Transcribed by Nan
iON 11:23
You're gonna have to talk to Bob after in the "Afterglow." That's what we're gonna -- Bob! From here on, there's no more "Tailgate," it's now "Afterglow." If they're smart enough to engage you, they're gonna engage the conversation for what you know, because you KNOW what Mae Brussell meant! You KNOW what Joe Dunn Sloan was trying to [indistinct] to! You know what Vikki and Avaton were trying to say! So, it goes back to the Chart. If you can't -- we'll figure that out. If you don't get the Big Note, don't worry about the Tiny Note, y'all.
Ginney 12:02
Okay, Bob's in the White -- Trump is Bob in the White House.
Bob 12:07
That's righ,…
iON 12:07
No.
Ginney 12:08
Basically, what you're saying is,…
iON 12:10
No, no, no. The Grand Wazoo of the Decad-Dance. That's what you're experiencing right now.
Bob 12:19
Yeah, that's the title of my Chart, Ginney.
iON 12:22
The Grand Wazoo's Decad-Dance. It's like over, under. It's a foxtrot, Ginney. This is a foxtrot. [a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor.] Everybody [indistinct].
Bob 12:47
1924
iON 12:27
1924. It's a foxtrot. That's what you gotta work out. You gotta figure out the difference between a waltz and a foxtrot. This is a quick step. Look it up. GQ knows it. He has, he has enough of penis to know what a foxtrot is. [laughs]
Bob 12:51
How can Trump lose anything, Ginney? He's the only world leader that we know of of any consequence that's on our products.
iON 12:59
He's the one, he's the one that gets on his own media channel and says, "I'm never going to be put in jail. I'm never gonna be convicted of anything. And if I am convicted, I'm gonna build a penthouse and I'm gonna run the United States of fucked-up America from federal prison in my penthouse just like I did from Trump Tower." Ballsy. Darling, how ballsy do you have to be to make that kind of a statement? And while meanwhile, everybody in the false world of the judiciary and the legislative branch and the executive branch, they can't even control their own bowel movement. They can't control anything.
Ginney 13:47
Yeah. Okay.
iON 13:47
So soft -- so your words are sound. We're not mad about that. We're saying soften that just a little bit and say, this is coming from the world of Sid and Marty Croft. And we're supposed to take that as gospel, right? You remember Sid and Marty Croft?
Bob 13:47
The Croft brothers, they were Hollywood [indistinct].
Ginney 13:53
I know, but it's, it's impinging on my world, and I want it changed.
Bob 14:18
No, it doesn't. Turn off your TV.
iON 14:20
It doesn't have to. No, no, no, no, no, no, no, no, no, no. No.
Ginney 14:23
But it would -- but hold on just a second, iON.
iON 14:27
She's talkin' about...
Ginney 14:27
The problem's not my TV. The problem is everybody else's TV that's actually being influenced.
iON 14:36
No, no. No, no. Jason Aldean made it clear. The woke have now gone to sleep 'cause he's like, not in my small town. Try that in my small town. See, this is the, this is the rub. Nobody's acknowledging New York City anymore. Now, you're talking about your bottom line, and we understand that. We get that, don't worry about that. You follow linear capacity, you'll have a larger position. Linear capacity to a larger position. No problem. Do you say -- ah, what is it, the magic eye? When you're lookin' at the little dots and all of a sudden, you relax your eyes and you can see the steamship or the ship or the boat or the guillotine or whatever you're tryin' to see in the picture. Relax, you'll see it. Don't get excited about it, just follow your potential bliss. Get your nails did. Your nails are beautiful. Oh, by the way, your nails are beautiful by the way. Do you know that?
Ginney 15:43
Thank you, iON.
iON 15:45
No, darlin' -- honey, honey, you can scratch our back anytime you want to. Whoo! We'll pay for this damn [indistinct]. You dig in there deep. Yeah, shit, you got that.
Bob 15:57
Trump's on the products, Ginney. Trump's on the products.
iON 16:01
Yeah. GQ, you better take care of that home squeezin' 'cause we will. Don't you think we won't. Mm-mmm! That's some fine fingernails. Let me tell you what. When you get right in the deep of it, that's what we're talking about; the ephemeral versus the potential capacity for the world order to be absolved, 'cause that's what's melting away. Okay, now we will say this, Ginney, 'cause you've been faithful. Obedience is better than sacrifice. You pushed a little bit, but not near what you could have pushed, all right? So we're not mad about that; you're strident. Poor Mr. Parsons. [laughs] Sidebar. But anyway, set that aside. Your ability to see beyond reality. Things are a certain way. "Ginney, we need to have a meetin'. Ginney, sales are up; sales are down; sales are over; everything a rabbit can do to a stump." You go past all that. You just adjust accordingly. You see beyond that. Okay? You see beyond the board meeting, and that's beautiful because it's allowed you to stay above it, a little bit above it. Now, you're asking the right questions, we're not saying that. Perfect. You're trying to with no malefices adjust to a potential reality that may or may not have any effect on you. That's what Bob's tryin' to say. You're better off than you thought you were. Well, you're better off than they say you are. That's the way to say it. Okay, now ask another question in the Dyad.
Ginney 18:01
Okay, well,…
iON 18:03
How did Othello, how did Othello end? That's your question.
Ginney 18:09
Well, in my dream world, I see the way things are going, but it's not showing up out here.
iON 18:17
Sure. No, it is. It most certainly is. Certainly is. You have the Hardhats against the Yippies. You have the Atom Bomb, which is fixin' to be about nine seconds, against Chemicals. The Atlanteans against Tokyo. The Dyad. You're seeing the Universal Government trying to take over, and they're not doing very well. So that goes into the Tetrad which goes into Hamlet into some tragedy. Then you go into the Mythic Government, so that you got the Hackers against the Yuppies; the Lemurians against Los Angeles; and the Laser Beam against the Computer. See, they're diametrically counterpart calculated in this present realm of reality, and Bob's thing lays it out in the Pentad of exactly of what Henry V was about. Then you have the Satellite against the Flesh. You have the Guppies against the Slackers. You got the 22/14 across from Dobbstown. So Ginney, what you're sayin', if you really took the energy to look at the Tiny Note -- now we're more about the Big Note, goddamnit; they haven't fixed that yet. We're pissed about that. We are very -- we have, we have a bit of acrimony against that 'cause it's not finished yet. But if you looked at the Tiny Note, you can understand everything that's going on right here, right now, and you don't need Marilouise Kroker to tell you how to fuck in her pornographic venues of dichotomy. You wouldn't have to learn that to know what the experience of ecstasy is. But here's what we gotta say, honey. If you don't have a little agony, you'll never know what ecstasy is. And if you don't have enough ecstasy, you'll never experience agony. You won't know what it feels like, that rub. Ask GQ. GQ can tell of this. Every great erection begins with some contrast. Otherwise, you'll never achieve or sustain a great erection. [chuckles] Just sayin'.
Ginney 20:39
Okay. All right.
Bob 20:40
Okay, thank you, Ginney.
iON 20:45
That's Holeopathic Satellite -- no, no, stop. That's Holeopathic Satellite (squared)! You have to be able to [indistinct] both -
Bob 20:49
The Kroker quadrant.
iON 20:49
- The Kroker quadrant. Not Marilouise, but the Kroker quadrant, you'll never know it unless you can embrace it. After that, it [indistinct] everything. Clear the palette. Have a nine-course meal, Ginney, and have something that comes in to have a sorbet to cleanse -- a lemon, a Meyer lemon sorbet to cleanse the palate so you can enjoy the next taste that's coming. Don't get stuck in the aperitif that's fleeting; it's gonna go away. Embrace it completely. And we're saying big words on purpose because you live in that world. You get it. You get it. And make GQ buy you a new cocktail ring, honey, you need one. A big one. I mean, a pretty one. Goddammit. Fuck. We'll send you, we'll send you some suggestions if you need to. We don't have a, we don't, we don't worry about that. And your garden is fabulous(!) by the way, we wanna tell you about that; it's beautiful.
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