McLuhan Galaxy
The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends.
They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experience of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the contributors extend McLuhan’s discussion of transportation technology to the attics and cargo boxes that moved Black women through the Underground Railroad, apply McLuhan’s concept of media as extensions of humans to analyze Tupperware as media of containment, and take up 3D printing as a feminist and decolonial practice. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes.
The Editors:
Sarah Sharma is Associate Professor and Director of the Institute of Communication, Culture, Information and Technology at the University of Toronto Mississauga. She was the director of the McLuhan Centre for Culture and Technology from 2017–2022. Sharma is author of In the Meantime: Temporality and Cultural Politics, also published by Duke University Press.
Rianka Singh is Assistant Professor in the Department of Communication and Media Studies at York University, Toronto.
The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends.
They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experience of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the contributors extend McLuhan’s discussion of transportation technology to the attics and cargo boxes that moved Black women through the Underground Railroad, apply McLuhan’s concept of media as extensions of humans to analyze Tupperware as media of containment, and take up 3D printing as a feminist and decolonial practice. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes.
The Editors:
Sarah Sharma is Associate Professor and Director of the Institute of Communication, Culture, Information and Technology at the University of Toronto Mississauga. She was the director of the McLuhan Centre for Culture and Technology from 2017–2022. Sharma is author of In the Meantime: Temporality and Cultural Politics, also published by Duke University Press.
Rianka Singh is Assistant Professor in the Department of Communication and Media Studies at York University, Toronto.
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