27 July 2019
Transcribed by Nan
Gregg 0:02
This is on The Sixth Key, the Modern English Translation. "The spirits of your 4th Angle are Nine, Mighty in the firmament of waters: whom the first has planted
iON 0:16
[laughs] What about dat doh? Go ahead.
Carolyn 0:16
[laughs] Yes. Yes. Yes.
Gregg 0:28
[chuckles] "whom the first has planted a torment to the wicked and a garland to the righteous:"
iON 0:33
Wait, wait, wait. Now there's -- and now be careful. Bob is gonna call you down on punctuation. Now, there's a colon, and he can actually tell you what a colon means. Most of the folks that we have now are no longer ABC'd, GQ, because they don't know what a semicolon or a colon is and what it, when you use it and how it applies. But that's all right, ain't no trouble with that. But look here, look here. This thing -- we're going to interrupt as we go because otherwise it's gonna get too far and then it'll be too many words and then Bob will be upset, and you can't have that this hour of the day, you see, it's just incredulous. So, look here. "whom the first has planted a torment to the wicked". Now, we might say that the little man are the wicked 'cause they're the ones that don't know that they aren't. So, that's pretty wicked. And then a garland is something you wrap around yourself. "to the righteous" are the ones right or the ones right-justified or right-angled in a juxtaposed position in their degree or level of Ascension. Because it's not separating to say that you're okay if you're Ascended and you're not. If you're not, it's gonna be how it's applied. This is the angels; you're talkin' to the angels and you're tellin' them how you're gonna sort it out.
Gregg 0:52
What you mean by how it's applied? What's the "it's"?
iON 1:51
The Key.
Gregg 1:51
The Key is applied. Thank you. Very good.
iON 2:01
Yeah, yeah, yeah. Okay, Bob, tell us what a colon is and what do we use it for?
Bob 2:10
Well, when you're making a series of clauses, and you're not using a comma, you use a semicolon. If you use a comma between clauses, they're kind of in the same theme. But if you're making an inventory and they're not of the same theme between the different clauses you put a semicolon in. But a colon is to, serves as an introductory thing like Bob learned dance moves from the T.A.M.I. Show 'cause he knew Bill who played, who danced with Vito's Freak dancers who made The Byrds and Zappa famous 'cause everybody came to the club in LA to see them in '65, '66. So I would lay that clause (overtalk) -
iON 2:51
Back in 19, back in 1922. Back in 1922.
Bob 2:52
- that damn fuckin' colon there and then I'd give a YouTube or some more details. So, a colon sets up a subplot.
iON 3:01
Okay, okay, good. That's true. That's a lot of words; they didn't mean much, but there's a lot of words. If that's true, if that's true, then there they told you something, okay, in the Key of how it works. Now, if that's a collection of something, what is it going to do in this collection or modality being offered within and without these Keys? So now, everything after the colon.
Gregg 3:29
Colon. "giving unto them fiery darts to winnow the earth, and 7699 continual Workmen whose courses visit with comfort the earth and are in government and continuance as the second and the third." [starts to speak]
iON 3:52
Whoa, whoa, whoa. Don't get lost. And now as you have this entire set, mark, you have continuous 7699 continual Workmen and the continuance of that second and the third it says though there are steps. The steps that you're applying, it's what you're trying to gather. Now we're gonna go back through it because it's short and sweet and to the point, but now, now carry on. We just didn't want you to get lost so you'd have your question. So, that's all good.
Gregg 4:23
Of course.
iON 4:24
Now, wherefore. Wherefore.
Gregg 4:27
"Wherefore hearken unto my voice: I have talked of you and I move you in power and presence: whose Works"
iON 4:39
Whoa, whoa, whoa. Whoa, whoa, whoa, hold on. Bob, Bob, Bob, Bob. Now we got sets of sets of sets of sets and 99,214 damn colons. Now, how does that suppose to work? How do you have subsets of subsets of subsets? That's ridiculous. What's wrong with this picture?
Bob 5:00
That's the orphic Baroque spirals. Also, the Nicene Creed guys didn't know what they're doin'. Maybe even King James didn't know what he was doing. But there's no problem with subsets of subsets What's wrong with that?
iON 5:13
No, we're just trying to make sense. "Wherefore hearken unto my voice:" Subset: "I have talked of you and I move you in power and presence:" And then a subset. "whose Works shall be a song of honour and the praise of your God in your Creation."
Bob 5:30
The second one was aside. A-s-i-d-e. So, it's addressed (echo/overtalk)
iON 5:36
So, in your world if you weren't ABC'd, you'd use a hyphen to separate that or parentheses to quote it
Bob 5:36
Yeah, well, you wouldn't quote anything. (echo/indistinct/overtalk)
iON 5:45
Oh. Oh, okay. Oh, okay. Okay.
Bob 5:48
Wait. Just a minute. (inaudible)
Carolyn 5:54
What, Bob? I can't hear you.
Bob 5:55
Sorry, I got interrupted. What, Carolyn?
Carolyn 5:59
I couldn't hear you.
Bob 6:00
I muted for a sec. Anyways, but can hear me now, right?
Carolyn 6:04
Yes.
Bob 6:05
Yeah. So, did you address me, iON, or were you -- did I interrupt you?
iON 6:10
No, you were delightfully enjoying the continuation of the multicolon continuum.
Bob 6:18
That's awesome.
Carolyn 6:19
Not, it isn't awesome at all. It's BS. You guys are distracting yourselves with grammar. Now back to the topic.
Gregg 6:30
"Wherefore hearken unto my voice: I have talked of you and I move you in power and presence:"
Carolyn 6:40
Colon.
Gregg 6:42
"whose Works shall be a song of honour and the praise of your God in your Creation." Why is "Works" capitalized here, iON?
iON 6:56
Ahhh. Whose Works? See, Bob would want to know who we're speaking to. That's the reason we brought it back in the beginning and held it back to make sure you got -- remember that this is a Key. Remember this is what the Ascending or a God would use to direct the angels. So, if you got those subsets of subsets together, then you come back here and you go: You listen, angels, hearken unto my voice. I talk to you day and night. I work and I clean and what do I get in this kitchen? Cockroaches. All day long, cockroaches. And so I'm talking to you "and I move you in power and presence:" Now you got another subset. Whose Works. It's almost like a question. Whose Works shall be a song of honour.
Gregg 6:56
Right. Works of a God.
iON 7:01
Right. And see, because and the reason they said that way is because even -- okay, now hold your girdle, Myrtle. This is pretty good. Even if you're not a God and you use these Keys, it can still produce a field, however not cosmically aware, of a God Work which would make it then a capital W. You see? You even have the power when you don't have it. You wield it, you don't know what it is. You have a lawn mower but you don't know how to crank it. But even though you don't know how to crank it, sometimes it will still cut the grass. So, if the grass is cut, then that would be a God Work.
Gregg 8:41
Got it.
iON 8:42
Is that enough subsets in the subsets? You see why they get all the subsets? 'Cause you have to include the little man too. And there's what if somebody's halfway there? What if somebody gets it? What if somebody's trying to embrace it? Those would apply too, but it doesn't discount your effect or
Bob 8:58
Hey, iON, the subsets indicate simultaneous audiences, simultaneous levels. Get that, Carolyn?
Carolyn 8:59
(in background) Yeah.
iON 9:03
Precisely. Precisely. Well, gosh, we're so glad you're the last grammarian, Bob. You saved the day once again. Praise him, Praise, praise Bob.
Gregg 9:14
Praise Bob.
Bob 9:16
Thank you.
iON 9:16
Praise Bob. Okay, now the "song of honour and the praise of your God in your Creation." Who's the "your"? Who's your God and who's your Creation? Ain't capital. Just askin', just sayin'. Too many pronouns. Which one is it? Who we talkin'-- whose who's? Who's whose works shall be the who's of your God of your Creation in your house of your Key of your angle of your business in your house and your lolly. And so you gotta figure out the "yours," but your position is how close you are to it. So, it precludes the "your" as an Ascended God. So, you'd be your God if you're Ascended. And if you're not, it would be your Creation until God does recognize it or if it is a capital Work, it'd be the Work of God whether you're a God or not. Yes?
Gregg 10:11
Very good. Right. Everything's lining up to be a qualifier in this Key as people come into their Ascension even if you haven't
iON 10:25
Okay. No, no, you're right. You're right. We weren't -- we were agreeing to say yes, okay, go ahead, 'cause you're on point.
Gregg 10:32
Oh, no, it's riddled all through it, especially in these last two words. It's very clear. Capital words, God. Capital Creation. Capital -- it's literally anything you touch or move toward or embark upon, it's a capital letter because it's the, it's the work of the budding or pubescent gods or mature Gods. And the angels have to
iON 11:04
Do you believe this? Are these words agreeable? Are they embraceable? Are they okay words as far as words go? Are they all right?
Gregg 11:14
Yeah, they are for me because it's
iON 11:16
Well then what the hell is the prob -- then what the hell's the problem? Let's go! Good! Then that ought to solve, that ought to solve a lot of issues that -- in the becoming now, this is where you'll defer to Dr. Carolyn Dean at this point because that's her thing that works. She works in that world. Just 'cause it's something that's becoming, okay, when there's flours sitting -- she's been making a lot of shewbread lately. She's quite the pro by the way, y'all. She may give up medicine, y'all. She may give it up. You better come on and Ascend quick 'cause she's going on the, she's on the last train going to the coast. [Carolyn chuckles] Father, Son and Holy Ghost. She's headin' now. You better come on now. So, anyhow, that point, she sees a sack of flour, -- King Arthur, of course, it's the only kind there is -- she'll see a sack of flour and she sees shewbread. Well it ain't no more shewbread than the man in the damn moon.
Gregg 12:11
Right.
iON 12:11
She doesn't see it as flour, she sees the product. She sees the end results. Okay? She sees that, she engages that, because she has the capacity to go beyond what is. And she rarely gets troubled up with the details of what is. And not everybody can do that. Now, sometimes it's too much and then rah rah rah and all that kind of crap. But she don't care. Huh. It don't make no difference to her. She sees what was coming to. So, hurry up and get on with it or quit cryin' about it.
Carolyn 12:42
So, we are. Right. So, here we are then. The Sixth Key as you said to Michael a few weeks ago, use this Key for the application of potential kinetic energy, the power Key. So, you're saying this, the doing foods, so that's perfect. And the other words
iON 13:01
The 4th Angle, the 4th Angle, of course, the 4th Angle's gonna come back to the before there was a pentad -- set the Tiny Note aside for just a minute. Carolyn, we have to make this about Bob, or he'll turn us off. You know he's muted us before. We understand this.
Carolyn 14:57
Right.
iON 13:22
But if you can go to the 4th Angle, if you can go to the 4th Angle, that -- though angle is which way you start. It's almost like a Flying Jenny. You know the thing that spins around that kids ride on, the Ferris wheel thing, the Flying Jenny, the seesaw thing that goes around. It's like depending on which angle you come into, or which quadrant you come into. Each of them are right-justified into another angle. And then that, then elevates into or obsolesces into the Tiny Note. Okay, and then that sort of the handle that you hold onto, depending on which quadrant you're coming from. So, even if you're stuck in the Thompson quadrant which you all were and it was liked to been ugly, I mean not pretty, not good. Just one second. Bob! Get Bert's ass ready. He's got some 'splaining to do in a little while. Tell him get himself together 'cause that's what this is gonna apply to. They almost got themselves, Carolyn, in a mess. So, the mess that comes back into the upside down, y'all remember that, it was nasty. Everybody was questionin' everything, they didn't know up from down or over and under, and didn't even know what a rabbit was gonna do to a stump. But you got past that because the right-justified position of the application of the power. So, in the big picture, Carolyn's like, what is the point? Everything works out, you get what you want, rah rah rah and all that stuff. But it still has to be worked out within your realm; into the dimension, whatever dimension you're in. Okay? You still have to right-justify it to something. Otherwise, you have nothing. I'm hot! I'm hot! I'm hot as compared to what? I've been cold. I'm cold. I'm cold. Compared to what?
Carolyn 15:07
Okay, so what you continue to say to Michael and you're, you're going off sidebar in the same the same thing. The words ring the heavens, ring the heavens, the mountains cry out, things have shifted, you don't have to call a bulldozer to do it. And then for commanding specific kinetic energy. So, it's like as we finally decide to "do" things, then everything's gonna get shaken up.
iON 15:39
Good. That's very good.
Carolyn 15:41
Okay. And then the few, the few words that you said years ago when we first went through the Keys was use this for application for potential kinetic energy.
iON 15:52
That's right.
Carolyn 15:53
Really as a power Key. The words ring the heavens, the mountains cry out, things are shifted. You don't have to call the bulldozers, commanding specific kinetic energy. So, yeah, repeating, repeating. So, Gregg, are you okay with this Key?
Gregg 16:11
Yes, I am.
iON 16:14
The one little section,
Ginney 16:14
I don't know what it means. I have no idea what that means. I mean, define specific kinetic
Carolyn 16:19
Because you're doing it.
Ginney 16:24
Just by moving or something? Moving your body?
Carolyn 16:28
Anything that comes along you don't ignore it, you do. You are The Sixth Key, right, iON?
iON 16:36
Well, in the hexadic, in the hexadic that would be appropriate. But see, it says here the 4th Angle are Nine. We're gonna get to the ninety and nine in the next Key, but the nine application of basically you have hendiadys, Carolyn, so you actually have the nine part of where it's right-justified from two cubed which is eight. And then you would be "are Nine." The 4th Angle are Nine within the four quadrants. But we don't want to confuse it. Let's go back. Ginney Belle!
Ginney 17:14
Yeah, I'm right here.
iON 17:15
Come here, darlin'. Now tell us what's your askin' and we're gonna answer you direct on this Key right here.
Ginney 17:23
Well, I'm asking I do not know what this whole thing about kinetic energy is. I mean, are we talking about physical movement? Are we talking about portaling? Are we talking about making an element like H197? I mean, what are we talking about?
iON 17:39
Yeah. All those. All those apply, all those. And that's the reason we went through this huge, long protraction on the grammarian's view of the use of the colon. It becomes subsets of subsets of subsets, so you're exactly spot on. It applies to all that. And even if you're a little man and you do the work here that you've "move you in power and presence," then those big Works can offer and are just as though an Ascended God did it.
Ginney 18:13
Now that kind of brings up something interesting because we saw this Netflix program on Bob Lazar, the guy who purportedly reverse engineered element 115. And he doesn't, he's not talking about Ascension, but he seems to have had a hand in working with UFOs and this element 115 and moving it forward into the earth. Is that kind of what you're talking about?
iON 18:39
It could apply. And here's the thing, even stupid people can do it, Ginney, 'cause they don't even have to know what they're doing. Ha! It doesn't make any difference. That's why it's fun. And that's why sometimes somebody will just stroll in with the answer, and they go, duh, and you're like, where in the hell did that come from? It's like it's not conditional. And that's why Carolyn's words are great that she reminded -- they were actually our words, but she reminded us of it. She's real good at that 'cause it works out good. The kinetic energy is the correct word because it doesn't have any drawback. It doesn't' -- it's not nuclear. It's not nuclear. It's kinetic. It's what you apply to something. It's a chopping up something with your hand is a kinetic energy exchange. And all that this is saying is, if you want something, get off your ass and do it. If you don't, then lay in your bed and eat sweet cakes and cry about it.
Ginney 19:37
Okay, so this is just putting feet to your faith.
iON 19:42
That's exactly, that's exactly correct. Even when you're wrong, it's okay. Feet in the wrong place is better than no action at all. No living, no gaming, no engagement. Life is for the living. Life is for the living. And if you quit living long enough, you'll choose to exit this meatsack body. Your choice, but you separate enough, and it'll get easier to not be here than here. And that's what you're runnin' into, Ginney. You've looked at this and you're good to help folks 'cause you're all good. You do way too much. These sons of bitches don't deserve your spit let alone what you do for them. It's ridiculous what you do. It's amazing what you do for these people. Yeah, but that's a whole nother conversation. You need help, honey, we got you. Don't you worry, we got this here. But the point is, is that you are able to shift the firmament to make the whole landscape better for everybody. And for no other reason that it makes your landscape better. That's a good enough reason to do it. And if you save the whole wide world, congratulations. But we're not interested in that, we're interested in your Ascension which is nigh. And it's a marvelous, marvelous reproach. So, even if you're sideways, you're still okay.
Ginney 21:00
Okay, going back to Bob Lazar, is he, who he's, I mean, was he working with element 115 and was he interacting with UFOs?
iON 21:12
Okay, we're gonna just answer the question and say yes. And we're also gonna put a colon, if they only knew what a UFO was.
Ginney 21:22
Okay.
iON 21:23
There's a lot of unidentified things.
Ginney 21:26
Okay. What -- did he have his physical hands on element 115?
iON 21:32
Oh, sure, sure. Sure. Sure. Yeah. That's no big deal.
Ginney 21:36
Okay, that's no big deal.
iON 21:37
That's not a big deal, but we're softening this because in a second, it's like, did he run a four-minute mile? Well, sure. Everybody's running four-minute miles now. You gotta get your cardio up, but yeah, you can run a four-minute mile, it's no big deal. That's four miles an hour. Most scooters will do that. [chuckles] So, yes, it is possible and it's not an outrageous thing. Now, it's not as dramatic. They made a show about it, Ginney, so it's why they had to pump it up somehow 'cause it's okay, fine, but it ain't that interesting. But it's okay from an application, you see. So, yeah, it doesn't, -
Ginney 22:11
Okay, and the application is
iON 22:13
- it didn't have
Ginney 22:14
Okay, go ahead. He didn't have.
iON 22:16
Your power. Your power.
Bob 22:18
I saw a documentary on him about a year ago, which was done a couple years ago. What's the name of your documentary?
Ginney 22:26
Bob Lazar Area 51 and Flying Saucers.
Bob 22:30
Yeah, does it go back to how he got the job there when he was young, and he found this stuff out and then he was ridiculed for 20, 30 years, and there's this document?
Gregg 22:41
Yeah.
Bob 22:42
That was -- okay. I don't remember the element stuff, that didn't, wasn't even seen. It was like him -- was it true that he saw a UFO or not, and he kinda got validated the last few years. That's what the documentarian discovered.
Ginney 22:56
Yes, but what was interesting to me about it because we had just done the whole thing on the moon landing and iON talking about how the Russians were there first and their involvement in the space movement and everything. And what happened was they had element 115 at this Area S4 or whatever it was, but how somehow the Russians ended up as part of this joint institute for nuclear research that actually did this 115, and then it took them 10 years to actually get it in the books as a real element. So, I thought it was interesting that how did, how was it there and then all of a sudden, the Russians are involved and blah, blah, blah, blah, blah. So, I thought there was quite a bit to that story. But 115 is what's interesting because it's on the way to 197. Right?
iON 23:45
You're right. You're right.
Bob 23:46
The guy wasn't too cognizant of the whole scene, and that's why I see iON's ambivalence of putting him on a pedestal. I got that from the document.
iON 23:56
But it fits, it fits perfect in this Key, though. It's perfect in this Key because it kinetically expounds the possibility that's to be wrought. Which would be God's Work.
Bob 24:06
In his fee? It is perfect in his fee? What's that?
Ginney 24:09
In this Sixth Key, what iON was -
Bob 24:12
Oh, okay.
Ginney 24:12
- exclaiming earlier, Bob, was even if you're not Ascending or a God, you can use kinetic energy to do the Works of a God even if you're not that. So, this guy.
Bob 24:25
Oh, that's the him. That's (indistinct).
Ginney 24:26
Yes. That's what I'm saying. He somehow stumbled -
iON 24:28
It's a great example.
Ginney 24:30
- onto something. Yeah, Okay very good. All right, so it makes sense. Okay.
iON 24:36
Not bad. Not bad, girl, you're on your point tonight. All right, you wanna do the next one?
Ginney 24:40
[chuckles] No, but Gregg's gonna keep goin'. [to Gregg] Yeah, you keep going.
iON 24:46
Okay, yep. Come on GQ, you're on the money.
Gregg 24:48
All right, buddy. We're on The Seventh Key, Modern English Translation. The light's not so great in this room. "The East is a house virgins singing praises amongst the flames of first glory wherein the Lord hath opened his mouth: and they are become 28 living dwellings in whom the strength of man rejoices, and they are appareled with ornaments of brightness such as work wonders on all creatures. Whose Kingdoms and continuance are as the Third and Fourth Strong Towers and places of comfort, The seats of Mercy Continuance. O you Servants of Mercy: Move, Appear: sing praises unto the Creator and be mighty amongst us. For to this remembrance is given power and our strength waxes strong in our Comforter." That it? Change the page.
iON 26:20
Nice.
Gregg 26:20
So, what did it say? In your crib notes, this is the application after you have the power. It's how it lands. Let's say you have a spell calling down power on something, but you need to exclude something, a certain part or a certain place. This is what you would use to divert potential kinetic energy, backlash.
iON 26:49
There you go. See, it's how you mitigate it. It's how you apply and mitigate it. But now let's go on a little bit deeper if Bob don't care. Mute, Bob, 'cause you're makin' echos for yourself. "The East is the house of virgins singing praises." Where is the East, GQ?
Gregg 27:10
I'm just looking at it here. Where's the East? The East is a house of virgins. Where is the East?
Ginney 27:17
East
Gregg 27:17
It would as in the direction. Yes, of course. I got it.
Ginney 27:21
As in the part of the world.
Gregg 27:24
So, we're in the East.
iON 27:25
Yes, that's right. Well, well farther east you're farther away. The United States of America however marvelous and magnificent it is, and it is, east of the Dragon would be where?
Gregg 27:40
We'd be Europe, Asia.
iON 27:43
Well, that'd be west. Asia. Okay, okay, okay.
Gregg 27:48
Well, east. Okay, east we go to
iON 27:50
The Mountain would be east. Far East.
Gregg 27:54
Okay.
iON 27:56
Right? Okay. So, "The East is a house of virgins singing praises amongst the flames of first glory." So basically, if, if you read this Key from the angels' perspective, the original power or place was from the East. It's where the Lord opened his mouth.
Gregg 28:16
Hmm.
iON 28:20
Interesting, isn't it? So, that's why they laugh and they talk about in the original -- they even made some little crazy movie things about it. When they were cast out of the Garden of Eden, they was just East of Eden.
Gregg 28:33
Right.
iON 28:34
So this is just a little East of Eden. [chuckles] And this is where it first came from. Now, now, now this takes it back far 'cause the angels know this stuff. Humans don't have a clue, y'all. I'm just tellin' you it's astounding that you're able to draw God's air. You undo autonomic processes of functioning; you're havin' to think about going to the bathroom now. It's the craziest thing. You have blogs on how to go to the bathroom now. It's unbelievable. So, you got to bring this back home, and this is a way once you have the other Key in line, you use this Key to land that kinetic energy. Okay?
Gregg 29:19
Land, as in application.
iON 29:23
Sure, that's right. And mitigate problems. Okay, let's do this. Y'all be careful. Y'all secure things if we shake some'um up. It ain't our fault, we got - this is Angel Talk with Char. Y'all blame her if this goes bad, not us. We're doing what we can with what we got to work with here now. All right, easy now. The place you take the staff, okay, like Moses' staff, and you -- was told plain do not strike the White Stone with your staff; do not do that. And he'd done it anyway. And water started flowing. Water didn't quit. Okay, he broke the rules, he messed up. You use this Key to slow it down before you flood out somethin'.
Gregg 30:21
Before you flood out something.
iON 30:24
Yeah, this is what buried
Gregg 30:25
Because -- before there's too much.
iON 30:28
This Key is what they used to bury the rivers that flowed from Eden. They went into the desert; they were consumed. This Key stopped that water from flowing. Well, it went deep into the earth. They say they still flow, but kinda hard to imagine a river flowing under that far under the sand box, but we ain't mad. You know, it is what it is.
Ginney 30:54
Okay, so conversely then, when the Mississippi starts flowing backwards and I don't like it, I just use this Key to make it go the right way?
iON 31:04
Or suspend it. But now, what we're tellin' everybody that has an ear to hear, you better listen to this one. You better know what you're doin' cuz you could suspend it and that may be worse than it flowing backwards. Or you reverse it and that may be worse than suspending it.
Ginney 31:25
So, you're
iON 31:25
Be very aware when you're
Ginney 31:29
Go ahead.
iON 31:29
When you land this Key, better have a real good idea of what you're trying to accomplish 'cause you're gonna accomplish it; it will accomplish it. And those outcomes are to that, to that place even today. From those rivers they talk about, and they found them. They've done the thermography from space or Mars, or some monkey butt showed it in a picture somewhere. You know how that goes. But those rivers run to Eden, all to it. And they're buried, they're lost. They're there. And that all comes into that, just East side of this place of the world. So, you're exactly correct. Now, some things you won't worry about because it won't be a negative aspect, okay? Because that may be a balancer, or you may need all that water the other way helping out with the caldera problem. So, just like if California is burning and you say, stop, I don't want California to burn, you better know what you're doing. You better know just exactly what you're doin' when that's the case. Because it's gonna, it already, you see, some of this stuff is already done. It's just catching up to you or and/or now Ginney, you do this more than most people. You'll slip dimensions, like you'll go to the kitchen and you'll get something and then you come back and it won't be there. And you're like, come on now, it was right here and it's like gone. And you go to the cabinet, get the cup, the cup's in the cabinet and it wasn't there. The help didn't grab it and wash it and put it away. [chuckles] That simply is something that
Carolyn 33:11
iON, iON, the the rivers east of Eden that got buried, did someone do that by mistake. Did it go too far?
iON 33:22
Yes. Yes. They had to.
Carolyn 33:26
They had to. What were they trying to do?
iON 33:27
They had to stop the water. They're trying to stop the flood.
Carolyn 33:32
Ah. You mean Noah's flood?
iON 33:36
We do. And when they buried those rivers, it caused it to rain. It had never rained before, so they caused rain.
Carolyn 33:45
Wow. Wow. So, if they hadn't taken that action, we would not have had the flood?
iON 33:54
Right. But you still didn't get rid of the giants in Canaan's land. And even if you did mitigate the giants in Canaan and the promised land, you're still scared of the giant to this day, Carolyn. It's the oddest thing we've ever seen. Well, darling, well, darling, you're not, you're not ascared. The world's tallest midget would stomp you to death.
Carolyn 34:15
Yeah, I would vibrate on their (overtalk/indistinct). I would punch them all.
iON 34:22
You better know it. She'd stomp the dog shit outta them.
Ginney 34:22
[laughs] Carolyn would punch them all.
iON 34:22
She'd punch the dog shit outta them, that's what she'd do.
Carolyn 34:22
[laughs] I know the right points to punch onto. Yes, I would.
Bob 34:32
Yeah, Carolyn, you would take your fingers and squeeze them. You know how you squeeze something (echo/indistinct).
iON 34:32
Ooooh. Pinch them. Put the pinch on 'em. Put the pinch on 'em. That's it.
Carolyn 34:47
Pinch 'em.
iON 34:44
Mercy. And so, now what happens is this becomes an application. Okay? Now, Ginney, you've got the construct here. Now, let's sort of divide it down a little bit, because we got the East and we got the East straightened out on what's goin' on. And we got "28 living dwellings in whom the strength of man rejoices," Hey, Ginney.
Ginney 34:56
Yes.
iON 34:58
How many Degrees of Freedom do you enjoy?
Ginney 35:25
14.
iON 35:27
And guess what they are becoming.
Ginney 35:29
28.
iON 35:31
Yes, they certainly are. 'Cause you're gonna be able to now wax and wane hard on the God side. So that thing that you, you know, you went to get the cup back in the kitchen and it's gone. And you know you just fixed it and you know it was right there, then you go in and it's gone, and you looked in the cabinet there. Now from those degrees, you can undo it the same way. And cannot redo it, come back in a minute and shift it again. And I'll be right there where you, where you left it last. And you're kinda being quiet 'cause you know this is what sort of happens sometimes. That superfluous (indistinct) of paper, that last outline, that last thing. Where's that file? Where's that -- you see, that kind of stuff. 'Cause you're religious about all that foolishness. And that's wonderful, but sometimes it'll slip between the vapors. We'll say it that way; slips between the vapors. But you always find it, but it's that organized chaos that allows you to stay on top of it because you're working in multi-layers. Got it?
Ginney 36:42
Got it. Got it. Wonderful.
iON 36:46
Okay, good. Copper still helping?
Ginney 36:50
Yep, yep, it works. Yes, it does.
iON 36:53
It is working. Okay, now, so the 28 now Degrees of Freedom in a hendiadys kind of way from the capacity as the God "opened his mouth:" Now listen, it's gotta come out of your mouth, remember? Then you got all this colon work all over the place. Now, the man rejoices. Ginney Belle rejoices. She rejoices. The "dwellings in whom the strength of man rejoices," When you come into this place of power, you rejoice. You got it. You don't get haughty and lifted up and gettin' all drunk on your own liquor and gettin' all puffed up and stuff. This ain't what that's about. God's not like that. God's not tryin' to cram somethin' down somebody's throat hole. Trying to be God, trying to be benevolent. You're tryin' to help folks, you see. Now, at some point, you don't give a shit. You smote 'em if they need smotin'. Okay, we got that, but that's understood. Carolyn says regularly just 'cause you can do somethin' doesn't mean it's a good idea. [chuckles] You can do a lot of things. But just 'cause you can do somethin' doesn't necessarily mean it's a great thing to accomplish. Okay? That's what this provides you of how this thing lays out. "and they are appareled with ornaments of brightness such as work wonders on" -- how many creatures, Ginney Belle? "all creatures."
Ginney 38:18
All.
iON 38:19
See, and then the "Kingdoms and continuance" -- be careful here -- "are as the Third and Fourth Strong Towers and places of comfort." So you see, the continuance of the mercy in the Mercy Seat? Now, this Third and Fourth Strong Towers, do you remember your notes when you took all before just before the Vial Judgments and you laid them off laterally? We said this -
Ginney 38:44
Yes.
iON 38:46
- 9,278 times now. These layers between the Strong Towers are how you find was before the beast and the four horsemen. Now stop. We're not talkin' about Revelation; we're talkin' about Ezekiel. Remember? That all applies there too. You're quickly moving up to Ezekiel with the color of the terrible crystal. This applies to the Third and the Fourth Strong Towers and the places of comfort. Okay. Jeremiah would apply, and also Hezekiah. You know who Hezekiah was.
Ginney 39:38
Yeah.
iON 39:21
Yeah, he was to Paul to the one we're talking about. So now you see, you see, it's startin' -- no one else knows that work but you. Well, some of the Bible thumpers might know it, Ginney, but you lived it. That's the difference. Darlin', you've lived it.
Ginney 39:38
Sho 'nuff did. Huh huh.
iON 39:38
You lived it. We ain't tellin' you nothin'. You know. You know it, you know it. See, darlin', that's the difference because it's an applied capacity. Now, between "the Third and the Fourth Strong Towers and places of comfort, The seats of Mercy and Continuance." That means you gotta sometimes back it off a little bit and cook it slow. Don't just turn the fire up, you might burn it if the seats of Mercy and Continuance apply. Okay, "O you Servants of Mercy:" Now, "Move, Appear: sing praises unto the Creator" And if you're the Creator, sing praises unto yourself., If you're not, give praises to those who do. "and be mighty amongst us." Us is not capitalized. Did y'all notice that? Show yourself benevolent to the little people. And you do, and you're the poster child for that foolishness way more than we would ever do. They're, they're ridiculous and don't, like I say, they're not worth your spit. But you move heaven and earth on their stead. God wonderful, bless you, blah blah blah whatever you wanna say. That applies here. "For to this remembrance is given power and our strength waxes strong" Not wanes. The moon waxes, gets bigger, and wanes when it's getting smaller. The light to the moon in a revolution. Okay? Now Bob would say, oh yeah, yeah, yeah, they love you till they hate you, and they hate you till they love you. Yes, that is a waxing and waning marsupial that Dobbstown can provide from time to time. But the "power and our strength waxes strong in our Comforter." So, basically what's happening the moon will always be getting fuller as long as you're being benevolent in the power that you're applying. Get haughty with it and you'll see the other case, okay? It will wane weak in your Comforter when you get sideways with it. And then you have to -- and there's no problem, you have to readjust. This Key addresses that capacitation for already applied kinetic energy that is a God-based power. It shifts it, it takes the kinetic and makes it effervescent. We -- pick a word. Y'all find a word that will work, but we're not going to. You like that, darlin'?
Ginney 40:10
Okay. I do.
iON 40:25
My, my. Okay, GQ, you're on. Oh wait. Ginney, Carolyn, is that good with you? You're on the -- she's typin'. You can hear the sparks flying off of her fingernails, typin' like a madman.
Carolyn 42:32
[chuckles] Yeah, I'm good.
iON 42:35
So, is that good?
Carolyn 42:37
(indistinct) Thank you.
iON 42:41
Okay, do the next one then GQ. Hey, y'all burnin' it down tonight. Y'all burning it down. They've done more than a half of one this week, Bob.
Gregg 42:52
Okay. The Eighth Key, Modern English Translation. "The Midday, the first, is as the third heaven made of Hyacinth Pillars 26: in whom" -- Come on kitty cat, move. -- "in whom the Elders are become strong which I have prepared for my own righteousness says the Lord: whose long continuance shall be as bucklers to the stooping Dragon and like unto the harvest of a Widow."
iON 43:38
Widow
Gregg 43:38
Widow. Thank you.
Gregg 43:43
"How many are there which remain in the glory of the earth, which are, and shall not see death, until this house fall and the Dragon sink? Come away, for the Thunders have spoken: Come away, for the Crowns of the Temple and the coat of him that is, was, and shall be crowned, are divided. Come, appear to the terror of the earth and to our comfort and of such as are prepared."
iON 44:21
Yay, you got that? You do this. You got it.
Gregg 44:26
The cat wouldn't leave me alone. This is rubbin' all over me. Okay.
iON 44:31
Well, that's right, that's right. We call it pussy problems, don't you?
Gregg 44:35
I'm tellin' you. Just a magnet for 'em these days. Now, iON, your little cheat notes, I'll read them.
Music 44:45
[couple of seconds music. iON chuckles]
Gregg 44:53
When they start beef -- kitty cat. When they start beefing, get the hell away. Now, I wasn't sure of that word when you said it, beefing.
Bob 45:06
(indistinct) made a contribution.
iON 45:08
Yeah, beefin'. Beefing.
Bob 45:10
Am I audible, Carolyn?
iON 45:12
You are. It's Dobbstown. It's Dobbstown. You're on the money.
Bob 45:17
I'm not audible, Carolyn?
iON 45:18
You got the money, honey, we got -- you are.
Gregg 45:21
We got you, Bob.
Bob 45:21
Now I'm audible. Okay, I just put in a -- that was a commentary from acoustic space, Gregg.
iON 45:27
We got it. We waited for it to see if there was more. In 1922 the song you sing continually. 1922.
Bob 45:38
Yeah.
Gregg 45:39
Now, iON, I'm not clear on this word again. When they start beefing?
iON 45:43
Beefing. Beefing. Fightin'.
Gregg 45:46
Got it.
iON 45:46
Feuding, fightin' or fucking, they're beefing. They're beefing.
Gregg 45:49
Very good.
iON 45:49
They're beefing. Yeah.
Gregg 45:51
Thank you. When they start beefing, get the hell away from it.
iON 45:55
Hell, yeah.
Gregg 45:55
When you smell that, get out. That's what that means. When you smell that, not sure what "that" is.
Carolyn 46:04
Well, that was the whole Hyacinth thing. Remember the Hyacinths that Bert was smelling when -
iON 46:11
Smell.
Carolyn 46:11
- was coming close to him and he had to run away from it. And Hyacinth is in the, in the translation. Hyacinth Pillars.
Gregg 46:21
Right. Very good.
iON 46:22
Yeah, the smell of Hyacinth. Okay. Now, here we go. Maybe let's clean this up just a little bit. It's very amazing when you start lookin' at this detail. It's now, as Ginney would just laid back on the other one and said, you mean to tell me that if this one is kinetic energy, and the next one is applied God energy, and then when this starts going down, this is what I might use this Key for? We go, precisely, Ginney Belle, that's why you're the top of the charts here. The Midday; that's the middle ground, that's Middle Earth, Middle Kingdom. The Midday, the first, is as the third heaven made of Hyacinth Pillars 26:" That goes back to exactly what, what Carolyn was referring to. When you're walking into the battlefield 'cause it's a war goin' on, they're gonna chop your Jim dog off if you don't know what you're doing, as you're strolling through the battlefield over land mines. See, they don't care. Think they gonna move somethin' to save you? Shit. Try them. They're gigglin' as they (indistinct) away the church house, laughing every step of the way. "in whom the Elders are become strong" Now, Ginney did that before the Thunders and the Vial Judgments and the -- Sache's notes are good, but they're not good as Ginney Belle's. The Thunders, how it applies, and how the 4 and 20 Elders if she -- Bob has beat that to death. And he probably doesn't even remember what an Elder is now, but he might. He's been surprising since his Ascension, y'all. He ain't the man he used to be; we'll tell you that for sure. "the Elders are become strong which I have prepared for my own righteousness says the Lord:" You see, you made the Elders to stand in your stead, and now they'll beef for you once you have this lined up. In the time of trouble, that's when you need sustaining. All right, says the Lord, "whose long continuance shall be as bucklers to the stooping Dragon" Stooping Dragon. Wait a minute now. There's a quiz. Hey, Ginney Belle, who's the Dragon?
Gregg 48:45
America.
Ginney 48:46
Puff? You mean Puff?
iON 48:48
Yes. It's
Ginney 48:49
Puff, the magic dragon? Okay, very good. [chuckles]
iON 48:57
[chuckles] Naw, not Puff. That's Puff Puff Pass. That's Puff Puff Pass, that's a different one. The stooping Dragon. That's when America's becoming; when it was the stooping -- "shall be as bucklers" that hold it up to the stooping Dragon. And now it's becoming great again, it's no longer stooping. "and like unto the harvest of a Widow." Remember the widow's mite?
Ginney 49:21
The widow's mite, yes.
iON 49:23
Less is much. "How many are there which remain in the glory of the earth, which are, and shall not see death," How many out there? Now this goes back to your mama, Ginney Belle. I'm glad you did this. Goes back to your mama of how many won't see death. See, you have a choice, apparently. The angels are aware of it, you see. And this is where you can choose not to see death. How many which are those that will "not see death, until this house fall and the Dragon sink?" Question mark. That means, once that's done, it's over and you have a new heaven and new earth. "Come away," Get out there. Run for the hills! Don't move to California! It'll go bad for you. "for the Thunders have spoken:" Well now, y'all could do a whole thing on the Thunders. Ginney, you could probably recite them just off of your rote. Brian used to be pretty good at that too as well, as well in the Thunders. They have spoken. Come away. Get out of the way, come away. Get the hell out of the henhouse when they're slaughterin' the chickens. Get out. "for the Crowns of the Temple and the coat of him that is, was, and shall be crowned, are divided." Okay, now this applies when you have like a big fancy soiree or some big appointed like a big gathering or something. What this means is that you have him that has coats, the coats will be divided. First you'll have one coat; you're going to come in and just like in your cloak, just distracting your cover. And then you'll be donned with a coat. And then through the evening, then once the crowning goes on, then that's divided, then you'll add another coat. You'll don two coats, 'cause they'll be divided. And it will be "Come, appear to the terror of the earth and to our comfort and of such as are prepared." See, you got ready for this; you got ready for this application. You gotta have two coats if you're gonna be divided, right? Gotta have somewhere to go if you're gonna get there. You gotta go to a land that's doomed to have this capacity take place right there in front of God and everybody. Uh oh, yeah. Pretty good Key. That's The Eighth Key.
Bob 52:07
Hey, iON, this is -- I have to be in there
iON 52:10
Don't say too much. Don't say too much. Don't say too much. You wanted it divided.
Bob 52:13
My number is number eight.
Carolyn 52:13
Ha ha. Say something! Say something!
Bob 52:13
All right, I'm saying something. My number is number eight on the Tiny Note Chart, so the eighth -
iON 52:13
Yes.
Bob 52:21
- Fifth quadrant, number eight. So, I'm in this Key. And if you're talking about wars and enemies, that's me. And there's probably another couple of clues that I'm in this quadrant.
iON 52:31
And you're going to the battleground, the battleground of all.
Bob 52:36
Yep.
iON 52:36
The butt of Megiddo.
Carolyn 52:37
And you have two coats.
Bob 52:37
I have two coats for it.
Carolyn 52:41
Yeah, you do.
iON 52:41
That's right. They're divided. Good. And you're gonna see the terror of the earth. And your comfort and such as such are prepared. You got it ready. You're prepared for it. You're ready. You wasn't even gonna go! Remember?
Bob 52:56
That's right. Yeah.
iON 52:57
[mocking] I'm not gonna prepare even if people fuckin' die. I'm not gonna prepare.
Carolyn 53:01
No, that's what I said. That's what I said.
iON 53:00
Well, right, too. Right, too. Well, right too. Right, too.
Bob 53:06
I tell you, Carolyn will really show up. They'll get nervous if I
iON 53:09
[iON and Carolyn laugh] Well, that's all right, darlin', you can call in well. You can come by. You can just stay here; it would be all right with us.
Bob 53:21
See, Wyndham Lewis declared in 1914 he didn't believe in oneness, he believed in twoness!
iON 53:26
Right.
Bob 53:27
And he said you must change your direction in mid-career.
iON 53:31
Y'all better get that shewbread out of the stove and get another one in before you burn the joint down.
Bob 53:37
We got it.
Carolyn 53:38
It's goin' good.
Gregg 53:38
iON, on your crib notes, you said Eddie Murphy said it best: don't start nothin' and there won't be nothin'.
iON 53:46
That's right.
Gregg 53:47
This is also the Key where you can move in-between the conflicts -
iON 53:52
Yes.
Gregg 53:53
- without being effected or affected by it. So, you don't necessarily have to start something.
iON 54:01
Right, but you -- once you step into something, 'cause see, sometimes somebody else stirs up something and you walked into it.
Gregg 54:08
That's right.
iON 54:08
And you're like, Whoa! Whoa, whoa, whoa, whoa, whoa. You got the wrong one now! What they sayin' ain't got nothin' to do with me! And yet you're in the soup. This allows you to sort of sweep in and out of that too. Good.
Gregg 54:21
Yeah, keep the dog shit off your shoes. Okay.
iON 54:26
That, too. Either that or take your shoes off. And if you can't do that, take your shoes off at the door.
Gregg 54:32
Right. Navigate safe passage away from the battle. Their war, anyone's war, gonna be anywhere. Okay.
iON 54:41
And you can fight it, but just pick the one -- it's like Ginney Belle said, I'll whoop you to death, but I'm gonna pick my battles. Some battles I don't choose to engage. You know, y'all do what you do. It's okay, do what you do. It's fine. But if you're gonna -- if I'm in the battle, it's on now. That different, you see. But you're gonna drag me into it, know what you're doing because it's on. But minus that, I'm good. The energy it takes to beat you, I could be making another whole creation. So, it's good.
Gregg 55:14
And there's nothing in this Eighth Key that, you know, implies that you would need to start a battle.
iON 55:20
Correct. But it's when you -- when it comes in. See, when you walk into it. That's the thing, is how to apply it because you've got all this power, so you just wipe them all off the earth. Okay, that's great, but if you do that every time you turn around, by the time -- the next thing you know, the angels ain't even gonna hang around and you'd be gettin' your own tea. That won't be as pleasant, eh?
Gregg 55:43
Very good.
Ginney 55:45
Okay, well that's three Keys. That's good.
iON 55:50
(overtalk) you covered that one.
Bob 55:50
Do another one, Ginney.
Ginney 55:52
Do another one? Bob, you can't
iON 55:52
You're cookin' with gas. Yeah.
Ginney 55:55
Aren't, isn't, isn't your skin crawling yet?
Bob 55:57
Oh no, I'm not listening. I'm making bread. [iON laughs]
Carolyn 56:03
Yeah, he's really not listening. He's eatin' the shewbread all out.
Ginney 56:08
I was gonna say is he eating, making a shewbread pizza? [iON laughs]
Bob 56:14
Yes.
iON 56:14
Oh no, pizza's last night. Pizza's last Saturday. This is popcorn night. Come on, Ginney Belle, you know this.
Ginney 56:20
Oh, yeah, yeah. That's right.
iON 56:20
That's not till two in the morning. This is just nibbley. This is hors d'oeuvrey, hors d'oeuvrey nibbley night. You just lay it out over the sink, Carolyn. You go one end to the other. It goes start at the sink and go all the way down to Carolyn and you pile up mass quantities. And then Bob starts and he says, Carolyn! Are you done with this? Yes, Bob. No, I haven't. And he goes oops that's all gone. And he just works through the bowls. And when he gets out of bowls, it's time -- the show's over and it's all (indistinct).
Ginney 56:47
Okay, well, the next Key and according to my notes is about cold fusion. So, you want to mix it up and get into it now, Bob?
Bob 56:56
Yes.
iON 56:57
Come on. He don't care.
Ginney 57:01
He don't care?
Bob 57:02
Let Gregg read it.
iON 57:02
With the butter, with the butter here, with the butter, with the butter dripping on his belly.
Gregg 57:10
All right, The Ninth Key. "A mighty guard of fire with two edged swords flaming, which have Vials 8 of Wrath for two times and a half: whose wings are of wormwood and of the marrow of salt, have settled their feet in the West and are measured
iON 57:34
Where?
Gregg 57:34
Yeah. "have settled their feet in the West and are measured with their Ministers 9996. These gather up the moss of the earth as the rich man doth his treasure: cursed are they whose iniquities they are in their eyes are [Gregg: milestones] millstones greater then the earth, and from their mouths run
iON 57:34
Millstones. We're gonna get you a flashlight. [laughs]
Gregg 57:47
Yeah, my eyes are -- yeah, I'm not seeing it clearly.
iON 58:06
Turn the light, turn the light on. Turn the light on. Turn the light on.
Gregg 58:20
I'm shifting in and out of this page. Thank you. "in their eyes are millstones greater then the earth, and from their mouths run seas of blood: their heads are covered with diamond, and upon their heads are marble sleeves. Happy is he on whom they frown not. For why? The God of righteousness rejoices in them! Come away, and not your Vials, for the time is such as requires comfort." And your cheat notes were
iON 58:57
Mm-hmm. A lot is going on here.
Gregg 59:00
Yeah. Divination. Where are you in your place of power. And you are the judge; you judge that which is uncommonly. The same Key that when they had to drink the golden calf Baal. This is the same Key that causes that unction. Do it to dope people who will lose
iON 59:28
That's Aaron's, that's Aaron's, that's Aaron's Baal, the gold from the Baal that Aaron had to craft. Moses' brother.
Gregg 59:39
Okay. How does that apply here? They had to drink the golden calf Baal.
iON 59:43
Okay. Right. 'Cause they had to choose. Who's on the Lord's side? Ascend. Ascend! Come over here -- everybody want to Ascend, come stand right over here. Everybody that don't, get right over there. We'll show you how it's gonna go. It's gonna go just like this here. It's gonna go, "A mighty guard of fire with two edged swords flaming," That's an angel reference. This is from Angel's standpoint of that occurring. The Vial Judgments. Uh oh. Uh oh, this is Vials 8 of Wrath. Ginney Belle knows which one that is, which is the 8th Vial Judgment. And it's two times and a half, the wormwood and the marrow of salt. And also, that'd be gall. Wormwood in the gall. But the marrow of salt, we had to, had to bring it back and clean it up right 'cause see, everybody's -- the little man's salt was killing the little men. Hypertension and fluid and this, that and the other. And now crazy Dr. Dean's puttin' salt in water and drinkin' it so they can stay alive one more day. It's the (indistinct) thing we've ever seen. So now the Keys -- maybe she's been reading the crib notes. Now the Keys apply to the marrow of salt being ground into a fine powdery consistency. "have settled their feet in the West" Uh oh. In the West. "and are measured with their Ministers 9996." Remember the 99s before of how the 9s apply? Now you got three sets of them and a 6. "These gather up the moss of the earth as the rich man doth his treasure:" Now, this is the compiling of how media ecology rules expressions or capacity. Do you see? You want a, do you want a working example of that?
Gregg 1:01:42
Yes.
iON 1:01:45
Take the world of media and look up Fuck Bunny. Oh no, that's not true. Wait, they don't really call it that. We call it that. Bad Bunny. Look up Bad Bunny. And we defy you to go find that many people that would have clicked on his shit to say like him. They don't have to like him, but they click on his shit. It's more people than are.
Gregg 1:02:06
Yeah, you've mentioned that before. Right. Right, right.
iON 1:02:09
But now this is, this is that, this is that interplay. Okay? So you gather it up. Pile it up, it don't hurt, it won't go bad, the moss, whatever you want to call that. That's right. And see now the millstones that if you get this tangled, if you get tangled up with this, you get the wrong way, then what happens is it changes it up. Then what happens is all that you piled up turns as a millstone and hangs it around your neck. Mr. Epstein, Bob wants to talk about this so we might as well. Mr. Epstein was set, he was okay. He got away with it. He had enough of money checks he could do whatever he wanted to do, everyhow he wanted to do it. But he bumped into the wrong one, you see, cuz that was those Vial Judgments come along and kinda caught it sideways, and he didn't have it worked out. He had his moss all gathered up, and it was all piled up high, but then, not a semicolon, a colon, a new subset. "cursed are they whose iniquities they are in their" -- Whose is "their"? Their own. -- "eyes are millstones greater then the earth, and from their mouths run seas of blood:" You see? There you go. Basically, they do themselves in. How does it go? They decide. Do they work it out? Sometimes they do. Do they not work it out? Sometimes they do. And even when they lose, sometimes they win. And sometimes they win, sometimes they lose. OJ won his trial and lost the civil suit and went to jail for stealing his own quarterback stuff. Craziest stuff in the world. True thing.
Gregg 1:03:56
True. Yeah. So, he got sideways with just one aspect, one inequity of a million possibilities.
iON 1:04:05
That's right. Correct. But it was his mouth that run off at the end that done it, you see. Now, "their heads are covered with diamond," Their heads are covered with diamond. You know what that means?
Gregg 1:04:19
No.
iON 1:04:21
Carbon. Diamond is carbon.
Gregg 1:04:25
Yes, true. True. Their heads are covered with carbon.
iON 1:04:28
And marble, marble sleeves.
Ginney 1:04:30
Are you saying that Epstein's head is covered with carbon. What is -- that doesn't even make any sense.
iON 1:04:30
No, we're not.
Ginney 1:04:34
What does that mean?
iON 1:04:37
We're saying -- it means that the cloud, the carbon cloud exposed him.
Ginney 1:04:48
So, he got exposed by the carbon -- oh, the media just outing him. But I mean, they set him up.
iON 1:04:56
Wait now. Media don't know, darlin'. See, media don't know. Tech Body knows.
Ginney 1:05:01
Oh, the Tech Body. All right. But I mean, still, they've set him up big time. Right?
iON 1:05:07
Well, it is now,
Bob 1:05:08
Ginney, the Vial Judgments are usually media events.
Ginney 1:05:11
What Bob?
Bob 1:05:13
The Vial Judgments I found out a week or two ago are usually media events, media figures. That's why no one knew what they were until it got into a heavy media world. And then that becomes the Tech Body.
iON 1:05:25
You have to be able to isolate
Ginney 1:05:27
I mean, they're very clear. They were all laid out.
Bob 1:05:30
What were they?
iON 1:05:32
But they apply now in a larger -- the Vial Judgments
Bob 1:05:37
Were they media events, Ginney?
Ginney 1:05:39
Bob, you've made everything a media event. The angels were media events, the Vials were media events. I mean, everything's been a media event.
Bob 1:05:47
No, no. All media is anything invented by humans. That's McLuhan's definition. I'm saying the popular meaning of media is news events, news figures, news scandals like Weinstein. What did iON say to us back in 2010, 2011?
Ginney 1:06:02
The Vial Judgments were different aspects; there are two Physical, two Non-Physical, and two labyrinth of the mind, for six. And one was about the culmination before the Marriage Supper of the Lamb. And they were related to things, and we talked about it. Part of it was Obama, part of it was Roe versus Wade, part of it was this part. It's all on my chart, Bob.
Bob 1:06:28
No, no, those, those are larger things. The Vile Judgments are these media events and Weinstein to Epstein to everything else, and Mueller, the media world that McLuhan went after.
Ginney 1:06:41
Bob, but what I'm saying is that in 2010, and '11, when we originally did the Revelations, the relative media events at that time were part of how iON showed how the Vial Judgments applied. So, we're talking about stacked up nows and layers and layers and layers. So, you know that
Bob 1:07:01
Nobody ever mentioned -- anybody, Bert, nobody said Vial Judgments refer to media events over the last five, seven years. So, when it
Ginney 1:07:01
Bert wasn't even on the Revelations; how would he know that?
Bob 1:07:09
Well, he will bring up the Vial Judgments, and nobody's figured out that Vial Judgments are media events. iON didn't tell anbody.
Ginney 1:07:13
Well, I don't know. But -- huh?
Bob 1:07:20
iON didn't tell because the Tech Body hadn't really coalesced yet. You have to recognize this is new. The Vial Judgments refer to Tech Body shit, not Obama or or Roe vs. Wade; those are more structural over the analogue TV.
iON 1:07:23
But they -- even those could be made, even those, even those are gonna be represented in the Tech Body. Even that hard, even the, even the Gutenberg Galaxy is gonna be teched.
Bob 1:07:49
Tech Body's gonna be Finnegans Wake. It's gonna retrieve everything, which is the basic outline
Ginney 1:07:55
Finnegans Wake and the Revelation, Bob, through Genesis and the Angel Chart. You've said that a million times.
Bob 1:08:01
We're on the third level. We're doing the third level here, which is modern stuff. The host, number Nine hast to be about me once again. Okay? [iON chuckles] So, it didn't have that in the old stuff.
iON 1:08:14
Yes.
Bob 1:08:14
It's new. It's new, Ginney.
Ginney 1:08:15
No, but the Angel Chart is the newest thing, Bob.
Bob 1:08:20
No, Tech Body's (overtalk) Angel
Ginney 1:08:17
That is the perfect cell. That is the perfect cell, the 6.999 frequency. No, no, that is the third level, Bob. And it's also the fourth ring in Finnegans Wake, Bob!
Bob 1:08:33
No, (overtalk). And the Tech Body is our friend! Okay? So you don't [Ginney laughs] (indistinct) about all this stuff. No, iON's saying that.
Ginney 1:08:42
The perfect cell is my friend, Bob. I don't think the Tech Body's bad. I'm not arguing. I don't think it's bad.
Bob 1:08:49
The Tech Body, nobody's ready for it. Nobody's ready for it.
Ginney 1:08:52
Well, we better be ready for it. We've been hanging on the phone for 10 years getting our tutorial from Bob so we could be ready.
Bob 1:08:59
(overtalk) go back to listen to the new Coach House. Go back and listen to the new Coach House, all that I laid out for two years after preparing the Vial Judgments [Ginney chuckles] and the Tech Body. Really.
iON 1:09:08
Thank you, Margaret. Thank you, Margaret. -
Bob 1:09:19
[overtalk/indistinct] Stewart.
iON 1:09:12
- Marge, Marge had to save the day. We're gonna get Marge -- Marge is gonna get more credit before this is over with than fucking Marshall McLuhan for sure. Poor Marge.
Bob 1:09:21
Look at it this way, Ginney. You know, John did pretty good. What was his -- piker John back there in Patmos. And then Nostradamus did pretty good. So did [iON laughs/indistinct] and McLuhan did pretty good. But now Bob and iON are presenting a whole new thing that nobody has presented before that not even John knew about. Nor the Angel diagram. This is what you got to realize what's happening right now.
Ginney 1:09:45
Very good, Bob.
iON 1:09:46
If John the Baptist, if John the Baptist had Tesco, he might have went and made it.
Ginney 1:09:50
Do you know what I love, Bob? Is this moment right here where this poor person, Robert, and I don't know who he is, is saying, "Honestly? There's really nothing clear about what's been, being said here." [Ginney and iON laugh] But we all -- but wait! We all talk like we know what we're talking about. It's so cool. It's so awesome.
Bob 1:10:13
Robert, come on, Robert's one of the oldest iONauts. He's Robert of Tottenham and has never typed a (overtalk)
Ginney 1:10:18
Oh, Robert. Robert Bridge. Okay, Robert, I didn't know it was him. But I just think it's funny. [iON continues laughing/indistinct] clear about what being said.
iON 1:10:27
He's been here, he's been here, he's been here longer than Spencer.
Bob 1:10:31
Yeah. [chuckles] But look what Robert says. "Michael Jackson was a headline or two." His commentary is often interesting when it's, you know, linear. He makes a point.
Ginney 1:10:43
I didn't know it was Robert. Sorry, Robert. I know who he is.
Bob 1:10:46
Robert's no fool. Robert's the first iONaut (overtalk)
Ginney 1:10:46
Anyway, the point is that it's just hilarious because we're all saying these words and we're all agreeing, we're just agreeing.
Bob 1:10:52
Robert was the first iONaut to meet me, Ginney. He met me -
Ginney 1:10:55
It's heart warming.
Bob 1:10:56
- in Hyde Park for fuck sake. It was before iON even showed up!
iON 1:10:59
Oh, was that when you killed -- that was when you killed Chris Story, wasn't it, Bob?
Bob 1:11:04
Yeah. Yes. Hey, Ginney, -
Ginney 1:11:04
Very good, Bob.
Bob 1:11:04
I killed Chris Story the day
Ginney 1:11:04
No, no. Hey, hey Hey. Hey, hey. The very first iONette to meet you was Sue Bone. Hey, hey. Yeah, yeah.
Bob 1:11:18
That was too far early. Nobody knew about iONauts. Robert, when I started to become a media figure in the 2000s, he asked his professor in London if he could get in touch with me. And he got in touch with me, and I happened to be going over there in April 2008, so we got together. So, he tuned into the Bob thing. Sue didn't know about Bob back in the '71, '72, she comes in later. Well, she didn't even like iON the first year! She had a session. She was one of the first people then that didn't like it and dropped out.
Ginney 1:11:47
Well, that's all right. Everybody's entitled.
Bob 1:11:49
No, that's not all right.
Ginney 1:11:50
People have been on their journey. We don't want to start reading the roll call, Bob. No, no.
Bob 1:11:47
No, listen to this. No, no, just let me explain.
iON 1:11:57
She liked green drink. She liked green drink, though. She liked green drink.
Bob 1:11:59
Hey you, you, iON. I'm in charge. Just relax. Let me just make this point. The day I snuffed -- set up the snuffing of Chris Story, Corrine McLuhan died. Okay? Corrine McLuhan died, 2008.
Ginney 1:12:15
Yeah.
Bob 1:12:15
Let's see what's next. Robert, what did Robert do next? Oh yeah. Robert took and filmed me in Hyde Park, and you can find it on the, in there in the archives where this mute person shows up and had the faces of tragedy and comedy going back and forth. They listened to a black kid explain how Jesus fulfilled the law, and we didn't need law after 2000 years ago 'cause Jesus fulfilled it. All that's on the soundtrack as this schizoidk doubled split face -- talk about Bert, you know, splitin' dimensions. This face goes from happy to sad as the black guy talks. Robert filmed that; he taped it. Very important video.
iON 1:13:06
At Trafalgar.
Bob 1:13:06
It's actually a picture of iON. That is iON, that
Ginney 1:13:09
You played it, Bob. You played that video.
Bob 1:13:12
What? I played it a few times. That was iON.
Ginney 1:13:16
Yeah, I know.
Bob 1:13:17
That was Robert catching iON watching what was going on.
iON 1:13:20
In Trafalgar Square, Bob. Don't forget Trafalgar Square.
Bob 1:13:20
Yeah, don't forget Trafalgar Square, Ginney.
Ginney 1:13:27
Yep, got it, Bob.
Bob 1:13:30
Okay. I'm finished. Back to you.
iON 1:13:30
Okay, so now, now back to the marble sleeves. He had carbon, the Tech Body outted him. He done himself in; the diamond carbon convicted him. "and upon their heads are marble sleeves." His arms are pretty heavy now, huh? And then it got him into prison and beat the hell out of him. And so, there you go, here we go. "Happy is he on whom they frown not." -- Ooh. -- "For why? The God of righteousness rejoices in them! Come away, and not your Vials, for the time is such as requires comfort." Don't get in it. Don't stir into it. Stay back, stay removed from that mess, that position, that condition. Now, if you're a God you can do what you want to do. But stay out of that or the Tech Body could do you in. All right, Ginney says set you up. Okay, you can call it, call it whatever you want to. It's pretty good. These Keys, y'all, did y'all know these Keys were handy for shit? Isn't this cool?
Ginney 1:14:40
But iON, where's the cold fusion part? Because other than it's in the West, I mean, because I have cold fusion all written all over.
iON 1:14:51
9996.
Ginney 1:14:51
Mmm. Cold fusion 9996. Those are the Ministers?
iON 1:14:59
Yeah. Yeah. And we'll go into that hard and long but not just yet. Because you, you -- once you got Wilson worked out, you just gotta get the details and we kinda went through that, but what happens is is it's going to cause an essence[?]. And there's a big tear about it right this hot second, 'cause they're trying to decide how they want to apply it. So, we would be, we would be astutely forward to go that deep down the rabbit hole just as you prescribed when we started this Key when he's like, Bob, do you really want to go there? Yeah, yeah, go ahead. Go ahead. So, we'll leave it like this for the second. But yes, there is a footnote. And there's more to come. Yes, regarding Cold Play.
Bob 1:15:45
Hey, Ginney. The Cold Play's in The Eighth Key? Is that what you're saying?
Ginney 1:15:50
Yeah, Bob. Yeah, Bob. Okay. Ninth Key. Ninth Key, Bob. Ninth Key.
iON 1:15:54
Ninth. Ninth.
Bob 1:15:54
When did we get to The Ninth Key? Oh, we're in The Ninth Key now, aren't we? Yes. Okay. The Ninth Key, that's Bob's number too. Bart just posted the video of iON in 2008, the year before iON showed up. You can see the, the two-face or wackjob mute retardo, libtard, if you can see it in this video that's posted by Bart.
Ginney 1:16:18
Oh, thank you Bart. That's sweet. Wonderful. Excellent. Okay, it's a wrap. We did four Keys. Carolyn, are you satisfied? Do you have anything? Anyone, do anything else? We good?
Carolyn 1:16:30
I'm good.
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