Transcribed by Nan
Bob 1:26
Okay, Ginney. You're on with iON.
Ginney 1:28
Very nice, Bob. Did you ever see Willy Deville in person?
Bob 1:33
I can actually play me watching him. We were there in June 4th, 5th, and 6th, 1976 when they made the CBGBs album, "Underground CBGBs," and I stood two feet from Mink Deville as he sang on the little stage at CBGBs, and very impressed. And then hours later, I was pogoing, bouncing all over place and looked over.
iON 1:55
Ah huh. Ah huh.
Bob 1:55
And there was some transvestite, a blonde weirdo, and he was staring at me. So, I looked at him and I looked away.
iON 1:55
Yeah.
Bob 1:55
I looked back and he's still staring at me! For fuckin' sake. What the hell, What am I radiating? So then a couple of nights later, we're walking around the village, one of the streets down there, and
iON 2:13
Uh oh.
Bob 2:14
(inaudible) living room. And we look in and there's Mink Deville with the transgender fuck-up right beside him watching TV. And they got the window open and people and tourists are walkin' by. This is like in July, no, June '76. And they're all lookin' at him, and he doesn't care. And then he became a junkie. And he barely made it (inaudible). Bob Dylan said he's one of the greatest American singers ever.
iON 2:37
And he was mad 'cause he wanted Bob to give him a blow job. That's what ruined his career.
Bob 2:41
Yeah. I was there wasting time pogoing. I didn't know it was called pogoing. I was just jumping up and down.
iON 2:47
Pogoing. Pogoing.
Bob 2:48
I played something he performed. I have that on my timeline here. Songs performed on that album that weekend, June 4th, 5th and 6th, 1976. Famous album.
iON 2:59
Doing push ups on the, doing push ups on the dollar bill.
Bob 3:02
That was the year before in '75. That was April '75.
iON 3:05
I know. You were just showin' off. That's when you were making dates, Bob. You were tryin' to get attention. You were just tryin' to get attention.
Bob 3:12
Yeah, I was tryin' to get attention (overtalk/inaudible)
iON 3:12
All right, Ginney Belle. All right, Ginney Belle, let's get to work, baby. We got things to do. Damn, we gotta stuff to do. It's a short show.
Bob 3:18
I'm not trying to get attention anymore. Now the whole world is lookin' at me.
Ginney 3:19
Okay.
iON 3:19
Now's he trying to get, now he's trying to get rid of attention. He's trying to keep the pussys off of him now. The pussys are attacking now. He doesn't know what to do now.
Ginney 3:30
iON, I do have a couple of questions. Just real brief. You sent me a thing about the layers of heaven with the Enoch video.
Germaine 3:39
The Enochian. The Enochian. The Enochian words, yes.
Ginney 3:44
Yes. And I looked at it and in the one that you told me about, it just -- there was a fifth heaven and then went to the seventh heaven. And there was nothing about the sixth heaven. Was that an omission? Was there not a sixth heaven? What was going on there?
iON 4:02
They didn't get there. Taken up by God, he didn't hit the sixth level. See, you're trying, you got to get the veneration comes from the Oriental orthodoxy. And then you have Eastern Orthodoxy. Then you have the Enochian Christian. That's the John Dee stuff. You don't like that. We understand that; we get that. But those are those things that it was all shredded through the Coptic Church. And that's why, that's why that would be omitted about 700 years or so ago. Hebrews 11:5. We know you hate that. Sorry. Sorry, sorry, sorry.
Ginney 4:39
Okay, so there was a sixth heaven, but he did not particularly go there because he went to all the others.
iON 4:45
Correct. Correct. Correct. The Rabbinic text doesn't acknowledge it, you see.
Ginney 4:54
Okay.
iON 4:54
You got the Slavonic; the Slavonic becomes into this whole nother world that's tryin' to give the new attendance to the throne of God. And that's why nobody really gives too much attention to Enoch, which is the key to Ascension! Which is why we sent it to you. Genesis 5:24.
Ginney 5:12
Okay, you said that Jesus was the key to Ascension. So, Enoch is a different aspect of this then.
iON 5:19
They hooked up. They hooked up. Yep, yep, yep, yep.
Ginney 5:23
Okay. And did Jesus reveal himself in a particular layer of heaven to Enoch?
iON 5:31
Sixth one. The sixth layer.
Ginney 5:34
Okay, so the sixth layer which -- but he, but you said he didn't get there, so I'm confused now.
iON 5:41
Well, it's the reference. The reference is how it's presented, darling. You've got a Coptic view of Ascension. And that's the only one you really have today 'cause you don't have an Enochian Christian view that applies. So, you're goin' like, "Wait a minute. Am I taken up by God? Or am I God? Or is this God? Or ee ah eh ah eh, what happened? What happened? What happened?" You can't get there from there. So therefore, it is ambivalent, or maybe ambiguous.
Ginney 6:10
Ambiguous.
iON 6:11
Maybe. But both apply because now if you bring this all in like, say, take the Church of the Latter Day Saints theology, then what you're gonna do with that? That's a whole nother twisting thing that some crazy angel told you how to do a whole nother thing and get everybody pregnant that you can be still with. So those at references all potentially apply.
Ginney 6:35
Oh, okay.
iON 6:35
But what you're tryin' to do is connect the dots. What you're trying to do is connect the dots and we like that. We just gave you some more references to say, "Oh, okay. This is what that works into." Mm-hm.
Ginney 6:50
Okay, very good. All right. So, I will fix that. I have some questions for Saturday, but it's too much for tonight. Let me ask you this too, on Methuselah. When he, after the translation of Enoch, Methuselah was proclaimed ruler of the earth by all the kings.
iON 7:11
Yeah. Had to.
Ginney 7:13
And had to because he had to take care of all the demons.
iON 7:17
No, wait now. No, not. Okay. No, it goes to Lamech. You gotta watch Lamech. That's what you're trying to -- Luke lays it out pretty good back to Adam in Luke 3. But it's Lamech that's why that Methuselah applies. Because otherwise it wouldn't really matter. See, there's an angel that's involved; what we call the angel of the presence. That's in the written law. That's from Mount Sinai's side. But now this goes all the way from Levi, Abraham, Isaac, Jason, up to Shem, Methuselah, and then Noah, behind Enoch. So this lays out, okay, let's do it this way. Don't do it. Don't do all that. Don't do that. That'll confuse you. Go to the Book of Jasher. J-a-s-h-e-r. Do that one. And now study that one. And then you can ask all kinds of good questions. Woo, it's so good! You did good, honey. You've been doing your "homerwork." You've been doin' your "homerwork." This is good.
Ginney 8:23
Okay, so you're saying that the reason why Methuselah had to be the king was because of Lamech. But the whole Lamech just falls off the face of the earth. Or no, he's the father of Noah.
iON 8:40
Exactly. That's exactly right. And so that brings forth the city of Zion. Z-i-o-n.
Ginney 8:51
Okay.
iON 8:52
Excellent, excellent. That's very good. So now, take it literal. Always do it literal. Now, there's a lot; there's gonna be a lot of different Canons that are gonna be presented when you really look. And then there's gonna be some mis, and there's gonna be some mistranslation la, la, la, la, la. Don't worry about all that. The separatists always gonna try to confuse the narrative. Don't worry about that. Go to the baseline. The baseline lays it out really easily. Um -- that's enough. That's enough to say.
Ginney 9:29
Okay, and then -- okay, very good.
iON 9:33
Watch the Sumerian kings. Watch the Sumerian kings. They'll give you insight. 'Cause all these things that were going on outside of what you call qu'est-ce-que c'est Hebraism or Christianity, or salvation, or oh fuck, fill in the blank. We don't know what you call it. They call it all kinds of thing. All those references can't stand on their own. I mean, are they're gonna say, "Babylon didn't exist. There was no Babylon." They're not saying that. Babylon stood. It fell, but it stood! It was a, it was, it was a, it was a zeitgeist that you couldn't ignore, for Pete's sake. See? So that's the whole thing. You have to twist all these things back together, if you're going to recreate the Samaritans kings' view of how the Garden of Eden applied through the lifetime of Methuselah.
Ginney 10:25
Well, in the -- it was interesting because in the story of Enoch, the Garden of Eden is in the third heaven.
iON 10:32
Yes.
Ginney 10:32
So, that was also -- so, this made me think of this whole thing about these layers of heaven, and they get caught up in the clouds and everything, but then it's also so it's almost like, on the one hand, it's -- I don't know -- spiritual. And then on the other hand, there's this (overtalk/indistinct)
iON 10:53
Oh, no, you're referencing, you're referencing Aubrey de Grey, that's his words, with the death would occur from an accident or a homicide. That's Aubrey de Grey. And that's valid, it's valid, but it doesn't exactly apply. But go ahead. That's all right. That's a little reference. You'll get it. Bert got it. So, come on. Let's go.
Ginney 11:13
Okay, so, well, that's all right. I don't, I don't know what my question is. I'll come back to it. It's fine. I gotta look through some of these other things. All right. I'm good.
iON 11:24
Go back this way. Go back this way. You got Adam and Eve. And that drops down to Abel, Cain and Seth. All right, then Cain drops down to Enoch, and Irad, then Mehujael, then Methusael, then Lamech, then Adah, and then Jabal, and then Jubal. Grows over to Zillah, Tubal-Cain and Naamah. Don't forget Naamah. Then on the Seth side, you got Seth, Enos, Cainan, Mahalaleel [or Maleleel], Jared, Enoch, Methuselah [or Mathusala], and Lamech. Noah, then Ham, Shem and Japheth. See how they drop off? Both are presenting the Methuselah star. You see the difference? See, that's the rub. So, you can't sit here and go one, it's one or the other. They both are presented, but they don't land at the same place. But they have unparalleled skills of survival.
Ginney 12:24
Yes. That's true.
iON 12:26
Okay, and so now what you gotta do is you'd look through the markers. Well, it's a cosmonaut's view. You've gotta look at it and shred it back down through the all the conditional responses of taking the double helix strand and looking at it from the top down so that you add the 144,000 double helix view. It makes a whole different swirl, and all these different references fit. They fit.
Ginney 13:05
Okay. Okay, very good. Thank you.
iON 13:10
That's fun. That's fun. You've been doing your homework, girly, girly. We like that.
Ginney 13:15
Very good.
iON 13:15
Go to the Jubilees. Go to the Jubilees book.
Ginney 13:19
Yeah, I saw that. Okay.
iON 13:21
Little Genesis. Little Genesis. Look at that. That'll help give you some more words. They're not good. They're not good, but it'll explain the apocalypse of Moses.
Ginney 13:31
Okay.
iON 13:33
Good. That's good. Excellent. So, what you're doing is you're setting the marriage supper of the Lamb. That's what you're doing. You're trying to verify the position that allows that to occur because you're making space in the past from the future that applies for now. See, the lamb's blood doesn't change. It doesn't change. But you got to get you to the to the marriage supper of the Lamb.
Ginney 13:57
Very good.
iON 13:57
See the rub? That doesn't change, but we gotta get you to it. We gotta get the bride ready for the bridegroom. Mm-mm. 'Cause Jesus is not a pedophile.
Ginney 14:09
Amen.
Bob 14:11
Okay, thank you. Thanks a lot, Ginney.
Ginney 14:13
Thank you, Bob.
Bob 14:14
Good questions.
iON 14:16
Hey, Bob. Bobby, that was good. That was insightful and it was very applicable to the right here, right now. It actually was on point. Like in Luke 3. Look at the lineage of Adam. Luke 3.
Ginney 14:33
Okay.
Bob 14:33
I know who Enoch is.
Ginney 14:35
[chuckles] Bob!
iON 14:35
I know, I know. The First Chronicles, the First Chronicles 1:3 talks about Saul and you don't know how Saul applies to Methuselah.
Bob 14:47
Enoch's alive, Ginney. He's here today.
Ginney 14:50
Very good.
iON 14:53
He's dipping Bruton Scotch snuff. Yes, he's got more, more spit in his chaw. [laughs]
Bob 15:01
Okay, thank you, Ginney.
Ginney 15:02
All right. Thank you, Bob. Thank you, iON.
iON 15:05
You're welcome, baby.
Bob 15:07
Gregg doesn't have any questions, eh? I guess she left. Okay, so this is either Nik or Michael or Bert.
iON 15:20
They makin' the, they makin' the cut. They makin' the cut. Open it up. Let's go. Let's get it. Do a triad. You can do a triad, Bob.
Bob 15:28
Yeah, who's this?
iON 15:29
We can do some Slavonic, we can do some Slavonic Enoch, Bob. That'd be hot. Want to?
Bob 15:35
No.
iON 15:37
We wouldn't either, it's (indistinct).
Bob 15:39
Where's Nik, Michael, or Bert? Is that Bert? Somebody coming through South Africa.
iON 15:44
You have to, you have to unmute them, darling.
Bob 15:47
I did.
iON 15:48
Uh oh. [hums the theme from "Bonanza."]
Bob 15:56
Okay.
iON 15:57
Then just go to Bert. We never mad. Or pick who you want to. You you run this. You built this city.
Bob 16:02
Go ahead, Nan.
iON 16:03
Run it.
Nan 16:08
Me?
Bob 16:09
Yeah. Go ahead. Speak loud and clearly.
Nan 16:11
Oh, gosh. Wow. Thank you. Ah, hi. Hi, iON.
iON 16:20
Hey, darlin'.
Nan 16:20
Why in the Bible if a curse is given, it is toward all the future family line, such as in Naaman. When the servant of Elijah he asked
iON 16:39
Generational curses. Generational curses. That, see, what's bound on Earth is bound in heaven. Okay? You can have the ones that would be passed on or living the same exact lives as your parents did. Or another curse would be having to work too hard or engage in hard labor. Or not engaging your children's feelings so you bind them into the same problem. Or not teaching your children life skills. Like how not to be enslaved or in bondage.
Nan 17:17
Well, rather than doing for the whole future family line, can't they just make 'em sterile and not have the line?
iON 17:27
They don't though. Leviticus 20:9 is very clear.
Nan 17:35
I don't know that one, but I will look it up later.
iON 17:38
Anyone who curses their father or mother is to be put to death because they have cursed their father and mother. Their blood will be on their own head. So, very clear.
Nan 17:50
Okay. All right. Thank you.
iON 17:52
Or, or - oh, no, no, no, no. You're not through with that. Come on now. You're doing good. Deuteronomy 28:15. You're doing good. However, if you don't obey the Lord your God and do not carefully follow the commands and decrees I'm giving you today, all these curses will come to you and overtake you. Right up into the thing of Exodus 21:17. Anyone who curses their father and mother is to be put to death. And then it falls right into Jeremiah 15:10. And we're so glad you brought this up. This is great. Alas, my mother that you gave me birth, a man with whom the whole earth strife and contend. I have neither lent nor borrowed, yet everyone curses me. Or Galatians 3:13 where Christ redeemed us from the curse of the law by becoming the curse for us; for is written, Cursed is everyone who is hung on a pole. Exodus 34:7, maintaining love to thousands, and forgiving wickedness, rebellion and sin. Yet he does not leave the guilty unpunished! He punishes the children and their children for the sin of their parents to the third and the fourth generation. See how it kind of gets to be a following flame of a redacted position of payback? Luke 6:28, Bless those who curse you, and pray for those who mistreat you. So, you're trying to come out of it now. That gets you all the way up to Numbers 14:18. The Lord is slow to anger, abounding in love and forgiving sin and rebellion, yet he does not leave the guilty unpunished. He punishes the children for the sin of the parents to the third and the fourth generation. See, it's a renumbering theme. Genesis 3:17. You can look it up.
Nan 18:06
Oh, --
iON 18:14
Ah, ah. Nope.
Nan 18:45
Okay.
iON 18:51
Proverbs 26:2. Deuteronomy 5:9. Galatians 5:1. Exodus 20:5. Second Corinthians 5:17. First John 4:4. Second Samuel 15:5 and 8. We're so glad you brought this up. Second Samuel 16 verses 5 through 8, lays it all out. Deuteronomy 21:23. Exodus 25:6. Did you get that? Make sure you get all those now. 1 Samuel 17:43. Ezekiel 18:20. Jeremiah 31:29 and 30. Exodus 20:6. That's 20 and then verse 6. Deuteronomy 18:10 through 12. Got that Eugene? Romans 8:37 through 39. First Peter 5:8 and 9. Genesis 3:17 through 19. Then you go on down a little further and you get down to Genesis 4:10 through 12! The Lord said, What have you done? Listen. Your brother's blood cries out to me from the ground! Now you're under a curse and driven from the ground which opened its mouth to receive your brother's blood from your hand. When you work the ground, it will no longer yield its crops for you. You will be a restless wanderer on the earth. Damn it, man. Genesis 9:18 through 27, 1 Kings 2:32 through 46. Bob wanted a little content; got to do somethin'. Job 2:9, Job 19:17, Job 1:10. Ephesians 6, verses 10 through 17. Matthew 5, verse 22. Romans 3:23, For all have sinned and fallen short of the glory of God's grace, the glory of God. Romans 6:23. Genesis 9:25, Psalms 104:9. Genesis 6:12, God saw how corrupt the earth had become, and for all the people on earth had corrupted their way. See, it's generational. Genesis 7:20, Genesis 8:5, Genesis 8:9, Genesis 9:11. It just goes on and on and on and on. One more good one. Here we go. Romans 12:14 Bless those who persecute you. Bless and not, do not curse. Bless them and do not curse. That gets you, that'll give you some weekend reading for you there, darling. Is that enough?
Nan 22:17
[chuckles] Yes! Thank you. Thank you. Okay. I guess the other question would be, I think you mentioned the Exodus 21:17. Where -
iON 22:27
Yeah.
Nan 22:28
- not against the parents. Well, what if the parents are -- they are -- ah -- they are very bad parents and what do you call it? Beat the, beat the children. You know, why are we to honor the parents, if they're not good parents?
iON 22:51
No. Doesn't matter. Doesn't matter. You gotta go to Exodus 20:5. See, it's a jealous God. It's not the children or the parents. The punishing the children for the sins of the parents of the third and fourth generation for those who hate me. So, it catches itself up but can only go through one generation if you don't take it up. Well, what happens is they -- okay, let's do it this way. We're not really fond of the pedophiles. Do you get that?
Nan 23:19
Right.
iON 23:20
Can a pedophile become a god? Now, hang on now. This is important. Can a pedophile become a god?
Nan 23:32
Yes, but
iON 23:32
Can a pedophile Ascend? Can they?
Nan 23:36
Yes. I think they could.
iON 23:38
All right. Yes, that's exactly right! And that, and that position of power when they abuse -- what you say, what you say abuse a child -- now, Oprah Winfrey says if you do it, right, they don't feel abused. [laughs] Our little "Okree." Our little "Okree," our "Okree" Winfrey. Yeah, she says if you do it right, they don't feel abused. There is no problem if you do it right. That's what she's trying to teach you some'um. But once that occurs or happens, what you find happening or occurring is that becomes another generational thing. How do you wake up, how do you wake up and say, "You know what? I think it would be very titillating to molest a little kid." At what point does that turn on your buttons? That's the generational fallout. So then you molest other children and then they become molesters because they don't know what they like, they like what they know. You see? 'Cause there's that fine line between the agony, ecstasy issue. That's the thing, "Well, I'm not gonna do that." And that's exactly what you do. "Well, I want to be delivered from that." And that's exactly what you do over and over and over and over and over. You can't, you can't beat it; you can't go past it. But what you can do is Ascend beyond it. That's how you stop that. That's how you stop the chain; what is called the chain of pain. Same thing that you started embracing these monikers that don't lead you anywhere. Same thing happened to Moses; he was a murderer. So, he had to pass his mantle on. He fucked up 'cause he judged hisself. And he was, he was pretty well chosen. Wouldn't you agree?
Nan 25:10
Right. But I thought in the 10 Commandments it said thou shalt not kill and that it's a suicide, not -- the person agrees to suicide himself.
iON 25:20
Agreed. Agreed! Agreed. But Moses said, "Wait a minute, I killed so therefore I broke the rule." And there was no Jesus to save Moses, so he had no choice. See the rub? That's that self-deprecation. The self-deprecation that excludes you from your own blessing. That's what Ginney Belle was very perfect to lay out all the words specifically that she laid out greatly. She did a great job of pulling that all together from trying to say from Lamech all the way up, all the way up to Paul Pelosi. [laughs] He had a, he had a bad day. He had a bad day today or a good day today now that he's pled "not guilty." Now they got all the cameras. They got the cameras. They got that marvelous bean footage so they, they're gonna lay him awaste. He probably, he probably shouldn't run for reelection these days, even in Napa Valley. You know, he should have stayed at his winery. If you gonna have a wino decorate your house, you should, you should live with the wino and not get out in the road and tearin' up shit. But you know, we'll see how that goes. But you'll see.
Nan 25:21
I thought
iON 26:11
Go ahead.
Nan 26:15
Didn't he only get five days or something like that?
iON 26:35
But he served no time. That's not -- no, no, no, no, no, no, no, no, no. Nobody cares about that. Yeah, he got five days in jail with no jail time. He's gotta do one day of community service. That's not the point. The point is that now it's all laid out, and all the footage has been released. So now everybody sees the ridiculousness of it all this has brought forth, that this, this poking hierarchy that even George Soros can't fix. You can't make this stuff up. It's pretty sweet.
Nan 26:42
[chuckles] Right.
iON 26:48
As Roxy used to say back in the days of Wine and Roses, "all is recorded." So, it is.
Nan 27:00
Yeah. Yes, okay. I don't want to take too much time, but I'd like to know the trumpet sound
iON 27:19
Well, you're doing great. You're doing great.
Nan 27:22
Okay, thank you. I think I'm not sure -- I didn't read the Bible, but I heard that everyone will hear the trumpet sound when I guess the Eastern gate is open? Is, is that correct? Am I wrong?
iON 27:41
Yes. That's exactly right. That's exactly right. Okay, in the twinkling of an eye, the last trumpet. The last trumpet will sound, and the dead will be raised imperishable and shall be changed. That's the point. That's, that's the redemption. That's the redemption.
Nan 28:02
And what is actually the trumpet sound? What makes up that sound? Is that the portal opening or is that a chemical reaction? A vibration?
iON 28:18
Which trumpet?
Nan 28:20
Well, the last trumpet.
iON 28:21
Ah, so see there's seven, there's seven trumpets. Yes.
Nan 28:26
Well, yeah.
iON 28:26
There's seven trumpets.
Nan 28:27
So, I'm talking about the last set will sound. I mean, if if everyone hears -- I mean, if this is literal, "hears" this.
iON 28:37
It is. It is.
Nan 28:38
Then what we
iON 28:39
And so the glory then is given to Gods. Okay, this is the part that's where it's finished. Once that trumpet is sounded, then you have to come into your -- the glory is given to Bob or God. And then the kingdom is announced. And that kingdom is your kingdom if you hear the sound.
Nan 28:59
So the sound -- well, other than like a vibration, is it -- what is the sound made up of? I mean, is that -- that's a strange question, I know.
iON 29:15
No, no. It's laid out in the, in the shofar. In the shofar. Exodus 19:5 through 13. That'll help you. Just like that.
Nan 29:26
All right, I'll do that.
iON 29:28
'Cause see, then what happens is that gives you, that gives you the side. And then it goes to the other side of laying out the details with Revelation 1:9. That'll help you too a little bit. Ginney Belle hates this shit. We're so sorry.
Nan 29:44
[laughs] I know.
iON 29:45
She hates it. She's done this Bible stuff till she's blue in the face. She'd let us read from the devil book or something terrible or some'um nasty instead of taking the Thessalonians 4. Thessalonians 4 for God's sake! Who would want to talk about Thessalonians 4? Huh. It's terrible, but the signals are clear, you see. See, you gotta watch 'cause, ah, we have to be careful. We better, we better, we better hush.
Nan 30:14
Okay. All right.
iON 30:14
The sound -- no, we're not, we're not gonna do that. We don't have to do that. We don't, we don't owe so we don't have to be that careful. [chuckles] We don't owe. All right, all right, right, right. Mmmm. We're trying to say -- all right, the sound of that trumpet sets something into motion; the clarion call for you to come into your power or you to be devoured in a den of iniquity. That sets the judgment where you can move beyond it and come on with it or lay it down. See the rub?
Nan 30:58
Okay. Okay, well, I hear, I hear the words and I'll wait for the sound. That's all I can do.
iON 31:08
Ah huh. Ah huh. The question then becomes is who's gonna hear the sound of the trumpet?
Nan 31:15
Ah huh. Yes, who will?
iON 31:21
Those that are Ascending or Ascended. Now, we're not making a big to-do now. Be careful, this isn't the Herbert W Armstrong version of the rupture, the great rapture, the rupture. And we're not really talking about that so much 'cause that's just the tempest-tossed position to let you know you're doomed. This is more the Revelation 11:15 version.
Nan 31:46
Okay.
iON 31:49
Blow the trumpet in Zion! Zion! Sound the alarm in the holy city. Yeah, you'll see.
Nan 31:59
Okay. Thank you.
iON 32:01
That was very good. That's very good. Y'all doing good tonight. Y'all doing -- we ain't worth shit, but y'all doing real good tonight. Did you know that?
Nan 32:11
Well, that's a lot of Bible to look up, but I will do that. Thank you.
iON 32:16
Okay. So then, don't forget, though, when you get though, go back to Nehemiah 4:20.
Nan 32:24
Okay.
iON 32:24
If you're gonna do all that. If you're going that far down the rabbit hole, you're gonna dig a ditch, you might as well dig it all. Right?
Nan 32:30
[laughs] Okay. Very good.
Bob 32:34
Okay, thank you, Nan. That was
iON 32:38
We cherish you, Nan. We cherish you. You're doing good. No, you really are doing what you're supposed to be doing. That the rub, so don't quit. Don't grow weary in well-doing. Get on with it.
Bob 32:49
Hey, Nan, give me a noun. I didn't listen so I don't know what you said. But what would I call your -- for the notes? What did you talk about?
Nan 32:59
The first one
Bob 33:01
Curses. I have your curses.
Nan 33:03
Right. The second is a trumpet sound.
Bob 33:07
What?
Nan 33:07
The last
iON 33:07
Yeah. What to do -- no. No, no, no, Bob. It's what to do if you have a bad hair day. What to do if you have a bad hair day, Bob. Just put that in the notes. That's all you gotta put.
Bob 33:19
So, what did you -- give me a topic you talked about besides curses.
Nan 33:25
The trumpet sound. What -- the last trumpet. What is the sound?
Bob 33:29
Okay. All right, the last trumpet. The last trumpet. Sorry, I was distracted by Enoch. He objected to me pointing out that he's still alive. He's here in the
iON 33:40
AHH! He was oogling Carolyn. Don't believe it for a second He was oogling that sweet Dr. Dean.
Bob 33:46
That's true. Doing that too.
iON 33:47
That's what he was doing, not paying attention. It's ridiculous. You need to watch your crooks and nannies, mister. You got too much at stake here, so just so you know.
Bob 33:57
Right. Okay, so let's see who's next. [inaudible]
iON 34:01
Next? Did we do one? Is something going on here?
Bob 34:06
I said Germaine. Germaine.
iON 34:08
Germaine. We haven't heard from Germaine in forever. She's probably rich by now. She done quit.
Bob 34:13
She's gone. Germaine's gone.
iON 34:14
She done, she done quit you. Quit you. She got a better deal.
Bob 34:18
Yeah. Who's this? Oh, there's Germaine. You have a question?
iON 34:24
Hey, Germaine.
Bob 34:24
You have a question, Germaine?
iON 34:32
She's gotta unmute. Give her a second, Bob. Come on, ease up. Ease up, boss.
Germaine 34:38
Yes, I'm here.
Bob 34:39
Go ahead.
iON 34:39
Hey, how are tricks? How they hanging? How they hanging, girly? Where the hell you been going on? We thought you'd quit us for a better deal.
Germaine 34:47
Never. I'm here all the time. I'm just (inaudible)
iON 34:50
[laughs] No, we were poking. We were poking. We were poking. We know already. Okay, what you wanna know?
Germaine 34:59
Okay, well, I'm so excited. I don't know what to ask you 'cause I've had questions for so many weeks. Okay. My first one, so, you know the last time that I talked to you, and we went over with Gee like worlds, parallel worlds (indistinct) all that.
iON 35:16
Yeah.
Germaine 35:17
But then there was a new one that you said that I've heard you say. You said realities. Now there's realities in the mix. So, I wanted to ask what's the (inaudible).
iON 35:27
Yeah. That's the kingdom. That's the Outer. Okay, no. That's the old Outer, Inner and Middle kingdoms. See, these reigns are now startin' to sort themselves. They were mixes before. Miscegenated as it were. You could be up and down. Okay, I'm happy and I'm sad. I'm rich, and I'm poor. I'm up and I'm down. I'm sated and I'm horny. See? And all those things are kind of twirling into themselves, you see. You're like, "Well, now wait a minute. I gotta respond to this. I'm dressed or I'm naked. No, I'm sleepy. No, I'm tired. No, I'm up. No, I can't sleep at night, but I get tired when I'm taking my walk. How does that work?" See, those things intermingle, and they twist and turn. And you can't gauge it because you don't know what reality is, so how the hell would you ever be able to sort that out? Except for now as you wisely proclaimed, they're starting to sort themselves out. So you're able to see a little more than you know. 'Cause see, like everybody's talkin' about, "Well, you're nothin' 'cause you're not rich." And you laugh and you go, "But I know what rich is and you don't. [iON, Germaine chuckle] You got a whole bunch of pieces of paper that ain't worth a flip. That ain't worth, ain't worth spit. So, yeah, you're not qualified to be involved in this conversation." As you giggle when they have to come eat out of your breadbasket, you see.
Germaine 36:53
Okay, so I get the realities are just everything that you're fulfilling throughout the day, it would just be a good example. Like, I've been having the craziest feelings because I can't feel when I'm in and out of reality. And it does make me feel I'm tired. Oh, I'm back here.
iON 37:10
Yeah.
Germaine 37:10
I'm gonna feel (indistinct)
iON 37:11
Right.
Germaine 37:12
Those are realities?
iON 37:13
Right.
Germaine 37:13
Okay.
iON 37:14
Yeah.
Germaine 37:15
Wow.
iON 37:15
Yes. And those are references based on where you were, not where you are. Where you were. Do you see?
Germaine 37:24
Of being in and out. Even though, like,
iON 37:25
Okay. Okay. Okay. No, can't do it that way. Let's do it this way. Okay. You want to have interaction, so you have interaction; then you build it to a crescendo. And that crescendo ends with a climax or not. Okay? But all the way up to that point of that position is enjoyable. And then when you have the climax, if that works out, then it's a release. Awww. And then that begins a whole nother level of euphoria. But that's not the same as "almost there." But all of them apply in the conversation. See the rub?
Germaine 38:01
Yes.
iON 38:00
Ha! Pardon the pun. Pardon the pun! [iON, Germaine laugh] And then what happens is, then what happens then is you come to a place where now you can start to now adjudicate the position. Okay, let's do it like this. Carolyn gets up. She does her thing. She makes her circle. And then she goes out. And she goes out the door and she's got her Keys and her Aethyrs, and she stomps down hell hill. The nicest prison you ever wanna serve time in is where Carolyn lives. It's amazing. She stomps down hell hill with the Keys and the Aethyrs, making them do what they're supposed to do. Settin' a crooked way straight, laying it out and speaking the word of God that God like He don't know what the word of God is. She can quote scripture to God like God don't know what the Spirit, what the Scriptures say. Do you see? That's powerful because she applies that power. She does that all the time every day. And different things occur from that interaction. Sometimes you feel like a nut, sometimes you don't! You See?
Germaine 38:01
Yeah.
iON 39:05
She applies them appropriately. And now what she does from that is she adjusts accordingly. That's a little too hot. Okay, back that off a little bit. Okay, that's needs a little bit more. Okay, let's go a little bit more. Juice it a little bit more here. Double clutch it. Double clutch it. You don't know what a clutch is, but if you knew what a clutch was, you'd double clutch it. So then you can say, "Oh, okay, okay, I'm startin' to get a feel for this. Once you start to get a feel for it, those kingdoms become divided and segregated. So once that happens, then you can adjust accordingly. That's the point. That's the point of order. That's what's your, that was your first question. Bob's, what she's talking about is sorting of the kingdoms. Sorting of the kingdoms for the rule, and here we go, that goes back to the rule and reign of Christ. Which is the one that's got all the power. [singing] "I've got the power! Duh duh duh duh duh." Okay. We gotta have Michael Jackson come sing at your birthday party. Is that all right?
Germaine 40:10
Yes! Oh, hell yeah. Yes. [chuckles]
iON 40:13
That's fun. That's fun.
Germaine 40:14
That's fun. So then this is great. So now you said it adjudicates the position and then that's when it -- 'cause that's when you say you guys don't even know where "here" is. So that's why you
iON 40:26
Right! And that's why, "I'm happy," as compared to what? I'm left, I'm left of right. I'm left of right. No, I'm right of left. Well, you don't know what right is, so you got left. You got left tryin' to be right. You got left tryin' to be right. You should have left with right. If right would live with left, three lefts make a right. [Germaine chuckles] Well, if three lefts make a right, which one's right? Are you left? See? See the rub?
Germaine 40:26
[chuckles] Okay.
iON 40:26
So, if you don't know where you are, how in the world you ever gonna navigate this? We get so giggly with people with Google -- let's see, no. What's the, no, what's it? Waze. Is that's the one? Ginney Belle likes Waze. You know what Waze is? Waze.
Germaine 40:40
Yes.
iON 41:10
Okay, okay. Okay. So they'll tell you where to go; they'll tell you how long it's gonna take to get there. They tell you whereever goddamn "popo" is. They can tell you were ever car stopped on the road, every pothole, every problem from here to Sausalito.
Germaine 41:26
Yeah.
iON 41:26
They'll tell you to the minute what time you gonna arrive! It'll give you the best direction. How could they possibly know that? To begin with, how do they know where you are!?
Germaine 41:38
Right.
iON 41:39
They know where you are when you don't know where you are! And how can they gauge and adjudicate the position and pass to the, to the minute even with traffic or even it will adjust for traffic. And if something happens in the interim, it'll say, "Oh, we got another little route. We're gonna turn left here, we're gonna go right there, and it's gonna be here and it's gonna be there and it's all fine. They know! That's smarter...
[Hour 2, partial transcription]
iON 0:00
...gauge, you see.
Germaine 0:02
Well, you know, it's funny you bring up Waze, because that's what I've been realizing and differentiating realities. Because when I'm using it, it say, "flash flood here," and there is no flash flood, it's the summer, -
iON 0:16
Right.
Germaine 0:16
- and I'm like, okay, that's another reality. And I'm in and out of them like by driving on the same street I've been driving -
iON 0:22
Mm-hmm.
Germaine 0:22
- for the past year. Okay. So, thanks for bringing that
Germaine 0:27
Right. But don't forget that don't know, don't cross the machine, though.
Germaine 0:32
Yeah.
iON 0:32
Don't cross the machine. Go with the machine; don't fight with it. "I'm not going that way. That's not the way to go. I know." Don't do it, just go with it. Because you're not going to overcome it right now. And you don't want to! It's tryin' to help you. And it's also tryin' to get power over you but use that power! Now you're confident you can know exactly what time to leave so you don't have to sit there for 45 minutes and wait on your time for your appointment. They can tell you within a minute when you're gonna be there. Isn't that great to walk in the door and they'll say, "Hello. Greetings, welcome. You're right on time, bla, bla, bla"
Germaine 1:06
Yeah.
iON 1:07
And even it calculates for traffic! For Pete's sake.
Germaine 1:13
Okay, thanks for that.
Germaine 1:15
See the rub? So, we're saying, we're saying balance it, we're gonna balance it. And now the point though as Carolyn Dean will quickly tell you, the point is not to make the Chip Body more powerful than you. The moral is to use that information to gauge in your own power! See?
Germaine 1:34
Okay, Yes.
Germaine 1:36
She's using the angels to do her bidding, which increases her capacity of a powerful place. You got that?
Germaine 1:44
Mm-hm. Yeah.
iON 1:46
She's not doing it. She's not doing it for her health. She's not doing this for her health. See there? She's not doing it for that. She's trying to shake the rafters of the world. And is, by the way.
Germaine 2:00
Yeah, she is. Yeah.
iON 2:01
When she starts, when she starts stomping and says, "This is a hill I'm willing to die on!" it's like, oh, shit, backup, backup. [Germaine chuckles] Easy, easy, easy, easy. It's good because there's certain things she'll accept; she's easy, typically, but at certain things, "No. Nope, nope. Nah ah." And she'll, she'll fall down and she not, she not budging. She's not gonna budge. Y'all gonna budge; y'all gonna change her. Nope. Certain things. Other things. She's like, "Okay, that's interesting. I hadn't considered that. Well, I don't know. Let's see. Let's try it. Why not? What are y'all saying? What do y'all want? What do you want to do?" She's easy with that to a point; to a point. The moniker is what you're trying to get a platitude that will withstand the vicissitude. The platitude will withstand the vicissitude 'cause then you can apply that Outer kingdom into your realm or your reality and give you the opportunity to excel in your rule and reign in all the kingdoms.
Germaine 2:07
Oh, okay. Yes,
Germaine 2:38
That's what she, that's what she -- she's not playing church, she is church. She's doin' it, see?
Germaine 3:17
Yeah. She's about it.
iON 3:17
That's the difference. She's about it. She's about it. And she's not gonna take no prisoners. Now, she's not taking no prisoners. Now don't think, don't, don't, don't flip the script now. Ain't no joke. She's not playin'. She's in it for the real thing, now. Just sayin'.
Germaine 3:20
Yeah. Okay.
iON 3:21
She loves everybody. She'll love you to death. [laughs]
Germaine 3:42
She'll love you to death. [laughs] Okay, so, then my next one, I've been, I'm listening to the Forex formula because I am determined to become really good at triangulating.
iON 4:02
Good! Good.
Germaine 4:02
But I've been listening to that, and I heard you say the question that we should be asking you said, "The question at bay is, is there a practical application to externalize a potential condition or contrast in the shifting shifting within the layers of -
iON 4:03
Hal. Hal.
Germaine 4:19
- heaven or the multiple empires?"
iON 4:22
Hal Holbrook's version of "The Event." That defines it. You can actually see. You can actually see -- that's Dixie Carter's husband from "Designing Women." But "The Event" laid out the stone; laid out the whole triangulation formula.
Germaine 4:41
I copied it.
iON 4:41
I know! That's the reason we said it. We know. Look at that.
Germaine 4:45
Okay. I still have (indistinct/inaudible)
iON 4:46
Look at that. And listen to the word. Yes. Okay. Okay. Then listen to it again. That's the thing. Carolyn says, "I go down this hill every day!" Carolyn says, "I go down this hill every day! Every day I go. And some days it works out, and some days it don't. But I don't stop going down the hill."
Germaine 5:06
Yeah.
iON 5:07
You see?
Germaine 5:08
Okay, yeah, I'm (inaudible)
iON 5:08
She's got a reticule. You always keep your reticule. Don't go anywhere without your pocketbook; have a reticule.
Germaine 5:16
You say that about her all the time that she has a reticule. So, I mean, I have, I have like tons of them. I go through them a lot and I always have new ones.
Germaine 5:27
You're not using them the right way. You're not using them -- the reticule is what you would use to hide things in your heart. The things that you know. The things that you don't wonder; you don't pine or ponder those. In a -- we didn't say a purse, Chanel's all right, but you know, it's a little passe. But a reticule is what you would hold. It's what you'd hold.
Germaine 5:50
Where you hide it in your heart.
iON 5:52
It's where you keep your Confederate money. [chuckles] A reticule.
Germaine 5:58
So, that's inside of you. It's inside of you; it's what you hold inside of you.
Germaine 6:03
Yeah. Yeah. Honey, honey, honey, it's like a, like a burka. You don't carry a burka 'cause you gotta tote a lot of stuff.
Germaine 6:09
Yeah.
iON 6:09
You tote a burka cuz you can. You don't have to have a compact or lipstick. [Germaine chuckles] That's a thing that you can haul, you could haul a week's worth of laundry in a burka. That's all it needs to hold is two things. So, it's not for that purpose.
Germaine 6:23
Okay. [chuckles]
iON 6:24
Just sayin'. I mean, just sayin'. Now see, this is so much fun. We can get down to the, we can get down to the dirty. We can get down to the dirty when we go all the way down to the burkas then, can't we, dear?
Germaine 6:35
Yeah, yep. I heard, I heard Bob say, "Well, maybe we'll tell Germaine to do the fashion segment again." And you said, "Of course she will." You're right. I'm always into it. It's just a different perspective that I learned from Bob to actually need it and I would retrieve it. And now I have a completely different perspective on it. But I would do it with you guys again.
Germaine 6:57
Yeah. So now this becomes, so now this becomes, this becomes linen and lace. Linen and lace.
Germaine 7:05
Linen and lace. Oh, my god. I love that combo. [chuckles]
Germaine 7:08
Mm-hm. Yeah, it fun because it's cheap, and it's the, the savoir-faire applies, and it's duplicatable. Duplicatable. Mm-hm. Joan Crawford will be furious.
Germaine 7:25
[chuckles] Okay, and then my last question would be -- so you know, when you were talking about pulling tangents and stuff like that, I was, would the tangents be considered as an option or a perspective when you're triangulating?
iON 7:42
No.
Germaine 7:42
Different perspective
iON 7:43
No. That's a cosine. No, no, it's not a perspective, it's a tangent from a cosine. You have a sine and a cosine, and you pull a tangent. That's the arc, the mark that you're gonna use to say this is what it goes to. This far. This far is the level that it's contained. From a sine, cosine in the sin, you pull it, you pull a tangent. It's trig -- look up trigonometry. It's a trigonometry function, a tangent. And that gives you the line that you're gonna come to. That will help give you some perspective if you do that right. But now, don't look at it -- just look at their definition. Look at their definition. There's nothing wrong with that. But don't stop right there. There's larger implications that go with pulling a tangent than just what a hardest trigonometry will do. That's like Jackie, Jackie's hard as trigonometry all the time, ain't he? [laughs]
Germaine 7:43
Yeah. [laughs]
iON 7:50
See, that's good, that's good. There's you a tangent. There's you a tangent. That's a good example of a tangent. That's it; that's Jackie. [laughs] That's fun.
Germaine 7:50
Okay, okay, okay. And then I'm
iON 9:01
Make him work for it. Make him work for it, though, honey. Make him work for it. Don't give it up; make him work for it. He's gotta do right.
Germaine 9:09
Yeah, I will. And then so then the question that I asked about is there a practical application to externalize the potential condition or contrast in the shifting within the layers of heaven or multiple empires. So, does that go back again to triangulation? Is that how
Germaine 9:27
It's the way you apply it. That's the way you apply it. That way you can give a gauge what we call, that's what the Bible talks about when they talk about offering supplication. Supplication. That's how you would achieve that. Supplication. Supplication. Good.
Germaine 9:48
Okay. And then
Germaine 9:50
That's good. Y'all hittin' home runs tonight, y'all. This is pretty fun.
Germaine 9:54
[chuckles] And then one last one. So, my mom's buying land in Arizona and she kept on telling me, can you ask iON what he thinks? So, I'm asking for her. She wants to know. We went to look at it today.
Germaine 10:09
She's shocked. She's shocked because it's so arid, and she's like, "I'm leaving the land of plenty, which is terrible, into the damn Gobi Desert which is ridiculous; and why would I wanna do that?" But she's like, "Okay, let's see how it goes." And then all of a sudden, you know, to have to import water. And she's like, "Well, that's kind of what you have to in California, too. So, eh, okay. I'll get used to it."
Germaine 10:33
And there's a well there and there's
iON 10:35
It's different.
Germaine 10:35
Yeah, okay. Okay. All right.
iON 10:41
But get her out of there. Get her out of there. It's a wonder she lasted this long. Get her out. You see what happens. You've seen what it is. You've seen what it is. What fuck face, you don't have to - you don't need us for that. [laughs]
Germaine 10:51
Yeah. Yeah. True. That's a no brainer, duh. Okay.
iON 10:57
These days.
Germaine 11:00
Okay, so, well, I think that's it for me now until Saturday.
Germaine 11:09
Come early. Come early. Lay it out. We like the way -- you're very thorough when you develop a plot. It's kinda like, have you ever read Agatha Christie?
Germaine 11:20
Agatha Christie, no,
iON 11:21
Have you ever read Agatha Christie? Agatha Christie's fun because she's like a mystery writer. You think like a mystery writer. You lay things out and you don't give it up. You won't give it up. You hold out, builds it to a crescendo, which is very interesting. It's kind of fun. Pynchon does that a little bit, but Pynchon, Thomas Pynchon doesn't know what the fuck he's talking about. At least Agatha Christie had a plot, you see.
Germaine 11:21
I'll read it.
iON 11:23
But we're not fond of, we're not fond of Pynchon. They like Pynchon, but we don't know why. Somebody's bringing it in. Bob reads it once a year. Bob used to read. That's before he took up reading. [Germaine chuckles] He used to read. Then he took up reading, he hasn't read a thing since all that. So, he's a phony populace. Bob is a phony populace. That's what he is. Nice.
Germaine 12:04
[chuckles] Okay.
iON 12:11
Thank you, darlin'. This is wonderful.
Germaine 12:13
Thank you.
iON 12:13
Jack is good? Has he got any questions?
Germaine 12:15
He said he's on the line right now. I don't know if he has questions.
iON 12:21
I know, but got any questions?
Germaine 12:22
He's good.
iON 12:24
Okay, okay. Good, good, good. That's fine. (indistinct) Saturday night. Let him bring that big ole, bring that big ole, bring -- well, we can't say that; it's a family show. [laughs]
Germaine 12:38
[chuckles] Okay, I'll tell him.
Germaine 12:38
Tell him, tell him he better get right. Tell him he better get right with God if he's gonna bring it. Let's get it. Let's get it.
Bob 12:46
Thank you, Germaine.
iON 12:46
Okay, Bob, go ahead.
Germaine 12:46
Thank you, Bob. Thank you, iON. Okay.
Bob 12:47
Very good questions.
iON 12:52
That was fun. That was very good. It was very on point, Bob. What have you done? You threatened them again or something? Told them you gonna put them on restriction if they didn't do right? It's crazy; they're doin' all right tonight.
Bob 13:03
No, I didn't.
iON 13:04
Not bad, Bobby.
Germaine 13:05
On point.
Bob 13:08
Okay, thank you, Germaine. Is that you, (inaudible)?
Jean 13:16
iON. No,
iON 13:18
Hey, darlin'. It's Eugene!
Jean 13:21
It's Eugene. How are you? Oh, geez. Okay. [interference noise]
Germaine 13:21
Whoa, whoa, whoa, what happened? Don't do that. You throw her up? Did she throw up, Bob? You throwed her up? Don't do that. Put it back in; plug it back in, Eugene. Plug it back in. Go deep.
Bob 13:44
Yeah, Jean blew it. Okay.
iON 13:47
She blew it up.
Bob 13:48
Yeah.
iON 13:49
That must have been her, it must have been her roofing guy with those architectural shingles, Bob. I bet that's what it was. It interrupted her call trying to call and check in. Must be.
Bob 14:01
Where's Bert?
iON 14:03
Bert! What's up? He may have left you for a better gig, Bob. Whad'ya think?
Bob 14:11
Is that you, Bert? [interference]
Bert 14:14
Hey, Bob.
iON 14:14
Goddamn what do you have that beating the, beating the drums of Bimini? Hey, Bertron! What's up?
Bert 14:21
Yes. Yes.
Bob 14:22
Okay, go ahead.
Bert 14:22
Everything, iON. Everything.
Germaine 14:25
They blowed up. They blowed up. The architecture man, the architecture shingle man interrupted Eugene trying to call her, get her hooked up.
Bert 14:33
Did you hear the - it sounded like a disconnect. Electrical disconnect.
iON 14:37
Yeah, it sounded like it blowed up. Like it blowed up. Yeah, yeah, yeah. Things happen. You live long enough -- Bob, fix your background noise. You got all kinds of like craw things, blowing up stuff. You got Bertron here. Now it's time to go to work.
Bert 14:50
iON, I have four questions for you. 1,2,3, no, actually
Germaine 14:58
[laughs] We gotta -- [laughs] you, okay, now you keep, you keep that -- we're gonna run pentad over the five questions. It's gonna be fun. All right, we may have a few, we may have a few more than that for you though we're gonna see. How's your week going so far, big'un? How's your week going so far?
Bert 15:20
So far, so good. I went, I did a hike up a really steep Alp yesterday, so I had a lot of questions running through my head. So, a few of them popped up so I wrote 'em down.
iON 15:35
And your feet didn't fall off?
Bert 15:37
No. No.
iON 15:40
That's good. That's good.
Bert 15:42
No, no, the feet are good. The joints are a little rough. Joints feeling a little rough, but that's part (inaudible) like my
iON 15:50
Mm-hmm. That's the change. That's the change.
Bert 15:53
That's the change?
iON 15:54
See, you're feet -- yeah. See, the feet are the grounding part. And the only thing we told you to do -- you do a lot of stuff, but the only thing we told you to do is to get grounded. That's what we told you to do. Okay? Everything else is on your own. You're on your own, you don't have to be told; you do what you're supposed to do. See, that's fine. You know, how do we say that nice? We don't have to say that nice. Fuck, we'll just say it, it don't matter to us, it don't make any difference. But anyway, the point is because of that, you don't have to be told; you don't have to be schooled on how to go to the toilet and get up and wash your face and clean up and do what you're supposed to do. And eat food, and don't be a couch potato. You know, the normal living parts of life. So, your home training is working out really good. But you're taking on extra things. The only thing we said you should do is ground yourself. And that helps because of your nighttime activities that got you so distended. That's the way to say it? Okay, we're gonna say it. Then what will help is, help is is you come back to the place where you become grounded back to yourself, 'cause you're not bound in this particular world. See how fun that is? You're grounded, but not in this particular world. That's why it seems foreign to you.
Bert 17:26
Am I grounded in a world, iON?
iON 17:30
We'll see.
Bert 17:30
[chuckles] Yeah, I've been all over the place as far as at nighttime. It's quite an experience.
iON 17:39
Mm-hmm. So, now that's, so now we gotta bring that back home to make that apply because now your reality is supposedly being questioned or challenged, that you're gonna have this or that or this or that. You go, "Hell, no. Hell to the fuck, no. No! Blow it up, burn it up. Shit, I will, yeah, I will drain that pond. Fuck with me. Yeah, I don't have no -- I ain't scared. Fuck this. I'll take a shovel and I'll empty that son of a bitch. We've called this a day! No problem." That's not the issue. But that has nothing to do with what you call reality 'cause that part's shifting. Like, it's up, it's down. It's over, it's under. It's up -- you're good, I'm bad. I'm up, I'm down. I'm in, I'm out. bla bla bla bla. None of that applies 'cause it doesn't change what you're tryin' to do. You're like, you know, please yourself. Thank you. Happy day. Yes. No. Okay. Whatever. Yes. Thank you. Yes. Blah, blah, blah. None of that applies. And that's why it's so strikingly odd for everybody in your environ because they're kinda goin', "What the fuck? This dude is off the chain, now. This is crazy. (indistinct) okay. What's he basing this on? He really knows something. Really seriously, he is aware of something. How does he know?" And you go, "Yeah, I don't know. I don't -- I didn't ask. I didn't tell you because you didn't ask me. If you asked me, I'll tell you, but you didn't ask me. So, it don't really make any difference here. It's a different conversation." So, that's why grounding is important.
Bert 17:39
Yeah, I'm noticing that, the grounding effect, when I do the OA movements because I do it barefooted and immediately I can feel the stickiness of the feet. But then
Germaine 19:31
Mm-hmm Yeah, yeah, yeah. Ginney Belle, Ginney Belle has good luck with that too, with the copper stuff. Now they got the copper socks, and she's got the copper under the bed, and she's very good about doing what she's supposed to do because she -- obedience is better than sacrifice. She's had a little of both, you see, so she's learned quick. Don't fuck with it, just do it. It ain't no big deal; it's nothing serious goin' on.
Bert 19:46
Right.
iON 19:48
Just do it! Just do it. Eat more protein. Okay, I know, let's eat more protein. Let's see what happens. Okay, good. I'm gonna find me a foundered from eating too much protein. Huh! That'll work out. It'll come out with -- magnesium would help with that, You won't get foundered long, so it's all good.
Bert 20:10
Yeah. So, iON,
iON 20:11
So, that's the point. Okay. Now you're ready to start now? [laughs]
Bert 20:15
Yeah. Hey, during the last Payday in the tailgate, -
iON 20:24
Yeah.
Bert 20:24
- people were asking me, asked me a question of if I knew how many, how many Berts there are. So, can you tell how many Berts there are?
iON 20:27
No.
Bert 20:27
[chuckles] Okay, can you, can you tell me am I, am I referenced in the Bible?
iON 20:44
Of course.
Bert 20:47
Can you give me a section?
iON 20:50
Naaman.
Bert 20:50
Naaman! Okay. Okay, thank you for that. Okay, iON, another cleanup. I got to thinking that the two fallen angels at the Hoover Dam.
iON 20:50
Uh oh.
Bert 20:56
And you said the Pentagon aliens gave the technology. But the thing that you said that those two fallen angels were bound. So, did the Pentagon aliens assist in binding those two fallen angels at the dam?
iON 21:27
Mmmmm.
Bert 21:31
That's pretty tricky.
iON 21:32
Mmm, yeah, it's not tricky. It's not tricky, it's appropriate. But the appropriate part is, is that -- okay. Okay, gotta ask the question a little different way, but let's clean it up a little bit. The Pentagon aliens aren't bound. They were trapped in the Pentagon, five bodies, to begin with, but they kind of eased outside of that. That's why they're bandaging up the Capitol and building fences around their shit, and can't get -- you know, why you need a 30-foot fence around a damn building or (inaudible) place are secure, whatever, whatever. It's a little exciting that they're in the House every single day, apparently, but you can't really match those rooms up to anything. It's kind of crazy when you get right back down to it. But that's another conversation. Then you come back around to the full circle of how this applies to an angelic realm that's been bound in that much cement. You do understand there is no way to cure the Hoover Dam.
Bert 22:46
Yeah, you said that.
iON 22:47
Right?
Bert 22:48
Yes, you mentioned that. Yes.
iON 22:48
No, no. No, no, that's more than, it's more than that. They had to create a system to put pipes to run through it because it was so much heat. With that much -- now, it wasn't like Sakrete. That was like pure concrete. You see, it was the pure stuff. Well, that goes through a process that it gives off heat. And the pour was so large, there's no way you could cure that much cement. Well, it would take you 100 years. They did it pretty quickly. And then the heat from that whole binding process from the Portland, called Portland cement, -
Bert 22:48
Yes.
iON 23:37
- okay, was so hot that it would not set up. Not to mention you had angels that were bound in the Hoover Dam, or better to say under the Hoover Dam. Okay, do your history. You can have some fun with this. Do your history; there's no history of what that basin looked like before they started construction on the Hoover Dam. Not a bit. Find some. Find some. Find some. If it's not GCI'd, we'd be very surprised. Or CGI'd or ABC'd or alphabet people'd something. So, you're gonna find it's almost practically impossible because that ravine or that basin, they couldn't build that. I'm talking about what's behind Lake Mead. What's behind Lake Mead, you can't build that; they couldn't dig that out. They didn't have -- okay, when that was built, they didn't have the technology strata in order to build it. They can't -- okay, okay, okay, okay. Let's say it this way. All right, let's blow the motherfucker up. Today you can't build another one. There you go. That solves it. Let's do it like that. If we blowed it up, you can't build another one today. There you go. That solves it.
Bert 25:12
Okay, iON, just -- so you said for me to reask it. Okay, so were those angels bound there before the dam was built?
iON 25:19
Yes. Yes.
Bert 25:19
Ahh. Ah ha. Were they bound in the same process as those four angry angels under the Euphrates? Is it, was it the same process?
iON 25:19
Mmm. No, because the aggregate is different. The aggregate is different.
Bert 25:53
Okay, but they were bound before the structure was built. Okay, when they -- when the cement was poured, that whole process, did anyone know that there were angels bound there? Did anyone
iON 26:07
We can't say they did not know. They did not, they did not know. All they knew was Mr. Roosevelt was gonna save 'em all. [laughs]
Bert 26:23
Okay, okay. Okay.
iON 26:25
That's a whole nother conversation. Why would you go. "Hold on! Stop! I know, let's go in the middle of a damn desert in the Colorado River and start pouring cement in a hole that ain't got no bottom to it to stop -- if we can now back up some water, it makes the biggest reservoir ever to make water for everybody. And then make a hydroelectric dam which hadn't been done before, with turbines that hadn't been invented before." You're talkin' about this is during the Hoover days now.
Bert 26:37
Mm-hm.
iON 26:44
Well, you're saying "uh huh" like everybody knew what the fuck was goin' on. They didn't have a fuck what was going on. They just went and they said, "Okay, they're gonna give us money; the WPA, the work program. They will give us borrowed money. We're gonna borrow our way out of debt." Nice. If they could have just made a TikTok about it, wouldn't it been wonderful? It'd been great. Have a TikTok to tell them what they're gonna do to bind some angels and start some, start some meth. Some meth is gonna get undone here very quickly. It won't stay in Bert. It will not stand.
Bert 27:38
Okay. What will not stand, iON?
iON 27:43
That thing.
Bert 27:46
The dam.
iON 27:49
Well, we don't want to make this a newsflash. Obama may get very upset again.
Bert 27:56
Okay. But, iON,
iON 27:58
Michael, Michael, Michael doesn't like it when Obama gets upset.
Bert 28:02
Okay. Just one more question on that topic. Did Herbert Hoover have anything to do with aliens? He was aware that aliens then. Correct?
iON 28:14
Oh, yeah. Had to.
Bert 28:15
Okay.
iON 28:16
And that's, that's the only way you could set that as a work order, a work program. 'Cause that's the --think about it! The world is over! It's through! Okay, let's quiet the dead and spend all the money that's ever been ever, ever, ever, and take all the concrete that's ever been and build a dam! A hydroelectric dam with something that ain't never been the hydroelectric anything. There wasn't even a fucking grid then! What are you gonna produce all that for? There was no grid! You just barely got through with the dit, dit, dit, dit, dit, dit. Dit, dit, dit. Dit, dit, dit when you had the little telegraph.
Bert 28:51
Right.
iON 28:51
That's -- you barely had that. The railroads weren't even completely finished enough to run anything! Just sayin'. That gets a little odd after a little while. So, when you start looking at it objectively now, people go to the history buffs and go, "No, no, iON, it went like this: la, la, la, la, la." We go, "Now wait," and you start asking questions, and all of a sudden they go, "Wait now. Yeah, how was this a good -- who came up with this?" Whose idea was it to build the Hoover Dam?
Bert 29:30
You asking me the question or are you
iON 29:33
Ah huh.
Bert 29:34
You're asking me?
Germaine 29:36
Yeah.
Bert 29:38
Hoover. Herbert Hoover. It was his idea, you know.
iON 29:43
No.
Bert 29:46
Okay. Can you disclose the person who had the idea to build the Hoover Dam?
iON 29:53
Rae Lyman Wilbur.
Bert 29:56
Rae Lyman Wilbur. Mm. Let's see. Oh, he's the 31st United States Secretary of Interior.
iON 30:27
That's correct.
Bob 30:28
Hey, Bert, read the Turbot document about the Hoover Dam.
Bert 30:33
Okay.
iON 30:33
Don't you do it. Don't you do it. Don't you read that foolishness. Don't you -- let Bob read it to you. Yes. If he wants, if he wants you to read it, tell him to read it to you. Yeah, don't you do that.
Bert 30:34
Thanks, Bob. Thanks, Bob. All right.
iON 30:45
Fuck that shit. Fuck that, fuck that shit.
Bob 30:45
It starts off with the intrigue around the Hoover Dam back in the (inaudible) -
iON 30:50
Yeah, Bureau of Reclamation.
Bob 30:52
- and leads to the Kennedy assassination. And another reason, another reason that nothin' was going on in America in the 30s, I hadn't gotten here yet! I was still in Paris.
Germaine 31:01
Yeah. The Bureau of Recla -- Bob's called that the era of the Bureau of Reclamation.
Bert 31:10
Thanks for that, Bob. Okay, iON, next question. I've had these questions for like, two months, three months. "His Dark Materials." There was some interesting
iON 31:19
That was September, September 30, 1930. Bob likes that date.
Bert 31:24
September 30, 1930. Okay. iON, "His Dark Materials." There was some interesting topics covered in that series. And the two
iON 31:36
Say, say it again. Say the words. Say the words again. Bob, this is your (indistinct).
Bert 31:36
The series is called "His Dark Materials." It's a HBO series.
Germaine 31:43
Oh, yeah, yeah, yeah, yeah, yeah. Yeah, yeah, yeah, yeah, yeah, "His Dark Materials." Ah huh. Materials, plural. Good.
Bert 31:47
Okay. In that series, they outline that the Guf was identified as dark matter, and that angels are creatures made of shadow matter. And during that series, dark matter was speaking to the physicists and outlining that they were angels. Is there any truth to those two topics?
iON 32:10
Correct. Exactly right. That's it. The dust, the dust, dust in the wind. Yeah, the dust doesn't matter. This goes back, this goes back, this is based on where they came from this, "The Golden Compass." That's the series, the movies, "Golden Compass," all that stuff where you have these avatars that are hooked to you and you, there you're good. The id, the good id; the bad id; the id id. And I like you, and I don't like you. And you know, all that stuff.
Bert 32:45
Okay, iON. Okay. But let's go back then. Real quick. Are the angels made of shadow matter?
iON 32:56
Ahh -
Bert 32:56
Or dark matter.
iON 32:56
- the answer -- well, let's see, there you go. Now see, if you hadn't had said, it's just an answer. We goin' back. You stepped into it. 'Cause here's the thing; you don't know what that is. So, if we say yes, you don't know what that is.
Bert 33:08
Right.
iON 33:08
If we say no, you still don't know what that is. So, the answer is the first part don't say dark matter. What did you call the first matter? The dust?
Bert 33:16
Shadow matter. Shadow matter. The dust, shadow matter.
iON 33:20
Shadow, shadow matter is exactly the compulsory set point that you could identify an angel. All right, when you walk down a street and you start smelling a certain thing that you know an angel is afoot, what smell is that smell that you scent?
Bert 33:44
Hyacinth.
iON 33:47
Excellent. And now, do you know what hyacinth smells like?
Bert 33:51
I've smelt it, yes.
iON 33:55
Okay, what does it smell like?
Bert 33:58
It gets your attention immediately because I experienced that in walking through a forest about maybe three or four years ago. It got my attention because it was really strange; strange scent coming out of the forest. And there was no -- I couldn't see any plant life. So, yes.
iON 34:22
Ah huh. Ah huh. Mm-hm. [short pause]
Bert 34:31
Anything more? Any more words from you, iON, on that?
Germaine 34:45
It goes back to the God Zephyr.
iON 34:47
The God Zephyr.
Bert 34:49
The God Zephyr. Okay.
iON 35:05
Homer. You have to go to Homer. You have to go to Homer. Not the Iliad, but Homer.
Bert 35:15
The God Zephyr in Homer?
iON 35:18
Yeah.
Bert 35:18
Reference it. Okay. And was he, is he an angel, or I'm trying to get the connection of this smell of hyacinth and the
iON 35:32
That's how, that's how that smell, that's how that smell -- okay, okay, okay, okay, okay. Okay, okay, okay. It's the south wind or marine tropical airmass; that's what it smells like. That's what it brings the scent of. South wind out of cold waters.
Bert 36:01
South wind out of cold waters. Is that possible?
iON 36:09
Of course. That's how they get -- that's what the smell comes from.
Bert 36:15
But wouldn't the south wind be warm?
iON 36:19
Not necessarily.
Bert 36:22
Okay.
iON 36:23
The south wind is blowing through the cave of Thrace. No.
Bert 36:26
You put somethin' else in there. Cave of Thrace. I have to listen, go back and listen to that. Okay. So, that was set a -- okay, so, okay, could we say that the God Zephyr is the one who established a relationship with the angels to set that scent?
Germaine 36:46
With Corus. Mm-hm.
Bert 36:49
With Corus.
iON 36:50
That's where you get the fruity smell. It's like a fruit smell, fruitiness, fruity. Kind of brightness but not. But it's not like a sickening smell. But it's not like anything that you'd make a perfume out of; too strong for a perfume. If you notice, they don't do that ever.
Bert 37:10
That's, and that's -- okay, you're saying that hyacinth has like a sort of fruity scent.
iON 37:21
Brightness of a south wind. Or a hot wind.
Bert 37:27
That's what get the attention. That's what gets the attention 'cause when your walking it's -
iON 37:32
Yeah. Yeah.
Bert 37:32
- like, where did that, where did that come from? 'Cause it's totally - the scent does not match.
iON 37:37
From the angels.
Bert 37:38
It didn't match from where it was.
iON 37:39
From the angels.
Bert 37:39
From the angels.
iON 37:41
Right.
Bert 37:43
All right.
iON 37:43
Dionysus.
Bert 37:46
Yeah, you laid in some more. Okay, iON, two more questions. I was sifting through
Germaine 37:53
No no, no! No, no, no, no, no! No, no. Look it up this way. Go to the Tower of the Winds.
Bert 38:01
All right.
iON 38:03
The Corus, no "h." That'll help you.
Bert 38:09
Okay. Thanks. Okay, iON,
iON 38:12
'Cause see some of these indigenous, some of these indigenous Gods are gonna pretend that they're aliens, but their Gods. And then those spawn are the things that you're dealing with now, but the humans are smart. They know how to smell 'em out. The sea of Azra.
Bob 38:27
Hey, Bert, iON's just mentioned Dionysus in passing.
Bert 38:34
Yes.
Bob 38:34
That's a famous, famous, famous God, and what did he say about it? Was it an alien or an angel? You should check that.
Bert 38:41
[chuckles] They were connecting them to, ah, we were just outlining the smell of hyacinth. I have to go back and relisten. They laid that out in passing, Dionysus. So, yes. Wow.
iON 38:53
Yep.
Bob 38:54
And, and Zephyr. He mentioned Zephyr.
Bert 38:57
Yes, Zephyr started off. Yes. Zephyr connected to
Bob 39:01
Is that connected to Dionysus?
iON 39:04
It does as well. And Corus. Corus. C-o-r-u-s. Okay, that was fun. Now what? Now what you got?
Bert 39:20
I got something. There's so much. Just like I said, I'm sifting through my notes and I found something.
iON 39:26
Good. No, say it's not so.
Bert 39:30
Yeah, it slipped past; there's a lot that slipped through back then, but I'm going back and resieving. Okay, March 6, 2021, you told me that the radiation -- you told Dr. Dean and I that the radiation is ahead of the hydrogen. So, my question is, is the radiation still ahead of the hydrogen?
iON 39:56
The race is on and here comes pride in the backstretch, heartache is pulling to the inside. They're about neck and neck right now, Mr.
Bert 40:11
Is that due to the increase of the AL2(SO4) formula? Is that why
iON 40:15
Agreed. Agreed.
Bert 40:18
Okay. Thank you for that one. Okay, iON, I'm
Germaine 40:23
And the shift of the, and the shift of the electric field and the magnetic field associated with it. And those wave-like properties that are gonna fall, it sets into an electromagnetic pulse. And that pulse is what's shifting or changing. So, it takes the half-life and makes them stable. But that's old school. We've done that 1000 years ago.
Bert 40:49
Well, that's -- boy, boy, iON, you just touched something that's I've been (inaudible)
iON 40:54
Maggie, Maggie, Maggie, Maggie even gets that.
Bert 40:57
Yeah, but it's funny how you roped that into what I've been looking at. But I'm not gonna disclose that yet at this moment. But it has a lot to do with our discussion with quarks.
Germaine 41:10
Okay. And the three types, and the three types that you're gonna be looking for is the alpha, the beta and the gamma. Those are the ones you're gonna be looking at, because that's what you're trying to see. Because that's some things that are changing. And that's the part that's gonna be the largest neutron-based electromagnetic killer, -
Bert 41:14
Wow.
iON 41:24
- so here for to pass. You know why there's a problem? You know why it's a problem? Because they're nonionizing; can't make 'em positive. Nonionizing radiation.
Bert 41:45
Nonion -- is that the neutron radiation?
Germaine 41:48
Well, we'll see. Well, well, well, we'll see. [chuckles]
Bert 41:54
I saw some alarming information when I was -- I was like, "Oh, I gotta sift through this to come up with some pretty cool questions." So, that's what I'm (inaudible) along with TikToks on Saturday, but my last question, iON,
iON 42:07
Oh, my God, that's fucked up. Now go back to what a nonionizing radiation is. It's got enough energy to move atoms in a molecule and cause it to stir. Like it'll make metal hot. But it's not enough to move electrons from atoms. Like the difference between visible light and microwaves or radio waves. But that's gonna be huge because once you start having the radioactive decay and you shift the alpha, the beta, and the gamma, you're gonna have, you're gonna have unstable atoms called radionuclides.
Bert 42:51
Okay. Damn, you just laid some more on there. And I was gonna say some'um, but I'll hold that 'cause I gotta relisten to this.
iON 42:56
Well, just get it. Yeah. Radionuclides
Bert 43:01
Because I read something. I'm like, "Ooh, how did that fuckin' slipped through?" But anyway,
Germaine 43:05
Cobalt 60! What? Not Cobalt 60! Say it's not.
Bert 43:11
Look at you (indistinct), iON. Look at you.
iON 43:12
Say it's not. Say it's not. No, my god, not thorium. No.
Bert 43:16
Look at you, iON. Lay it (indistinct/overtalk) Thank you.
iON 43:17
Isn't thorium. That's ridiculous. That's ridiculous. That's ridiculous. Cesium 137? No, come on now. You know better than that.
Bert 43:25
Hey, I had a dream about cesium, iON! I had a dream.
iON 43:28
We know, we caused it.
Bert 43:29
Monday night. Cesium and hydrogen.
iON 43:29
You didn't have a dream, you were there. You were there.
Bert 43:33
Cesium and hydrogen.
iON 43:33
Yeah. Yeah, we know. That's why we brought it up.
Bert 43:38
Damn. All right, thank you. (indistinct) we wrap up this
iON 43:42
Cesium 137.
Bert 43:43
Cesium -- okay, iON. The pentalogue in the armpits, is that connected to the plasma field?
iON 43:50
It's its base. Let's say base. Let's just call it the base. It's a base.
Bert 44:10
The pentalog in the armpits -
iON 44:16
It's not really.
Bert 44:16
- is the base of the plasma field?
iON 44:03
Yeah, it's a base, but it's not the plasma field. You're askin' if it's the plasma field, and it's not. It's the base. But see, that position, the pentalogue, is what you connect to. That's what gives you your girth. It's not your legs. It's not your, your trunk. It's not your arms. The pentalogue is where you have that connection. So, that's your base.
Bert 44:23
Mm-hm.
iON 44:31
So, if you look at it that way, it would be a handle on the wire whisk on the eggbeater. The whooper, the che, che, che, che. [whipping sound] You know.
Bert 44:42
Yeah, the (inaudible)
iON 44:42
The heavy whipping cream maker. Yeah, yeah, yeah, it'd be the handle.
Bert 44:43
The pentalog.
iON 44:48
Yeah, that's not, that's not -- Correct. The pentalog is not the wire whisk. It'd be the handle. If you can do it that way, that makes it softer and easier to connect all the (indistinct) 'cause you're gonna have to bring that right back to the lipids. 'Cause if you forget the lipids, you're screwed.
Bert 45:04
Damn, iON, you're all up on me, man. I was just looking at some lipid notes. Boy, you're on me. Okay. Thank you. I'm reading about
iON 45:11
We're not as good as we're -- we're not as good, we're not as good as we once was, but we're good once as we ever was. [laughs]
Bert 45:17
Hey, you're on me, iON! Thank you, iON so much. Thanks, Bob. Thanks, Carolyn. Thanks. I'm good.
Bob 45:23
Hey, Bert, did you ever say cesium 137 dream?
Bert 45:28
Yes. Yes.
Bob 45:29
Yeah.
Bert 45:30
I had one Monday.
iON 45:32
And does pentalog end g-u-e, or just l-o-g?
Bert 45:37
L-o-g. I spell it l-o-g-u-e.
Bob 45:39
U-e. Okay. All right.
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