 2021
Transcribed by Nan
Ginney 5:12 Okay, I have this question about that experience I had.
iON 5:19 Yep.
Ginney 5:20 So, I wanna tell the audience who's listening, all 11 listeners or maybe millions depending on what it is, that I had a dream experience where I was in a dressing room and there were other women there, some of which I recognized, and some of which I didn't. I, in particular, had this most amazing blue sapphire rhinestone gown on that was like so amazing. And then there was another lady, and she had on this maroon
iON 5:20 In the trifold, in the, in the trifold mirror so you can see every aspect of this on you. And you were hot. You were hot. You can get it, honey, you can get it.
Ginney 5:52 It looks so good! And then this other lady had this maroon one on, and then there was an emerald one. But the thing of it is, iON, is that we were practicing to be the alien greeter choir and to sing "Calling Occupants of Interplanetary Craft" for Bob! We were supposed to be singing with Bob!
iON 6:39 Sure. That's normal. That's normal. Bob doesn't sing, just so you know. Bob doesn't sing. [Ginney laughs] He's a jigger. He's a jigger. He's not a singer. Bob don't sing. Bob don't sing, but he can, he can appreciate tonal modalities. That's how he's able to listen. That's the only reason he can stand Zappa is because he has no idea what music is. He has no idea what music is. That's why Zappa's alright. It's just like Finnegans Wake; he doesn't know which is up or down, he just goes with it. And it is what it is. You know, Captain Beefheart 202. It's no problem. So, yeah, nahh, come on Eugene, you need to calm the fuck down. You need to roll you a fatty -- "Bob has sung on Payday." Oh, my god, Bob singing. When has Bob sung on Pay -- hey, Bob! Sing for Eugene. Jean wants you to sing for her. Yes, singing with Bob. Come on, Eugene, you can do it. Come on, Bob. Hey, Eugene! Why don't you sing with Bob? That'd be good. Y'all can do a duet. It'd be Loretta Lynn's greatest hit. That'd be great. Live from the Grand Ole Opry. It'll be great.
Ginney 7:48 I thought that was
Bob 7:49 [singing] You don't know me. You don't know me. [iON & Ginney laugh]
iON 8:02 Carolyn! Carolyn! Shoot him in the face! Shoot him in the face, Carolyn! [Ginney laughs] He's singing. He's singin' on, he's singin' on the bijou. He's singin' on the bijou. Oh, lordy, he's singin' in the can now, Ginney Belle. Now we have it now.
Ginney 8:16 So funny.
iON 8:18 That's priceless. You need to call Kellyanne Conway; she'll do a report on that shit. You can know that. All right, so now what
Bob 8:26 [singing] He thought he was a man, but he was a muffin. Thought he was a man, but he was a muffin.
iON 8:30 Thought he was a man, but he was a muffin. [singing] Yeah, fuck me hard in the watermelon hay. [Ginney chuckles] Yeah, that's a good one too. That's good. [iON chuckles] Okay, so you were dressed, you were adorned beautifully with the rhinestones in your hair. Because your hair was perfect, by the way. And you had a lavalier, a beautiful lavalier on. We saw it; we were there. Ain't no trouble, we got this. Go ahead. And you got them fingernails
Ginney 9:03 But what I'm asking is
iON 9:04 Goddamn! you had them fingernails on. Oooo, they was fine! [Ginney chuckles] It was nice. It was good. We know about that.
Ginney 9:06 But what I'm asking is does Bob really need a backup band? I mean, what are we doing here?
iON 9:11 Always. Always
Ginney 9:11 Always.
iON 9:12 Always, always, always. You're ushering, you're ushering, you're ushering in the king.
Ginney 9:21 Ahhh.
iON 9:21 See, as you come -- now wait now. Now listen now. You've done, you've done Revelation. You know the beast in 17, Revelation 17. Right? You know how this falls out; you know the fall. You know the Armageddon. Megiddo, the Valley of Megiddo. You know how this plays out. At the same time, the dark horse, the postulate, comes forth. And that's what brings it all home. That's what we're talking about. That's what Enoch 4 is discussing, you see. So, there's no problem here. You're ushering forth the completion of individual human coming into their place of power. So, Bob's not a threat. If you come into your power! Bob's not a threat. Bob is, Bob is Jerry Landers [sic]; he's "Leave It to Beaver." Bob becomes Beaver!
Ginney 10:20 [laughs] Landers.
iON 10:20 Bob's a Beaver! He's a "Leave It to Beaver" He's Jerry Landers. He don't care about nothin' if you come in your power! But if you don't, it's "McHale's Navy." It ain't gonna work out. Just sayin'.
Ginney 10:35 Okay. All right. So, that's what I wanted to ask about is my dream. So, I know Bert and Chad and everybody's here. So, I got my 10 seconds of fame. So, thank you very much.
Hour 1, 4 October 2021
Transcribed by Nan
Ginney 5:12 Okay, I have this question about that experience I had.
iON 5:19 Yep.
Ginney 5:20 So, I wanna tell the audience who's listening, all 11 listeners or maybe millions depending on what it is, that I had a dream experience where I was in a dressing room and there were other women there, some of which I recognized, and some of which I didn't. I, in particular, had this most amazing blue sapphire rhinestone gown on that was like so amazing. And then there was another lady, and she had on this maroon
iON 5:20 In the trifold, in the, in the trifold mirror so you can see every aspect of this on you. And you were hot. You were hot. You can get it, honey, you can get it.
Ginney 5:52 It looks so good! And then this other lady had this maroon one on, and then there was an emerald one. But the thing of it is, iON, is that we were practicing to be the alien greeter choir and to sing "Calling Occupants of Interplanetary Craft" for Bob! We were supposed to be singing with Bob!
iON 6:39 Sure. That's normal. That's normal. Bob doesn't sing, just so you know. Bob doesn't sing. [Ginney laughs] He's a jigger. He's a jigger. He's not a singer. Bob don't sing. Bob don't sing, but he can, he can appreciate tonal modalities. That's how he's able to listen. That's the only reason he can stand Zappa is because he has no idea what music is. He has no idea what music is. That's why Zappa's alright. It's just like Finnegans Wake; he doesn't know which is up or down, he just goes with it. And it is what it is. You know, Captain Beefheart 202. It's no problem. So, yeah, nahh, come on Eugene, you need to calm the fuck down. You need to roll you a fatty -- "Bob has sung on Payday." Oh, my god, Bob singing. When has Bob sung on Pay -- hey, Bob! Sing for Eugene. Jean wants you to sing for her. Yes, singing with Bob. Come on, Eugene, you can do it. Come on, Bob. Hey, Eugene! Why don't you sing with Bob? That'd be good. Y'all can do a duet. It'd be Loretta Lynn's greatest hit. That'd be great. Live from the Grand Ole Opry. It'll be great.
Ginney 7:48 I thought that was
Bob 7:49 [singing] You don't know me. You don't know me. [iON & Ginney laugh]
iON 8:02 Carolyn! Carolyn! Shoot him in the face! Shoot him in the face, Carolyn! [Ginney laughs] He's singing. He's singin' on, he's singin' on the bijou. He's singin' on the bijou. Oh, lordy, he's singin' in the can now, Ginney Belle. Now we have it now.
Ginney 8:16 So funny.
iON 8:18 That's priceless. You need to call Kellyanne Conway; she'll do a report on that shit. You can know that. All right, so now what
Bob 8:26 [singing] He thought he was a man, but he was a muffin. Thought he was a man, but he was a muffin.
iON 8:30 Thought he was a man, but he was a muffin. [singing] Yeah, fuck me hard in the watermelon hay. [Ginney chuckles] Yeah, that's a good one too. That's good. [iON chuckles] Okay, so you were dressed, you were adorned beautifully with the rhinestones in your hair. Because your hair was perfect, by the way. And you had a lavalier, a beautiful lavalier on. We saw it; we were there. Ain't no trouble, we got this. Go ahead. And you got them fingernails
Ginney 9:03 But what I'm asking is
iON 9:04 Goddamn! you had them fingernails on. Oooo, they was fine! [Ginney chuckles] It was nice. It was good. We know about that.
Ginney 9:06 But what I'm asking is does Bob really need a backup band? I mean, what are we doing here?
iON 9:11 Always. Always
Ginney 9:11 Always.
iON 9:12 Always, always, always. You're ushering, you're ushering, you're ushering in the king.
Ginney 9:21 Ahhh.
iON 9:21 See, as you come -- now wait now. Now listen now. You've done, you've done Revelation. You know the beast in 17, Revelation 17. Right? You know how this falls out; you know the fall. You know the Armageddon. Megiddo, the Valley of Megiddo. You know how this plays out. At the same time, the dark horse, the postulate, comes forth. And that's what brings it all home. That's what we're talking about. That's what Enoch 4 is discussing, you see. So, there's no problem here. You're ushering forth the completion of individual human coming into their place of power. So, Bob's not a threat. If you come into your power! Bob's not a threat. Bob is, Bob is Jerry Landers [sic]; he's "Leave It to Beaver." Bob becomes Beaver!
Ginney 10:20 [laughs] Landers.
iON 10:20 Bob's a Beaver! He's a "Leave It to Beaver" He's Jerry Landers. He don't care about nothin' if you come in your power! But if you don't, it's "McHale's Navy." It ain't gonna work out. Just sayin'.
Ginney 10:35 Okay. All right. So, that's what I wanted to ask about is my dream. So, I know Bert and Chad and everybody's here. So, I got my 10 seconds of fame. So, thank you very much.
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