Transcribed by Nan
1700
Carolyn 0:01
Okay, so, it looks like we ended on - you said, iON, page 51. {Note: Page 50 for written transcription continuity and readout on some computers.} And that was July 11th we last did this. Good grief. And so it starts with a heading called: "THE NEGATIVE CONFESSION." So, before we even say any words, what is the Negative - well, they'll tell us but they won't tell us what we want to know. what does this mean, The Negative Confession, iON?
iON 0:38
You'll see.
Carolyn 0:40
Ha ha ha. Okay.
Bob 0:45
Where are we, Carolyn?
iON 0:45
No, there is an aspect that you gotta deal with.
Carolyn 0:49
Yeah, an aspect. Bob, I said page 51, and it starts with the word, The Negative Confession. So you just search it.
Bob 1:00
Hmm. The Negative Confession. Ah, there it is. Yes. So we're almost finished.
Carolyn 1:07
No. Are you kidding?
Bob 1:10
Well, we're one - we're like 75 percent.
iON 1:14
Only 19 pages. 19 pages.
Carolyn 1:16
Oh, my gosh.
iON 1:17
Okay, Carolyn, you got to come right back here, right back here. You see -
Bob 1:23
What page are you on, Carolyn?
iON 1:23
- therefore, let not calamity befall me in this land, or in this Hall of Maati, because I know the names of the gods who are therein, parenthetically -
Bob 1:36
That's not The Negative Confession. What are you reading?
iON 1:39
No! The sentence before it.
Bob 1:43
All right. What page are we on, Carolyn?
Carolyn 1:44
51.
Bob 1:45
And he says there's 19 pages.
iON 1:48
Left.
Carolyn 1:48
Left.
Bob 1:50
Okay.
Carolyn 1:50
And I can't find those words. "Therefore" doesn't even come up, iON. What's going on?
Bob 1:55
Let's start over again.
iON 1:57
The sentence before The Negative Confession.
Carolyn 2:00
Ah, got it.
iON 2:01
Therefore, let not calamity befall me in this land, or in this Hall of Maati, because I know the names of the gods who are therein [and who are the followers of the Great God]. Now, that's laying into a, laying into a beginning modality of The Negative Confession. So, this is that, ah, a marking the difference between, well, we don't want to give it away 'cuz it's kind of, you know, it's a lot of suspense for holding here. 'Cuz now what's happening is you've got it to a level where you got the dead people waitin' for it to come out, you got the live people realizing that there's some dead people, you got the dead people thinkin' that the live people are gonna take over their space or their dead ringers. That's what Bob used to call em. He's had several of those. He, Bob, beats em up and does em in for sure; he does it the right way, he don't play. If they are indeed dead ringers, you see. So, then what happens is the Negative Confession. So now let's ease into that and we don't want to give it all the way away, but you're startin' to obsolesce and retrieve the difference between the little gods and the big gods, the dead in Christ and the dead.
Carolyn 3:21
Mm hmm.
iON 3:24
That's a little - that's a clue.
Carolyn 3:26
Yeah. Dead in Christ because, yes, if you're dead in Christ, then you're dying so that you can keep living -
iON 3:35
Mm hmm.
Carolyn 3:35
- and that's sort of wiki walkie. Uh huh. And yeah, what's interesting about the "therefore" sentence - because I know the names of the gods who are therein. It's small "g."
iON 3:51
Right.
Carolyn 3:51
So it's like, if you, if you can name them, you own them, right? It's like
iON 3:58
Well, okay, okay. Avarice. Remember those seven deadly sins?
Carolyn 4:05
Yeah.
iON 4:05
They could be, they could - you have to serve those. Now in your olden days you, you, you, you've overcome this now, but back in the olden days you could have the alcohol; they called that spirits. And they attack somebody. And so, like a drunkard when they hit that break point in their alcoholic they gotta have alcohol to live or whatever, whatever. That point, they can drink alcohol all their life and then one day have one drink the wrong way and then they're stuck; they gotta have it. But then they serve it; that alcohol becomes a god. Some people - Bob's been sufferin' this from sex; those nymphomaniacs. (Carolyn laughs) You know, Bob's a practicing nymphomaniac for years; he's been practicing. So, if he ever figures it out, y'all gonna be in trouble, Carolyn. But he hasn't figured out yet. But if he gets -
Carolyn 4:54
I know, I won't tell him.
iON 4:55
- that nymphomania down - I know - if he gets that nymphomania down, it's gonna get, it's gonna be too wet to plough, honey, let me tell you. So that then can become a god.
Carolyn 5:06
I see.
iON 5:06
Now, you have a caller, you have a caller who calls in all the time whose husband got trapped in the Furry Lint quadrant.
Carolyn 5:15
Yeah.
iON 5:15
That's a quadrant by the way. He got caught where he followed pornography. And he couldn't love his wife and he couldn't - he had to have the pornography, that, that thing outside himself. So anything that separates you can be as canonicalize. Bob, does a lot of canonicalizing with things, with his bodies and quadrants and things. But, they set those in there. That's a little god that takes over. The Egyptians understood this, a la, the Egyptian Book of the Dead, to sort out this deference. The Christian church talks more about the dead than they do the live, but they don't deal with the dead at all! And everything that gives inference or impedes on a condition response that the little man must die, the wages of sin is death, and yetta yetta, yetta yetta. All that doesn't apply 'cuz you're separated from it, you're dropped out. It's - Jesus went to hell with the keys to death, hell and the grave, to the middle ground. Remember when we went to get Moses 'cuz Moses couldn't be saved, remember? He bit it 'cuz he was disobedient. And Jesus went to hell with the keys to death, hell and the grave to release them. Like the Catholics pray for the dead and they're dead saints and such and such. They're acknowledging maybe for the first time that there is this condition of a lifeless life. Lifeless life.
Carolyn 6:45
Mm hmm.
iON 6:47
So, Carolyn, why don't you make a product; call it ReLife for the dead people. They're gonna be great. I'm not quite sure what they're using for currency, but maybe they can give up and get em some drops. Hey, they can kill the live people and take their drops away from em, and then pay for the, for the ReLive or ReLive for the dead. You're gonna have something 'cuz that, that necrosis, that necrosis is pretty nasty on the dead people.
Carolyn 7:12
Right.
iON 7:13
So, might make a product for the - and all it ReLive. ReLive. Yeah, to spray on their, on their body. Oh yeah, but that's sort of what happens, you see, as it goes. you know, that's what happens.
Carolyn 7:25
Right. Excellent. ReLife. Okay, look for that. The words then for "THE NEGATIVE CONFESSION. Hail, Usekh-nemmt, who comest forth from Anu, I have not committed sin. Hail, Hept-khet, who comest forth from Kher-aha. I have not committed robbery with violence. Hail, Fenti, who comest forth from Khemenu. I have not stolen. Hail, Am-khaibit, who comest forth from Qernet, I have not slain men and women. Hail, Neha-her, who comest forth from Rasta, I have not stolen grain. Hail, Ruruti, who comest forth from heaven, I have not purloined offerings. (Carolyn: oh god) Hail, Arfi-em-khet, who comest forth from Suat, I have not stolen the property of God. Hail, Neba, who comest and goest, I have not uttered lies. Hail, Set-qesu, who comest forth from Hensu, I have not carried away food. Hail, Utu-nesert, who comest forth from Het-ka-Ptah, I have not uttered curses. Hail, Qerrti, who comest forth from Amentet, I have not committed adultery, I have not lain with men." And more hails from some cavern. "I have made none to weep." More hails. "I have not eaten the heart." More hails. "I have not attacked any man." More hails "from the execution chamber, I am not a man of deceit." More hails. "I have not stolen cultivated land." More hails. "I have not been an eavesdropper." And, there's even more hails. "I have not slandered. I have not been angry without just cause. I have not debauched the wife of any man. I have not debauched the wife of [any] man." So, why is that said twice? Is that -
Bob 9:56
Well, one, one of man and then, and then an imposed any man. Like, if a man is dead, he would not debauch that wife either. 'Cuz see, she would not be a wife then, she would be a widow, but they don't see the difference.
Carolyn 10:11
Alive or dead.
iON 10:12
See what's the Negative Confession? Right. So here's the Negative Confession. They're sitting here right here tellin' you how good they are.
Carolyn 10:21
Yeah.
iON 10:22
You know how Bob does? Get out of that kitchen, Bob. Get out of that kitchen.
Carolyn 10:26
Yeah, ha ha, he's in the kitchen. Okay. Good. The clicking stopped. Terrible clicking.
iON 10:36
Yeah.
Carolyn 10:37
There's more - the clicking's back. Bob, what's that clicking, click, click, click, click, click.
iON 10:48
H.R. Pufnstuf
Carolyn 10:49
Click Click Click. I wonder if - you think it's iON? Click, click.
iON 10:56
No, it's not us.
Carolyn 10:56
Something on the phone lines, Bob.
Bob 11:02
(in background) Okay, (indistinct) Yep, it's iON.
Carolyn 11:03
Uh oh. iON, can you get JW's fingers to call back in? We got bad clicking going on.
iON 11:14
We'll try. We'll try.
Carolyn 11:17
Yeah. (To Bob) You're muted. You're muted.
Bob 11:27
Yeah, what was the meaning of the two men and the dead man and -
Carolyn 11:33
It was one where either the wife or the man does not debauch the wife of any man. So the wife of the dead man or the wife of a living man. Isn't that's funny?
Bob 11:46
Hmm. And then he said, would they brag they're good?
Carolyn 11:50
Yeah, so the Negative Confession, but then he sidebared into you. So, it's like me thinks thou dost protest too much. You know that saying? It's almost like that. You're protesting, protesting, but it means they, they were tha,t or they are still are that, but they, they say they're not.
Bob 12:12
Oh, all that listing may be fake news.
Carolyn 12:15
Yeah, fake news.
Bob 12:18
Okay.
Carolyn 12:19
And there's still a lot more and I'm not saying the names; it's ridiculous. Hail so and so who comest from so and so. And the next is "I have not polluted myself," so I'm just saying the final phrase. Uh oh.
Bob 12:39
What?
Carolyn 12:40
iON's not back.
Bob 12:42
Not back yet, so I'll just - we'll just do our regular stuff here.
iON 12:46
(recording played) In the, in the red box. Sidebar. (Carolyn laughs) You're gonna ask about this, but you haven't asked yet. We're tired of waitin' so we're gonna say it now. In the red box this week, Trump's got the new thing that the Coronavirus is worse than they thought. And that it's now in the meat supply and it's now morphed in the cuttin' boards, into the knives, into the problems and the (indistinct). And so now the new news is fixin' to be in just a second that that they have to provide some type of Corona COVID-19 response that includes the pandemic condition of the Spanish flu; that this is worse. And that it's serious and that don't listen to anything we've said so far, it's fucked off.
Carolyn 13:38
Wow.
iON 13:40
'Cuz now its hit Thailand, and that's what got em stirred up, 'cuz its hit Thailand. They've had none. Now they're, now they're even laid waste with it 'cuz they love them some pig. Okay. The electrolytes are what's being affected. Now, now, stop just a minute. Now, that's sidebar. Here's what you know. What you know is is that the, the, the systems in the meatsack body are shifting. The way electrolytes are processed in the body that's why you made ReMyte.
Carolyn 14:16
This is the question. Bob was in Rixdorf and he asked about -
Bob 14:24
What, where are the electrolytes, Carolyn? What part of the situation are -
Carolyn 14:30
Everywhere.
Bob 14:31
So, your ReMyte affects electrolytes?
Carolyn 14:35
ReMyte provides electrolytes.
Bob 14:38
So what did iON say there about electrolytes in the new, the new disease?
Carolyn 14:44
I don't know. You said it too many times; it knocked it out of my consciousness.
Bob 14:48
Oh, okay, well, I think - is this iON? Are you back? (Carolyn laughs)
iON 14:54
Ha ha ha. He blowed up, you blowed up, you blowed up the damn turbobridge. Ha ha ha. That's funny. That's funny. It said, "Sorry, sorry this number's not working. Sorry, this number (indistinct) don't get it.
Carolyn 15:09
Oh really? Oh my god.
iON 15:10
"Sorry. Who the fuck are you? You're no, you don't apply here. You're not, you're not a pope, you're not the papacy, you don't know the Borgias. You don't, you don't know Khert-Neter. Why are you talkin' shit? You're not qualified to be in this conversation." We said, we know, that's why we called in. We're gonna get Bob to teach us about nymphomania.
Carolyn 15:33
Okay, when I asked you to come back in you were talking about the Negative Confession and how it - I said to Bob it's like someone thou dost protest too much, correct?
iON 15:48
Well, okay, noted, but that's not the Negative Confession.
Carolyn 15:55
Okay.
iON 15:55
What you're tryin' to set up, you're trying to set up that they're arguing for a limitation of how perfect they are. And if they're that perfect, why would they be havin' this conversation?
Carolyn 15:56
Yeah.
iON 15:57
You see? Wash them hands, Bob.
Carolyn 16:03
Bob, you have to mute. We're hearing the kitchen.
Bob 16:11
Oh, geez. I'm not in the kitchen.
iON 16:15
Wash them hands, wash them hands.
Carolyn 16:16
Oh, no! Even worse. Ha ha.
iON 16:18
Oh, it's worse. Wash them hands, though.
Carolyn 16:21
Okay, so we're continuing with the hail and what he has not done. Hail. "I have not polluted myself." Hail. "I have terrorized none." Hail. "I have not transgressed [the law]."
Bob 16:37
Is he saying hell, no? Hell, no.
Carolyn 16:38
Hell. Ha ha.
iON 16:41
Hell. Hell.
Carolyn 16:41
Hell to the no.
iON 16:43
Hell to the no, I have never taken antibiotics. Hell to the no, I have never taken steroids. Hell to the no, I have never taken antibiotic steroids. Hell to the no, I've never taken one spoonful of sugar into my body. Hell to the no, yeah, it's all fun.
Carolyn 17:02
Yeah. Hail. "I have not been wroth." W-r-o-t-h. Hail. "I have not shut my ears to the words of truth." Hail. "I have not blasphemed." Hail. "I am not a man of violence." Hail. "I have not been a stirrer up strife." Hail.
iON 17:21
Damn it, man. There's Bob. Boy, you talk about - if you look that up who's the poster child for that condition, it'd be the stirrer up of strife. If J.R. Bob Dobbs or Dick Dobbs don't fit that girthy, ain't nobody gonna make it, honey.
Carolyn 17:36
Heh heh heh. Hail. "I have not acted with undue haste." Oh my gosh. Hail. "I have not pried into matters." Hail. "I have not multiplied my words in speaking." Hail. "I have wronged none, I have done no evil. Hail. "I have not worked witchcraft against the king." Hail. "I have never stopped [the flow of] water." Ooh. Hail. "I have never raised my voice." That'll never happen. Hail. "I have not cursed God." Hail. "I have not acted with arrogance." Hail. "I have not stolen the bread of the gods." Hail. "I have not carried away the khenfu cakes from the Spirits of the dead." Hail. "I have not
iON 18:28
Yeah. Hail. I - don't, and don't forget, hail, I have never slammed the door hard in my whole life.
Carolyn 18:34
Ha ha ha. Ah, yeah, that's part of the raised voice. Hail. "I have not snatched away the bread of the child, nor treated with contempt the god of my city." Small "g." Hail. "I have not slain the cattle belonging to the god." Small "g." Phew! So that's the - no, there's more. Damn. Then it says: "APPENDIX (From the Papyrus of Nebseni)" and it goes on -
iON 19:05
Nebseni.
Carolyn 19:05
- with Hail. "I have not committed sin." Now, is this a repeat? Let me just -
iON 19:12
No, no.
Carolyn 19:14
No, 'cuz we we already said we have not committed sin above, I think, but anyway -
Bob 19:19
I understand, but that's the point. This is from a different Papyrus, so
Carolyn 19:24
Yes, yes. Okay. Okay. And thankfully I am dropping all the hail sentences. "I have not committed sin. I have not robbed with violence. I have done no violence. I have not stolen. I have not slain men. I have not made light the bushel. I have not acted deceitfully. I have not stolen the property of the god. I have not told lies. I have not carried away food. I have not uttered evil words. I have attacked no man. (Carolyn: I have not - should be what would that be?) I have not slain a bull which was the property of the god." So, I mean, they're small "g" and slain is misspelt, but is that them going away from worshipping false idols?
iON 20:21
Eh, the representation of it, or they're arguing that they had - he hadn't done it.
Carolyn 20:26
Yeah. Mm hmm. Okay. Yeah. And continuing.
Bob 20:33
It's like saying, "And I did not, and I did not kill that whore in the whore house last night that was on the second floor in room 216. And I did not rob her money for this money right here in my hand. It did not come from her purse." Now, if you got to do all that, it's kinda like you're protesting too much, but go ahead.
Carolyn 20:50
Well, that's what I said: that thou dost protest too much. Shakespeare. Figure that out. Ah ha. "I have not acted deceitfully. I have not pillaged the lands which have been ploughed. I have never pried into matters [to make mischief]. I have not set my mouth in motion. I have not been wroth except with reason." So, before, it was I have not been wroth, but now it's wroth except with reason. So they're, you know, circumnavigating their position.
iON 21:24
I almost never, I almost never whoop my husband anymore. Right, Carolyn?
Carolyn 21:29
Right. That's right. "I have not the debauched the wife of a man."
iON 21:34
There you go.
Carolyn 21:35
"I have not polluted myself. I have terrorized no man. I have not made atacks. I have not been a man of anger. I have not turned a deaf ear to the words of truth. I have not stirred up strife." More strife. Where are we? "I have made none to weep. I have not committed acts of sexual impurity, or lain with men." So says a man.
iON 21:53
Yeah, poor Bob. You got Bob on that one, too. Damn! Poor Vern.
Carolyn 22:13
"I have not eaten my heart." Now who's gonna be eatin' hearts, iON? Why did they throw that in?
iON 22:20
Oh everybody, everybody, everybody because the heart of the matter is a matter of the heart. -
Carolyn 22:20
Oh.
iON 22:23
- Honey, if you don't think - the same way they make a soup out of the placenta
iON 0:00
The same way they're gonna eat the hearts tryin' to get ascension. That's the only way they can get it.
Carolyn 0:02
Ahhhh. Gotcha.
iON 0:02
Mm hmm. What Bob would say, Carolyn, do we eat placenta soup?
Carolyn 0:13
Oh my goodness. Okay. "I have cursed no man. I have not acted in a violent or oppressive manner. I have not acted [or judged] hastily. "I have not (Carolyn: and there's three dots)... my hair," What words are missing from I have not something my hair?
iON 0:10
Cut, cut or altered or defiled my hair. 'Cuz see, if you cut your hair, you're doomed.
Carolyn 0:42
Oh, right. Samson. "I have not harmed the god. I have not multiplied my speech overmuch."
iON 0:51
Ha ha ha. Now they put a comma, Dobbstown, Carolyn, right there.
Carolyn 0:57
Yeah, yeah, yeah. Overmuch. Okay. "I have not acted with deceit, I have not worked wickedness. I have not done things"
iON 1:07
Except in the dark, except in the dark.
Carolyn 1:11
Why say that?
iON 1:14
'Cuz it says for if their wickedness and they do it in the dark, it don't count.
Carolyn 1:18
Yeah, got it. "I have not done things to effect the cursing of [the king]. I have not stopped the flow of water. I have not raised my voice. I have not curse (Carolyn: It should be cursed) God. I have not acted with insufferable insolence. I have not sought to make myself unduly distinguished. I have not increased my wealth except through such things are [justly] my own possessions. I have not scorned [or treated with contempt] the god (Carolyn: small "g") of my town." Phew! So, we might get some more hails, but that seems to be it. So yeah, I can see the negative confession. That's pretty, pretty obvious. Anything more you want to say about that before we move on to -
iON 2:15
Just that it lays off, just that that's why they call this the negative confession, you see.
Carolyn 2:21
Yeah. Yeah.
iON 2:24
Those are the things that you have to be aware of. 'Cuz if they didn't know that was a sin, how would they know? Right?
Carolyn 2:32
Ah. Gotcha. Oh oh, Bob's coming. What Bob? Half of the grapefruit. Half. Gosh, trying to steal my grapefruit now. Ha ha ha. Next: "ADDRESS TO THE GODS OF THE TUAT." And this is from a certain Papyrus of Nu that's mentioned. It's in the British Museum No.10477, Sheet 24. And in capital letters, it says: "THE FOLLOWING ARE THE WORDS WHICH THE HEART OF TRUTH THAT IS SINLESS SHALL SAY WHEN HE COMETH WITH THE WORD OF TRUTH INTO THE HALL OF MAATI; THEY SHALL BE SAID WHEN HE COMETH TO THE GODS WHO DWELL IN THE TUAT; AND THEY ARE THE WORDS WHICH ARE [TO BE SAID] AFTER [HE COMETH FORTH FROM] THE HALL OF MAATI." So that was like the title of this section all in caps.
iON 2:58
Mm hmm. Yeah. It tells you -it's the set, it's setting. It's the stage direction.
Carolyn 3:37
Yeah. Yeah. It sets you up. And the words are: "Nu, the steward of the keeper of the seal, whose word is truth, saith:- Homage to you, O ye gods who dwell in your Hall of Maati! I know you, I know your names. Let me not fall under your knives of slaughter, and bringing ye not forward my wickedness to this god in whose following ye are. (Carolyn: small "g") Let not evil hap come upon me (Carolyn: Is that another - I'm getting a lot of typos here.)
iON 4:22
No, it's not a typo. It's Eliza - it's Elizabethan. It's "to happen," to hap. You hap up on a problem which happens.
Carolyn 4:31
Okay. "Let not evil hap come upon me through you. Speak ye the truth concerning me in the presence of Neb-er-tcher, for I have done what is right and just in Ta-Mera. I have not cursed the god, (Carolyn: small "g") and my evil hap did not come upon him that was king in his day. Homage to you, O ye who dwell in your Hall of Maati, who have nothing false in your bodies, who live upon Truth, who feed yourselves upon Truth in the presence of Horus who dwelleth in his Disk," Now Disk is with a capital "D." Does that mean a spaceship, iON?
iON 5:22
No, it's a marker. It's a marker.
Carolyn 5:24
Ha ha. Them and their markers.
iON 5:27
No, no. They had Disks - no, it's the, it's the Disk where they would store things. It's like a compact disc. It holds information. It's a cassette player.
Carolyn 5:39
Yeah, got it. Okay, continuing: "deliver ye me from Beba, who feedeth upon the livers of the great ones on the day of the Great Judgment." So, who's feeding upon whose liver, iON, -
iON 5:58
They're eating from -
Carolyn 5:58
- and why.
iON 5:59
- because that's where the protein is from. That's the filter; they're eating the filter. What Bob eats his chicken livers sometimes.
Carolyn 6:08
Yeah. Bobby's chicken livers are on What Youth day.
iON 6:14
Mm hmm.
Carolyn 6:17
"Grant ye that I may come before you, for I have not committed sin, I have done no act of deceit, I have done no evil thing, and I have not borne [false] witness; therefore let nothing [evil] be done to me. I have lived upon truth, I have fed upon truth, I have performed ordinances of men, and the things which gratify the gods. (Carolyn: small "g") I have propitiated the god (Carolyn: small "g") by doing his will, (Carolyn: small "h") I have given bread to the hungry man, and water to him that was athirst, and apparel to the naked man, and a ferry-boat to him that had no boat. I have made propitiatory offerings and given cakes to the gods, and the "things which appear at the word."" Hmm. I have made - then the things given to the gods and the "things which appear at the word" to the Spirits. Now that's in quotes. What is this things that appear at the word, iON?
iON 7:22
The things that you're accused of. See, the Spirits can say, "Yes you did sleep with him. Yes, you did do that. Yes, you did that debauchery. Yes, you did. That was your T-T we saw there. Yes, it was." And so, this is the way to defile it from the accuser.
Carolyn 7:41
Got it. Continuing: "Deliver then ye me, protect then ye me, and make ye no report against me in the presence [of the Great God]. (Carolyn: two capital "G's") I am pure in respect of my mouth, and I am clean in respect of my hands, therefore let it be said unto me by those who shall behold me: "Come in peace, Come in peace." For I have heard that great word which the Sahu spake to the CAT," Capital "C," capital "A," capital "T." Now what on earth is capital CAT, iON?
iON 8:23
The, the - in those days those are the things that protect. Egyptian lore says the cat's protected. They are - can control spirits.
Carolyn 8:32
Yeah.
iON 8:33
Kinda like herding cats. You can't herd cats. Well, neither can spirits.
Carolyn 8:38
Ahh, so that is their, their cat - shoot. What do you, they, call it in, in football games?Mascots! So their cat mascot.
iON 8:52
Mascot. Or catnip, maybe it's catnip.
Carolyn 8:56
Catnip. Okay. Continuing: "in the House of Hapt-ra. I have borne witness to Her- f-ha-f, and he hath given
iON 9:06
Her- f-ha-f.
Carolyn 9:07
Ha ha ha. Said with a yawn.
iON 9:19
That's a sneeze. You have to sneeze, you have to sneeze when you say it. Ha phew, ha phew. You have to sneeze when you say it.
Carolyn 9:23
"and he hath given a decision [concerning me]. (Carolyn: Uh, oh. Uh, oh. So, he's saying I have borne witness and he hath given a decision concerning me.) I have seen the things over which the Persea tree which is in Rasta, spreadeth its branches. I have made petitions to the gods. (Carolyn: small "g") [and I] know the things [which appertain to] their bodies. I have come, travelling a long road, to bear righteous testimony, and to set the Balance upon its supports within Aukert. Hail, thou who art exalted high upon thy standard, thou Lord of the Atef Crown, who dost make thy name to be "Lord of the Winds," deliver thou me from thy divine Envoys who punish and afflict according to [thy] decrees," (Carolyn: I just want to go back to Lord of the Winds. I mean, we're big on winds. Does this have some prominence here, Lord of the Winds?)
iON 10:35
Yeah, it's acknowledging that - it's the acknowledgement of the winds that blow, but that's from a different kingdom. They can't feel it, they can only see those winds.
Carolyn 10:44
Yeah. Ahh. Yeah.
iON 10:47
That's why it's the Lord of the Winds. They don't get breezes in hell.
Carolyn 10:53
But they can't feel it, them, but they see them?
iON 10:57
Correct.
Carolyn 10:59
How do you see a wind, the effects of the wind on the palm tree leaves?
iON 11:03
No, no, no, no, no. You can see the wind. If you can't feel it, you can see it.
Carolyn 11:10
You can't see wind, you can just see what it does.
iON 11:14
Okay, if you can - if you could - you can feel wind that blows on you, but if you couldn't feel the wind, Carolyn, then you would be able to see the wind. That's the point. It's the converse and the obverse.
Carolyn 11:28
Yeah, got it.
iON 11:29
That's the difference.
Carolyn 11:31
Yeah. Nice.
iON 11:32
That's why people, that's why people who've lost their senses, okay? -
Carolyn 11:36
Yeah.
iON 11:37
So they have a - some neuropathy where they can't feel the wind blow. They'll know the wind's blowing.
Carolyn 11:43
Yeah, got it. Knowing, Key 13. Continuing.
iON 11:50
Show off. Ha ha ha.
Carolyn 11:51
Pardon? What?
iON 11:54
Show off, show off. Ha ha ha.
Carolyn 11:58
Ha ha ha! That's the first time you called me a show off. That's so cool. I love it.
iON 12:03
Well, you're makin', you're makin' Bob feel bad 'cuz he didn't even know what a Keys are, and he doesn't know what the lock is, -
Carolyn 12:03
I know.
iON 12:05
- and he doesn't know what Meissen is. So, we're tryin' to make him feel bad. And he's fixin' to eat your other half of your grapefuit, just so you know.
Carolyn 12:19
Right. Right. Uh oh. I just - in my excitement I lost my place. Where were we?
iON 12:30
Right there.
Carolyn 12:32
Say some words so I can search it.
iON 12:34
You went back. No, no, you just went back to the - you delivered - after you got him delivered, then you were doing the divine Envoy. You're fixin' to do the divine Envoys.
Carolyn 12:48
Divine Envoys. Yeah, I have to search a word to get back. I lost the whole thing. Envoy. Yeah, thank you, thank you. "deliver thou me from thy divine Envoys who punish and inflict according to [thy] decrees, and who make calamities to arise, and whose faces are with coverings," Uh oh, quarantine! Quarantine.
iON 13:17
Gotta wear your mask.
Carolyn 13:18
Yeah. "for I have done what is right and true for the Lord of Truth. I am pure. My breast is purified by libations, and my hinder parts are made clean with the things which make clean, and my inner parts have been dipped in the Lake of Truth." I mean, this is -
iON 13:39
So that's the coffee - that's where coffee, that's where coffee enemas come from.
Carolyn 13:43
I know! The inner parts -
iON 13:45
The Lake of Truth.
Carolyn 13:45
- the hinder parts. It's like they're cleaning an animal.
iON 13:50
Yeah.
Carolyn 13:52
Are they cleaning an animal?
iON 13:54
In essence, yeah. 'Cuz see, they they don't see - they - little man would be a beast if they don't ascend.
Carolyn 14:01
Yeah, yeah.
iON 14:02
That's why they're acting, that's why they're acting like beasts. Now, Carolyn, just take one pause here for a second. You said a lot of words, but here's what's happening. The reason we're doing this right here, right now, the reason we're laying it out now, 'cuz if you look out your window, but not you 'cuz you're not - you're in the fifth gate. But, folks could look out their window and can look at all this depravity, especially those that have ignored what we told them to do. And now they're wondering when to do the thing we already told them to do. Okay, that's fine. But, okay, so now what happens is that's what they're starting to see. They're startin' to see people act like the walking dead, -
Carolyn 14:40
Yeah, yeah.
iON 14:41
- from the show, "The Walking Dead." They're starting to act like it. And then people have to get their guns, and then they have to get their bullets, and then they have to get their guns for their guns. And then they can't - oh, no, I gotta have a grenade launcher, I can't take a 45. Oh, hell no, hell, no, I ain't gonna have that. I want a grenade launcher. Oh, hell no, I'm gonna get me a neutron bomb. Yeah, I'm gonna get me a neutron - yeah, I'm gonna play, I'm gonna play fa so la music! I'm gonna play the fa so la to em; that'll make em fall in their tracks, make them fall. I'm gonna create a frequency trap and trap their dead lives in a box, -
Carolyn 15:15
Mm hmm.
iON 15:15
- and save them in a bottle and share them with Roxy. That'd be nice. She likes things in bottles.
Carolyn 15:24
Yeah, yeah, yeah. Ah ha. Okay, then we continue: "There is no single member of mine which lacketh truth. I have washed myself clean in the Lake of the South. I have rested myself in the city of the North, which is in Sekhet Sanhemu (the Field of the Grasshoppers), where the
iON 15:50
Which is, which is, which is the locusts that are coming. Go ahead.
Carolyn 15:54
Oh, wow. Yep. "where the mariners of Ra wash themselves clean at the second hour of the night, and at the third hour of the day." Is this washing, is that like prayer time - observance?
iON 16:14
No, no. Paul Revere "one, if by land, and two, if by sea." Hey, Carolyn, they're comin'.
Carolyn 16:23
Yeah. Woo hoo. I'll put that in caps, THEY ARE COMING. Continuing: "The hearts of the gods (Carolyn: small "g") are gratified when they have passed over it, whether it be by night, or whether it be by day, and they say unto me, quote, "Let thyself advance." They say unto me, "Who art thou?" And they say unto me, "What is thy?" [And I reply], "Sept-kheri-nehait-ammi-beq-f" is my name. Then they say unto me, "Advance straightway on the city which is to the North of the Olive Tree. What dost thou see there?" (Carolyn: Okay, what's all this? It's sounding like a novel with all the quotes.)
iON 17:22
Yarmulke.
Carolyn 17:23
What?
iON 17:22
It's yarmulke. Yarmulkeland. The 33rd parallel.
Carolyn 17:24
Ah ha. Whoa. Okay. Yeah. So we've arrived somewhere.
iON 17:38
The city.
Carolyn 17:39
Yeah, and -
iON 17:39
Looking for a city. The Vesta Goodman city. Canaan land is just in sight. Now that's from our perspective, not from their perspective. But see, they get that. The esoterics that y'all are tryin' to learn, they know. The grits and gravy stuff that y'all are tryin' to reach for, prescribed to, they got from that side. See, that's why Bob prefers the dead, actually. They're less - they're much more agreeable.
Carolyn 17:48
Mm hmm. So, they know where they are is what you're saying.
iON 18:14
In essence, mm hmm. -
Carolyn 18:16
Yeah.
iON 18:16
- except for the leg and the thigh.
Carolyn 18:21
Oh, yeah, we're coming to that. But the question is, with all these quotes, it's very personalized is what I'm saying.
iON 18:31
Yeah, almost in first person.
Carolyn 18:34
Yeah. Okay. We'll continue then.
iON 18:39
So, so, so. So, if you're not dead or if you think you're not dead, you might want to own it. 'Cuz at some point we're gonna start calling out the dead. They don't know they're dead, Carolyn. They know they're different, but they don't know. And it won't be long we're gonna start callin' them out 'cuz it's time. It's gonna be okay. Dead Lives Matter, Carolyn, Dead Lives Matter.
Carolyn 19:09
Ahhhh! Good. So, the previous sentence, What dost thou see there? And continuing: "The Leg and the Thigh. What dost thou say unto them? Let me see rejoicings in these lands of the Fenkhu. What do they give unto thee? A flame of fire and a sceptre-amulet [made] of crystal. What dost thou do with them? I bury them on the furrow of M'naat,"
iON 19:45
M'naat.
Carolyn 19:41
"M'naat, as things for the night. What dost thou find on the furrow of Maat? A sceptre of flint, the name of which is "Giver of winds." What now dist thou do with the flame of fire and the sceptre-amulet [made] of crystal, after thou didst bury them? I said a spell over them, and I dug them up. I quenched the flame of fire and I broke the sceptre-amulet, and I made a lake of water." Oh my goodness, look at that. That's important.
iON 20:07
It tis.
Carolyn 20:25
Heh, heh, heh Okay.
Bob 20:25
(in background) What's that?
Carolyn 20:28
Nevermind. Continuing: "[Then shall the Two and forty gods say unto me]: "Come now, pass in over the threshold of this door of the Hall of Maati, for thou hast knowledge of us." "We will not allow thee to enter in over us," say the bars of this door, "unless thou tellest us our names." (Carolyn: unless thou tellest us our names. So, this is where the names come in.) [And I reply], (Carolyn: So then there's a whole bunch of names that I'll never be able to pronounce. Do you want to pronounce them?)
iON 21:12
"Tekh-bu- maa"
Carolyn 21:14
"is your name. The right lintel of this door saith: "I will not allow thee to pass over me unless thou tellest me my name." [And I reply],
iON 21:29
"Henku-en-fat-maat"
Carolyn 21:32
"is thy name. The left lintel of this door saith: "I will not allow thee to pass over me unless thou tellest me my name." [And I reply],
iON 21:43
"Henku-en-arp"
Carolyn 21:46
"is thy name." (Carolyn: And we continue on, and another name, and I reply.)
iON 21:54
No, you gotta go - we gotta go the ground door.
Carolyn 21:57
Ha ha ha. Oh, okay.
iON 21:57
You gotta go to the ground of this door. To the ground. You've done the plinth, the lintel and lintel. Now you have to do the ground. The ground of this door -
Carolyn 22:09
"The ground of this door saith: "I will not allow thee to pass over me unless thou tellest me my name." [And I reply],
iON 22:18
"Aua-en-Keb"
Carolyn 22:20
"is thy name. And the bolt of this door saith: "I will not open the door to thee unless thou tellest me my name." [And I reply],
iON 22:33
"Saah-en-mut-f"
Carolyn 22:33
"is thy name. The socket of the fastening of this door saith: "I will not open unto thee unless thou tellest me my name." [And I reply],
iON 22:42
"The Living Eye of Sebek, -
Carolyn 22:47
The Lord of -
iON 22:49
"The Lord of Bakhau"
Carolyn 22:52
"is thy name. (Carolyn: Uh oh) The Doorkeeper of this door -
iON 22:58
The Doorkeeper.
Carolyn 23:00
"The Doorkeeper of this door saith: "I will not open to thee, and I will not let thee enter by me unless thou tellest my name." [And I reply], (Carolyn: I can say this, iON.) "Elbow of the god
iON 23:11
Oh, okay. Ha ha ha ha. I thought you had a little thing. I though you had a little thing goin' on. We're goin' like the antiphonal side. We can do that, but that's all right, we got you.
Carolyn 23:20
I know, it was fun. It was like fa so la. Very fun.
iON 23:23
Yeah, yeah, yeah.
Carolyn 23:24
"[And I reply], "Elbow of the god Shu who placeth himself to protect Osiris" is thy name. The posts of this door say: "We will not let thee pass in by us unless thou tellest our name." [And I reply], "Children of the uraei-goddesses" is your name. The Doorkeeper of this door saith: "I will not open to thee, and I will not let thee enter in by me unless thou tellest me my name." [And I reply], "Ox of Keb" is thy name. [And they reply], "Thou knowest us, pass in therefore by us." (Carolyn: My gosh, you know, what is it, it sounds like a magical formula. Is there some - are they talking about -
iON 23:24
It is, it is.
Carolyn 23:24
Ha ha ha. Why? Why?
iON 24:18
The building blocks. What is the door? What is the door? What's the door you're trying to pass through? What's the thing you're trying to open? What's the realm you're trying to seek? What are you trying to lay cause to? Well, this tells you exactly how to do it. And so if you can lookin' at the dead people can figure it out, surely as god you could figure it out. So, it's kind of thing sittin' on the left side and the right side, and the top, and the floor, and the doors, and the knots and the limb, and the bim, and the slim, and the hinges, and the cringes, and the dinges, and you gotta get em all.
Carolyn 24:50
Got them all. Right. There's more coming up. Let's continue. "The ground of this Hall of Maati saith: "I will not let thee trend upon me [unless thou tellest me my name], for I am silent. I am holy because I know the names of two feet wherewith thou wouldst walk upon me. Declare, them, them to me." [And I reply],
iON 25:15
"Besu-Ahu"
Carolyn 25:17
"is the name of my right foot, and (Carolyn: ha ha ha)
iON 25:22
"Unpet-ent-Het-Heru"
Carolyn 25:24
"is the name of my left foot. (Carolyn: which became a movie.) (iON: Right) [The ground replieth]: "Thou knowest us, enter in therefore over us." The Doorkeeper of this Hall of Maati saith: "I will not announce thee unless thou tellest my name." [And I reply], "Discerner of hearts, searcher of bellies" is thy name. [The Doorkeeper saith]: "Thou shalt be announced." [He saith]: "Who is the god who dwelleth in his hour? Speak it" [And I reply], (Carolyn: go ahead, iON)
iON 26:00
"Au- taui" Au- taui.
Carolyn 26:02
"[He saith]: "Explain who he is," [And I reply]: "Au- taui" is Thoth. (Carolyn: Oh, ho, ho. We've come full circle to Thoth, iON.)
iON 26:16
Yeah.
Carolyn 26:18
That's kind of cool. But, you knew.
iON 26:20
Yeah, that's the whole point. Nobody even acknowledged, nobody even acknowledged Thoth. They were still confusing Thoth with Thoreau livin' in the woods. But it ain't quite the same now.
Carolyn 26:31
Ha ha. Funny "Come now," saith Thoth, "for what purpose hast thou come?" [And I reply]: "I have come, and have journeyed hither that my name be announced [to the god]." [Thoth saith]: "In what condition art thou?" [And I reply], "I, even I, am purified from evil defects, and I am wholly free from the curses of those who live in their days, and I am not one of their number." (Carolyn: Okay, so he's almost saying he's dead, he's, he's free from living. Right.)
iON 27:10
Right. The curses of those who live in their day.
Carolyn 27:14
Yeah.
iON 27:15
See, there's no days.
Carolyn 27:17
Yeah, yeah. Yeah. And continuing: "[Thoth saith]: "Therefore shall [thy name] be announced to the god." (Carolyn: small "g") [Thoth saith]: "Tell me, who is he whose heaven is of fire, whose walls are living serpents, and whose ground is a stream of water? Who is he?" [And I reply], "He is Osiris." [Thoth saith]: "Advance now, [thy name] shall be announced to him. Thy cakes shall come from the Utchat (Eye of Horus or Ra), thy ale shall come from the Utchat, and the offerings which shall appear to thee at the word upon earth [shall proceed] from the Utchat." This is what Osiris hath decreed for the steward of the overseer of the seal, Nu, whose word is truth." (Carolyn: Whew! So that's the end of something or other. Heh heh.)
iON 28:23
Yeah.
Carolyn 28:24
What is, what is it the end of, iON?
iON 28:28
The end of the confession.
Carolyn 28:31
Yeah, okay.
iON 28:32
The end of the negative confession.
Carolyn 28:36
Good. Look. He's keeping track. How much more Bob?
iON 28:42
Do the Rubric.
Carolyn 28:46
Yeah, Bob said another 10 minutes. The rubric is the next section. And the title in caps is "RUBRIC: THE MAKING OF THE REPRESENTATION OF WHAT SHALL HAPPEN IN THIS HALL OF MAATI." Then the words are: "This Chapter shall be said by the deceased when he is cleansed and purified, and is arrayed in linen apparel, and is shod with sandals of white leather, and his eyes are painted with antimony, and his body is anointed with unguent made of myrrh. And he shall present as offerings oxen, and feathered fowl, and incense, and cakes and ale, and garden herbs. And behold, thou shalt draw a representation of this in colour upon a new tile moulded from earth upon which neither pig nor any other animal hath trodden. And if this book be done [in writing, the deceased] shall flourish, and his children shall flourish, and [his name] shall never fall into oblivion, and he shall be as one who filleth the heart of the king and of his princes. And bread, and cakes, and sweetmeats, and wine, and pieces of flesh shall be given unto him [from among those which are] upon the altar of the Great God. (Carolyn: two capital "G's") And he shall not be driven back from any door in Amentet, and he shall be led along with the kings of the South and the kings of the North, and he shall be among the bodyguard of Osiris continually and regularly for ever. [And he shall come forth in every form he pleaseth as a living soul for ever, and ever, and ever.] (Carolyn: Yay, we made it. We made it.)
iON 30:47
You did, you did.
Carolyn 30:48
Yeah, but why -
iON 30:50
That's a -
Carolyn 30:50
- are there no - What?
iON 30:54
And that's a good place to, to disembark, 'cuz then you got the Dedification of the Members. Because this will get you right into the other side. Now, recap a little bit 'cuz you got minutes to burn. So, go ahead. What do you - Palmer? Palmer? What have you learned?
Carolyn 31:13
Well, the question first is, we talked about the kings of the South and the kings of the North. What about the kings of the East and West?
iON 31:24
They're coming. That's directional. 'Cuz you have East and then you have Far East, and then you have West, and you keep goin' West, that becomes double East; East East. So.
Carolyn 31:34
Yeah. Okay, good.
iON 31:36
That doesn't matter. The yarmulke matters. And that's done from the north and south, not the east and west.
Carolyn 31:43
Ohhh. The yarmulke matters.
iON 31:45
Got that?
Carolyn 31:47
Yeah.
iON 31:47
The 33rd, the 33rd parallel is, is the up and down, not the left and right.
Carolyn 31:52
Yeah. Yeah. Okay, good. Okay, Bob. We're done. We are complete. Thank you, iON, but don't go away. Don't go away.
iON 32:03
Okay, okay.
Carolyn 32:06
That was fun. That was very fun.
iON 32:09
It was fun. Well it's startin' to matter now because what's happening now is it's starting to apply. All those dead people you've been waitin' on all these years, Carolyn, now you're actually going to be able to help em.
Carolyn 32:19
Yeah, right. Yeah, good point. Heh heh heh.
Bob 32:24
The Dead Bob Show.
iON 32:26
Excuse me ma'am, are you dead? I can help you. Dead people move to the top of the line.
Carolyn 32:32
Mm hmm. I can say the words.
iON 32:36
Mm hmm.
Carolyn 32:38
Okay, Bobby, how on earth are you going to top that? Well, you're muted for one thing.
Bob 32:46
How am I going to top what?
Carolyn 32:48
What iON and I just did; what we experienced. Heh heh.
Bob 32:52
Ha ha. A bunch of denials. I didn't do this. I didn't do that. Like boy, it was it was boring one ever. It really was bad. So, what did you learn?
Carolyn 33:03
Palmer? No, no, it's more a matter of where did we get.
Bob 33:07
Oh, where'd we get?
Carolyn 33:10
We got to the end of the denials and the acceptance by Thoth, and we're ready to be alive again.
Bob 33:17
What's the title? Rubric?
Carolyn 33:20
The Negative Confession.
Bob 33:21
No, where we've got to: "THE MAKING OF THE REPRESENTATION OF WHAT SHALL HAPPEN IN THIS HALL OF MAATI"?
Carolyn 33:24
No, "THE CHAPTER OF THE DEIFICATION OF THE MEMBERS."
Bob 33:29
Okay. All right, not much left.
Carolyn 33:33
That's amazing 'cuz my pages are all messed up 'cuz I'm making so many notes, but, how many pages left? And what page are we on?
iON 33:42
Oh, right now?
Carolyn 33:44
Yeah.
iON 33:44
You are on 54.
Carolyn 33:47
So I did three whole pages. Ha ha ha.
Bob 33:50
Yes, and we actually only did it for 42 minutes.
Carolyn 33:56
Oh.
Bob 33:56
We didn't do an hour.
Carolyn 33:58
Should we continue?
iON 33:59
That's okay. No, 'cuz you're gonna have a new break. You're good. You don't want to get too far ahead.
Carolyn 34:06
Yeah, we need to break off.
Bob 34:08
Okay.
Carolyn 34:10
Thank you.
Bob 34:12
Where is that?
Carolyn 34:12
I'm gonna make pizza now.
Bob 34:18
Okay. All right, Scott, carry on your geometry pursuit, the Bucky Fuller alley.
iON 34:25
Hold on, hold on, hold on, hold on. Wait. No, Bob. Hold - that's interesting. Hold that aside for a minute. Open it up for everybody, the three people you have here, and let them talk about the Book of the Dead, and they may have a question about the Book of the Dead right here, right now. 'Cuz they're soon gonna be run out and they're not gonna be able to ask questions. So, open it all up and let them get it off their system and just go from there. If nobody has any questions, then Scott can do interesting stuff.
Bob 34:56
Okay, go ahead, it's all unmuted. (short pause) No questions?
Jaun 35:07
Hi, iON, it's Jaun.
Bob 35:10
Yes, Jaun.
iON 35:11
Hey, darlin'.
Jaun 35:11
iON, is this whole Negative Confession stuff where things line up, is that almost like where you get your elders to line up?
iON 35:23
No, it's how they're acknowledging the conditioned response. It's trying to convince Furry Lint that there's no pornography.
Jaun 35:34
Okay, thank you.
Bob 35:38
Do you know who Furry Lint is, Jaun?
Jaun 35:41
Is it Larry Flynt?
Bob 35:43
Yes, that's right. Yeah, trying to convince him there's no pornography.
Jaun 35:49
Brilliant. Thank you, iON. I don't have any more questions 'cuz I have to relisten.
iON 35:58
That's good. That's good, though. It's kinda interesting 'cuz it's kind of, it's a little obfuscatable. What that means is that it's really deep, detailed, but still you'll get it. All of a sudden you go, "Oh, you mean that's what that means?" And then you go, yeah.
Jaun 36:21
Wonderful.
iON 36:26
Ta da.
Bob 36:29
Anybody else? Go ahead Jaun.
Jaun 36:33
I was just also thinking it was almost like the - it reminded - the Negative Confession reminded me of past pluperfect things. Have had I not - can the two be related?
iON 36:54
It's a reach, honey. Don't you think?
Jaun 37:00
Yeah. Okay. Thank you.
Bert 37:08
Hey, iON.
iON 37:19
Hey!
Bert 37:21
Hey.
iON 37:21
Yeah.
Bert 37:22
Hey, the winds, the wind. What is it? The acknowledgment of the winds from another wind. Does that - you've show the sign that the dead do have senses? Is that what you would outline?
iON 37:36
They see them, they don't feel them. They see them they don't feel them. They can see the wind blowing but they can't feel it.
Bert 37:44
So is that with - is that with all the senses? So, they see what they don't feel. They have no feeling so all they do is -
iON 37:51
It's kinda like, it's kinda like, you know people who smoke cigarettes? I mean I don't think anybody smokes cigarettes anymore, but when they did smoke cigarettes, dead people can't smoke but they can see the smoke. They can long for the smoke but they can't taste it; they don't get the good of it, the benefit of the nicotine. So, they don't get the high or the buzz or the whatever that means. But they can see it; they can see the smoke, but they can't engage. It's like that. So, they can see the wind but it doesn't do them any good. Smoke on the water.
Bert 38:26
Wow. Okay. Hey, and the CAT. The cat, the capital C-A-T. Did I hear correctly that the cats control spirits or they're symbol of control? Or the cats actually
iON 38:39
They are, they are, they are barriers the Egyptians used to protect the dead. The spirits are spooked by cat. They don't like cat 'cuz you can't herd them. So you can't herd - they can see spirits. They can attack or are territorial regarding spirits. They're sensitive. You know how a cat can trip out over something and there's nothing there?
Bert 39:14
Yes, I know that very well.
iON 39:15
Where a dog has to hear - a dog has to sense something or hear something or be moved by something; cats don't have to have that at all.
Bob 39:26
But you said they protect spirits.
iON 39:29
No, they protect dead, the dead.
Bob 39:33
So why are the dead spooked by cats?
iON 39:37
Because they can't control them, and a cat can attack a spirit. So the Egyptian used cats to protect their deads. Thou has made images of cats in their tombs.
Bob 39:50
But they're afraid of cats, but they try to use them to protect their dead.
iON 39:54
Yeah. Yes. Right. Well, the dead people put them in there for that, but the spirits aren't the dead, Bob.
Bob 40:01
Oh, what are they?
iON 40:02
Oh, oh, they're just dead. They don't - they may not have a spirit. That's why they're called the walking dead. The walking dead don't have a spirit.
Bob 40:09
What? What? You just said spirits don't have a spirit? Start over again. What's a spirit?
iON 40:13
No, we said, no, dead don't have a spirit, Bob.
Bob 40:18
Yeah. And then what's something that's not dead?
iON 40:23
You. You're not dead, Bob.
Bob 40:25
Yes. But over there; you were using the word spirits. What are spirits?
iON 40:30
Spirits are things that live in that realm. They're what you call them, demons, they're what you call the ineffable conditions.
Bob 40:44
The ineffable condition. And the dead are not in the ineffable condition?
iON 40:49
No, they're dead. They know they're dead, they just don't know why they don't have a soul or a spirit.
Bob 40:55
Mmm
Bert 40:56
Mmm. So, iON -
Bob 41:00
Is - just a minute, Bert. Is where this non physical is where the dead are, is that in the hollow earth that will be on my private session today? Is that inside the earth?
iON 41:12
It repre -it's, it's no, but it's a representation of it. That's not it.
Bob 41:16
What's it?
iON 41:17
It's a representation.
Bob 41:17
It's a representation of it. Like it. Which one of its?
iON 41:20
What did you ask? The hollow earth that you've described -
Bob 41:22
Yeah, the hollow earth, the hollow earth -
iON 41:26
- in your private session.
Bob 41:26
- is a representation of what?
iON 41:27
Of it. Of it, of it, of what you're talking about, of this (overtalk)
Bob 41:31
I don't know what I'm talking about. I'm saying what, what is it?
iON 41:34
Where the dead people are. Where the dead people are. It's a representation of it. That's not what it is.
Bob 41:40
Yeah, see, say it again. The hollow earth is a representation of where the dead are, but the dead are not in the hollow earth.
iON 41:47
Correct, but it's a representation of it.
Bob 41:51
Right. Living people are in the hollow earth. Right?
iON 41:56
We'll see, but most likely.
Bob 41:58
All right.
iON 41:59
Gotta leave some mystery. We gotta leave a little mystery and intrigue -
Bob 42:02
Yeah, that's coming up there, Bert. -
iON 42:03
- otherwise -
Bob 42:04
- big, big private session, Bert. -
iON 42:05
- otherwise, -
Bob 42:06
- Much will be learned. -
iON 42:04
- Bob, Bob, Bob. Otherwise, they won't enjoy the mushroom cloud.
Bob 42:11
That's right. Yes, the unfolding of the lotus of Bob's private session for - what would that be? July twenty - July 30th. July 30th. So, how ya doin;?
Bert 42:11
So, iON, the purpose - so, the purpose of the cat -
iON 42:29
We're doin' good.
Bert 42:30
- the purpose of the cat is to protect the dead from spirits.? Is that which - in a nutshell?
iON 42:37
Yeah.
Bert 42:39
Okay. All right.
iON 42:43
So, how's your week? What else is - how's this startin' to apply? Are you startin' to apply this to your week?
Bert 42:53
Do you mean the dead? Is that what you're saying?
iON 42:56
Yeah, we're talkin' about the, we're talkin' about the Book of the Dead.
Bert 43:00
Yeah. No, I haven't this past week. No, I haven't applied anything to the dead at all.
iON 43:08
Ah huh. Okay.
Bert 43:09
Maybe next week I will when I go out. Haven't seen any dead pass the house 'cuz I didn't go out this week, so, but once.
iON 43:19
We know. We know. We know. What's bound on earth is bound in heaven. We did it on purpose.
Bert 43:30
You did what on purpose? To bring this up?
iON 43:34
Ahh, kept you home.
Bert 43:37
Okay. Good.
iON 43:40
Because things had to be done. Now that's what was happening here. This Book of the Dead, things have to be done. Well, for you being home, things had to be done.
Bert 43:54
Okay. All right. Um, not much to say on that. I mean, I did get a lot done, but -
iON 44:01
No, no, you didn't - no, no, no, no, it wasn't, it wasn't about that. It was the representation of your week and the Book of the Dead. That's nothin' to say, it's how, it's a firsthand example. Where do you live? Do you live in your house, or do you live on earth? Where is the place where you are? Well, you're not really sure most of the time. And that's okay. You're gettin' stuff done. You don't know what you're gettin' done, but you're very busy at it. That's nice, so, you're talkin' about the placement. So, this -amazingly, this Book of the Dead, maybe it isn't for the dead at all. Maybe it's for the live ones and y'all are trying to figure out where you are.
Bert 44:42
Hey, that - yes.
iON 44:43
Maybe. Maybe.
Bert 44:45
Yeah, that's what you said in the beginning. That's why you're laying it out for us - is to learn how to deal - not for the dead.
iON 44:52
Yeah, yeah.
Bert 44:52
That seems to be creeping on us slowly, surely, when I do a -
iON 44:59
Well, killing me, killing me, "Killing Me Softly."
Bert 45:06
Yeah.
Bob 45:11
Is that it, Bert?
Bert 45:12
That's it, Bob. Thanks. Until later.
iON 45:16
That's great. I'm glad you're up, Bert.
Bert 45:21
Thanks, iON, Glad to be here.
iON 45:26
Glad to be glad.
Bob 45:29
So, what did she -
iON 45:32
You got a party of two? You got a party of two, Bob? That's only what's listenin' now?
Bob 45:38
I'm just lookin'. Let's see. There's somebody asking questions here. (short pause) Well, Classic says, "Hollow earth is a representation of not where the dead people are."
iON 46:05
Right. No, it's a - oh, lord. They're not there, but it's a representation of where they would be if they were there. Come on now.
Bob 46:14
Heh heh heh. Got that, Classic? Okay. "Isn't a mushroom cloud -
iON 46:14
-did you call, did you call -
Bob 46:28
- a nuclear cloud?"
iON 46:31
Maybe. Everything's nuclear.
Bob 46:31
Is a mushroom cloud -
iON 46:34
Yeah. -
Bob 46:35
What?
iON 46:35
- Did you call and wake up Opi? Did you call and wake up Opi, Bob?
Bob 46:39
No, but she's here.
iON 46:41
Yeah. -
Bob 46:42
Classic says, "What is (overtalk)
iON 46:43
- are you gonna bring. Are you gonna, are you gonna bring Eira on for her hour in a little bit?
Bob 46:48
Later. Yes.
iON 46:51
Uh huh. Uh huh. Call her on Skype. You can bring her in.
Bob 46:56
Here's a little reunion of the Toronto Club 22 people happening on the chat line. MinimaX, and, and Steve, and Bon Echo. Bon Echo spoke to you maybe 10 years ago.
iON 47:14
Mm hmm.
Bob 47:14
Heh heh, you know. Okay. What else did Classic ask? Yeah, "All Dead Lives Matter," says Classic. And Madeleine is asking if she is dead.
iON 47:38
No. You talkin' about whore Madeleine? No, she's just a whore, she's not dead.
Bob 47:45
All right.
iON 47:47
She better be looking at the chat. Next time we chat you up and you don't listen and the people around you won't tell you. You better get better iONaughts. Once you start smotin' them. Hey, why don't you send all them that wouldn't tell you what was goin' on on the chat last week in the after-time - why don't you - why don't you send them some of that extra water you got? You got a lot of water. Why don't you share your water with them? Drown their damn ass; that'll fix em. Yeah. The least you can do. Now you know who's got your back, huh, honey?
Bob 48:16
Then Classic asks, "The Book of the Dead is to have the alive recognize where they are?" They, I guess, meaning the alive.
iON 48:24
Well, it had to be they in quotation marks because "they" don't know who "they" are. There's the rub.
Bob 48:32
Those are the living "they"?
iON 48:35
Maybe. Oh, Madeleine's laughing. Okay, everybody! Madeleine's laughing. Make a note that iON noted that Madeleine was laughing. So, that's good. And she's not, and she doesn't have to be stuck in Boise. And she's not a "commen- tator," even though she is in Ideho. But, she keeps saying she's a hoe but then she says she's not the hoe, and then she says she is a hoe, and then she's says, no, and she's gettin' hoe for money. She needs some money 'cuz you gotta get out of Idaho. Because she's got to go to Forest City in Arkansas, or Kansas, 'cuz her sister's there; but she don't know if she can make it there, either. And she's not sure; maybe she can, maybe she can't. And she's gonna write a book about writing a book about being able to do code if she could learn how to type. If she could just diagram a sentence. If she only had a brain. Then that would be good. Meanwhile, back at the ranch, nobody's doing that 'cuz they're all fighting grammar. There is no Grammarly anymore. You can talk any way you want to, say anything you want to. Tic tac paddywhack give a dog a bone. People aren't even talkin' any more. They're not even communicating. Which is what Bob says is what's left. It's what the mystery landscape vomited up for the dog to return to. It's what the mystery landscape vomited up. It's what the dog is to returned to. And it all becomes Finnegans Wake, page 159. Bob knows that one.
Bob 50:09
So, Matt, United Kingdom. Do you have any questions about the dead series we're doing?
Matt 50:22
Hi there, Bob. If I'm honest, I'm don't feel studied enough yet. So,
iON 50:27
Hey, how you doin'? Hey, how you doin?
Matt 50:29
Hi, iON.
iON 50:30
We're checking, we're checking you for AFib. We're checking you for AFib. How you kickin'? You kickin' all right?
Matt 50:37
I'm kicking well, thank you very much. Yes.
iON 50:40
Okay, so how's your AFib?
Matt 50:43
What's an AFib?
iON 50:46
Look it up.
Matt 50:46
Oh, my heart. Okay. Here, here. Okay. My AFib's hanging in there.
iON 50:53
Mmmm. Mmmm. Interesting.
Matt 50:59
What am I missing?
iON 50:59
When you climb a, when you climb a flight of steps - this has to do with the Egyptian Book of the Dead, Bob. When you climb a flight of steps, do you ever feel winded for no good reason?
Matt 51:10
Yes.
iON 51:12
There you go. Okay, good. That's how we wanted to make sure you knew. Okay, now do what you want to do, we don't care.
Matt 51:19
Okay.
Bob 51:21
Is he - the Jewish Book of the Dead? Are you Jewish, Matt?
Matt 51:28
No, I'm not Jewish. No.
Bob 51:30
Yeah, why did iON say Jewish Book of the Dead?
Matt 51:35
I misheard. I thought he said we're doing Book of the Dead.
iON 51:39
Would you like, would you like us to send a Mohel to your house and cut off your foreskin?
Matt 51:47
Heh heh, no, thank you.
iON 51:49
We don't mind, you know, if it's something you like, it's okay with us.
Matt 51:52
Ah, no.
iON 51:54
We'll give you a new yarmulke. Give you a new yarmulke.
Carolyn 51:56
Ha ha. Ah, no, thank you.
Bob 52:01
You got a question about the Egyptian Book of the Dead you heard?
Matt 52:05
I haven't, if I'm honest, I'm not studied enough to follow along with a question.
iON 52:10
That's nice. That's nice. See, he's good - he's hearing it. He gets the construct, but he doesn't know enough to have questions to go in depth with it. And he doesn't want to say one wrong word because you'll blast him and tell him how sorry, worthless, good for nothing piece of shit he is; and how he's the load that his mama should have swallowed; and he shouldn't be on the show; and who does he think he is; and he don't run nothin'; and try to make him feel bad like you do to everybody else. So, he doesn't want to get into that. He's just gonna hang on the, he's gonna hang on the side, he's gonna hang on the side of the pool. The water's -
Bob 52:44
He can't avoid it.
iON 52:44
- so deep he has to -
Bob 52:45
So, we're comin' after you, anyways, Matt.
iON 52:49
He's hanging on the side - what they're -
Matt 52:49
Yeah, yeah.
iON 52:49
- that's okay, they're just hanging of the pool. Ain't nothin' wrong with that.
Bob 52:52
You can ask big, general, nothing questions. -
iON 52:54
You told him, you told him -
Bob 52:55
- Like, why are we doing the Book of the Dead? -
iON 52:57
- to get his dick wet.
Bob 52:58
- Ask that. Why are we looking into it?
iON 53:00
What - ah ah ah - here's a -
Matt 52:58
Absolutely.
Bob 53:00
Don't listen to iON.
iON 53:00
- Hey, iON, what the fuck is, what the fuck is the Book of the Dead? What is it? -
Bob 53:03
Yeah, -
iON 53:04
- What is the Book of the Dead?
Bob 53:06
- do some basic, introductory statement. You dumb, fuckin' ass!
Matt 53:11
Ha ha. Okay, I am a dumb fuckin' ass. And that would be the first question I would want to ask is, is that something we have to study? Should I get my head right into this or can I -
iON 53:24
No, no moral purposes. Ask what is it? What is the Book of the Dead?
Matt 53:29
What is it. All right. iON, what is the Book of the Dead?
iON 53:34
Oh, it's a, it's a canonicalized reference giving the humans access to what the dead people have to go through. Of how their position or their understanding of that geo socio realm is applied. So, if you were looking at this on a chart, if you were Bucky Fuller, and you had a square, a cross, with the x and y axis that intersects, everything above the centre line, the lateral line, is on one side. It's above the earth they're alive; and below that line is dead. They mirror each other more times than not. Or, at least the references mirror each other; the points and the angles mirror each other. And then the left and the right side of the x axis or the up and down pole. Then that gives you the past and the present. And the line is the present and future. 'Cuz you never know right now. See, it's right now. Oh, no, it's gone. Right - wait for it. Hold on. Nah, now - damn, it's gone. So, see, we lose track of that real quick. If we go back we can listen to recordings and you can hear it and you go, "Wait a minute. iON said that? iON didn't say that, I was listenin'. He was talkin' to me and we didn't say that. What the hell are you talking about? This is crazy. How does this apply that the dead people have to talk to the live people and the live people can talk to the dead people. And the Book of the Dead tells the dead people how to interact with the live?" Maybe. Or is it that the live people have to learn how to talk to the dead if they're left for dead, walking dead especially. You see? Why would the, why would, why would, why would the show, the series spends so much money on the "Walking Dead," and AMC and "Fear the Walking Dead" and "Fuck the Walking Dead," and "Save the Walking Dead," and "Who are the Fucking Walking the Dead?" That whole series they made a whole bunch of words and shows regarding this zombie apocalyptic condition. So, the reason this - what the Book of the Dead is, is a way to reference or impune each side of those modulated angles just like in dividing or divisible conditions of a dodecahedron. See, do you see now, Scott, why we wanted to wait? We want to actually get somewhere so you actually had something intelligent to talk about that's meaningful and not just that silly bullshit stuff that doesn't have any apparent necessary connection. Now, so you can connect the dots and you can show your work and have a decent hypothesis now, so that's very good. Okay. Now, whatever your name is, what else do you want to know?
Matt 56:32
Well, it - was it a way of seeing into the future?
iON 56:36
It is the future, so you can always see it.
Matt 56:39
Okay.
iON 56:41
You make the future that you see. You know what football is?
Matt 56:48
American or soccer?
iON 56:51
American football. That's futbol what you're talkin' about. Okay. So, now, you follow your eyes. So, do you know what a four point stance is?
Matt 57:04
No, I'm afraid I don't.
iON 57:07
Fuck. Do you know what a three point stance is?
Matt 57:09
Ha ha. No, I don't follow American football, I'm afraid.
iON 57:15
Okay. Okay, hold on one second, one second, one second. Hey, Bert! Get Bert.
Bert 57:23
Yes, iON, yes. Yes.
iON 57:26
Will you please tell him - well, we'll just talk to you about this 'cuz he don't even know what football is. You follow your eyes. Okay? In a four point stance - you get in a four point stance. The trick of that being effective in a line or in an offensive or defensive condition; not a linebacker, but something on the line. You'd have to keep your head up. And the reason is, is 'cuz if you got a - if you're in a four point stance and your head's down, as soon as they snap the ball, where are you gonna go? You're going to the ground.
Bert 57:55
You're down, right.
If you keep your head up, you can't. 'Cuz in that four point stance, you really can't be tipped over 'cuz your center of gravity is so low. But if you're looking down, you're on the ground instantly. But if you're looking up, then it's almost impossible; you become impenetrable. A three point stance when you're coming on that side and you're trying to run through the line to make a hole. If you're head's up, you can see where you're moving to. In the short version of it with futbal conversation is to prove the vacillating point that you follow your eyes. So, there is no future except that what you prescribe. See, we're saying that it's just the now. So, if there's a future, it's the future you prescribed.
Mm hmm.
iON 58:42
And you find yourself in that AFib condition often.
Matt 58:52
Okay.
iON 58:55
Did you get that?
Matt 58:57
I did.
iON 58:59
Okay. We're not sure. Convince us.
Matt 59:08
Do I require more ReMag?
iON 59:10
(laughing)
Bert 59:19
Fucked up, iON.
iON 59:19
Bert, Bert! Bert!
Bert 59:21
That's fucked up, iON. The guy asked you perfectly good question.
Matt 59:26
Thank you, Bert.
iON 59:24
Bert, Bert, Bert. Go to the, go to the Egyptian Book of the Dead and see, we offered to cut the head of his dick off. We offered to do that. He didn't want to talk about that. But then his next best question of just now getting the pinnacle point of figuring out the differential between past, present, and future that allows him to not only see the future but to control the future, than to move the very essence of the sun, moon, and stars and the motherfucker wants to know if he's taking enough ReMag. That's rich.
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