Egyptian Book of the Dead Transcript, 19 October 2019

Payday

1700 1800 1900

Transcribed by Nan

1700  ⇧

Bob 0:02
Okay, so I want to - okay, when you start the Egyptian thing now, Carolyn. And I want to ask this point before Carolyn start reading, iON. It looks like that the Egyptian Book of the Dead actually does, and this is why we're doing it now, describes the Tech Body. Is that intuition on the right track?

iON Yes.

Bob 0:26
It does.

iON 0:26
Yes it does.

Bob 0:29
Right. Cuz Carolyn, you know the Christian Nicene Creed guys censored the description of the Tech Body in the Christian Bible cuz they thought it would deflate people's optimism. But. it was, it's apparently available in the Maccabees and there are hints of it in the vile judgments. But the Egyptian Book of the Dead was more of an elitist book not for mass consumption, so it would not be censored. Correct, iON? So they picked up -

iON 1:03
Well, it wasn't, it wasn't printed.

Bob 1:06
Right. Now that's another point. Yes, they weren't. They weren't going to -

iON 1:12
(laughing)

Bob 1:12
- yes it has to be useable. Well, what was it? Was -

Carolyn 1:17
That's why the spelling is all messed up and -

iON 1:19
All you get is version, all you get is version - all you get is versions of versions of versions. This the ninth region from the 14th author of the damn thing that was done a gajillion years ago and they don't even know the difference between Upper and Lower Egypt, but there's a big todo about it. So, it's okay.

Bob 1:41
So, is this because it was passed on, or in the oral tradition?

iON 1:45
No, it was taken, people looked at hieroglyphs, and they wrote scribblings about the hieroglyphs and made a story from the story of the story.

Bob 1:58
Yeah, so the clay tablets were too heavy to distribute to anybody. (laughing) They couldn't move the tablets! They had to go to the tablets.

iON 2:06
Your last emails Bob. You remember when you used to do your emails in granite with the chisel and hammer when you did 'em those that day?

Bob 2:12
Yeah, yeah, that's was Ophenel's great high school years.

iON 2:16
That was before Apple. Before Apple.

Bob 2:17
That's was Ophenel's high school years. Okay, so -

iON 2:21
He still can't get the "u"s to be like a "v" though.

Bob 2:25
I can't get the what? They used to be?

iON 2:29
The "u"s - the "v"s look like - the "u"s look like "v"s.

Bob 2:33
Oh, that where they get the "u" like in vacuum get too many "u"s.

iON 2:38
Too many "u"s.

Carolyn 2:40
So, Bob, I don't know where you, you, we left off last -

Bob 2:43
I'll let you know. I'll help you -

iON 2:45
(laughing)

Carolyn 2:45
When the time comes.

Bob 2:49
Yes, when I finish my preambulation here. So, we're gonna look for Tech Body intimation. So, let's see if anybody can guess it before iON is forced to spit it out.

Carolyn 3:01
Do you know -

iON 3:02
Now, that would be nice, that would be nice.

Bob 3:04
Know what?

Carolyn 3:05
What version you're using.

Bob 3:08
Yes, let's see.

Carolyn 3:09
Did you put it on - let me put it on the chat.

Bob 3:12
Yeah, it's on the chat but I'll say it. You go to Holy Books. You can put in Egyptian Book of the Dead. Then put holy book.

iON 3:20
Holy book.

Bob 3:20
Lichtenberg Press. L-i-c-h-t-e-n-b-e-r-g Press. Lichtenberg Press -

iON 3:26
Waaaay God damn fast. That was terrible fast. You want us to spell it for you? We could do it, but it's really precise.

Bob 3:35
No, no, no.

Carolyn 3:36
I put it on, Bob. It's up.

Bob 3:39
But not everybody is there.

Carolyn 3:42
Right.

Bob 3:44
Okay, so I think we, ah, I'm looking at what we did, Carolyn.

Carolyn 3:48
Yep.

Bob 3:49
I think we came down to - we didn't do the list of geographical locations. Okay? So we know we got as far as that. The last line was, "The Company of the Gods rejoiced, rejoiced, at the coming of Horus, the son of Osiris, whose heart was firm, the triumphant, the son of Isis, the heir of Osiris." Horus, the son of Osiris, the son of Isis, and the heir of Osiris. Okay. Did we get there iON? Did we get to that part?

iON 4:24
Yes. We got down, and we were doing the REFERENCES and now you're ready to do the, A HYMN OF PRAISE TO RA WHEN HE RISETH IN THE EASTERN PART OF HEAVEN:

Bob 4:35
Right. So, just to run through the list, I don't think we did it. "Following is a list of frequently-mentioned geographical locations, and they're commonly-known names." So, Abtu, A-b-t-u, is Abydos.

iON 4:45
Abtu is Abydos.

Bob 4:45
Abtu is Abydos or Abydos.

iON 4:46
Abtu.

Bob 4:46
Abu is Elephantine, or Elephantine. Anu is Heliopolis. Bast is -

iON 5:00
Heliopolis.

Bob 5:01
Heliopolis. Bast is Bubastic. Hensu is Herakleopolis, like Hercules.

iON 5:11
Herakleopolis.

Bob 5:12
Herakleopolis. Het-ka-Ptah -

iON 5:15
Like Heraklion, the Greek Island. Heraklion.

Bob 5:18
Oh, yeah. Het-ka-Ptah is Memphis. Khemenu is Hermopolis.

Het-ka-Ptah. Het-ka-Ptah. Memphis.

Carolyn 5:29
Let iON say them all.

Bob 5:30
Okay, yeah, but let me try.

iON 5:32
No, Bob is doin' good. He's doing good he -

Bob 5:34
Yeah, I'm doing good, Carolyn.

iON 5:34
- can read Finnegans Wake. He's doing good.

Bob 5:36
Yeah. Per-Menu is Panopolis. Qerrt is Elephantine also. Sau is Sais, S-a-i-s. Sekhem is Letopolis.

iON 5:45
Sekhem.

Bob 5:45
Suat is Asyut. Tetu is Buiris.

iON 5:51
Suat.

Bob 5:52
What? Suat?

iON 5:55
Suat.

Bob 5:55
Suat is Asyut.

iON 5:56
Suat. S-u-a-t. Suat.

Bob 5:59
Tetu is Busiris. Two Lands is Upper and Lower Egypt. That's how you knew what that was at the beginning of last week. You've done the index. And Unu is Hermopolis.

iON 6:09
(laughing)

Carolyn 6:13
Who knew.

Bob 6:14
Who knew. What are you laughing at? Which point? Which making joke I made are you laughing at?

iON 6:20
That that's, that that's how we knew is because -

Bob 6:23
Yeah, that's how you knew. You saw the list ahead of all of us.

iON 6:27
(laughing) Hell, no! We went to the damn Wiki - we went to the damn Wikipedia! We didn't have to do that. We went to the Wiki; that's all we trust. If we don't find these don't come from Glenn Beck, we're not interested.

Bob 6:41
Okay, so I'm looking, scanning down, Carolyn. I'm just seeing how many big print things there are. You know, big, like this title that iON just read. There's a lot of big print sections.

iON 6:58
They're little sections, they're little prayers, little directions. You get a lot of rubrics of how it all applies. You get to pull down some of the different things it's - it will be okay, fun. (indistinct) till you don't.

Bob 7:10
Right. So these hymns, are these hymns covers for code? The words refer, but it's not obvious?

iON 7:24
Hm, ah, your words don't make any sense. So, no.

Bob 7:28
All right, so what are we looking for in the words?

iON 7:33
Oh. You're looking at the different - it gives, it gives sections what this is about. Okay, this is what I write about this. When this one is fucked up and need to help that one, this is what you do. And when this one's doing this, you'll see it becomes almost like a little pictorial view of how to do the Book of the Dead stuff.

Bob 7:56
How to help people and the idea -

iON 7:59
Well, maybe.

Bob 7:59
- that it's for people going through the bardos, is not that literal. It's for helping in the physical life, too.

iON 8:09
Oh, yeah, that's like Bartles and Jaymes. Is that like Bartles and Jaymes, Bob?

Bob 8:14
Bartles and Jaymes?

iON 8:17
The wine cooler company.

Bob 8:18
No, not like that at all.

iON 8:19
Very good, very good.

Bob 8:20
Yeah. Okay Carolyn, it's yours to screw up. It's yours, you're gonna screw up, Carolyn.

Carolyn 8:29
(iON and Bob laughing) Very exciting.

Bob 8:33
And when iON says Sun Ra, for Ra, he's not referring to Sun Ra our boy, unless he is.

iON 8:41
No. He's not.

Carolyn 8:42
Okay, so, "A HYMN OF PRAISE TO RA WHEN HE RISETH IN THE EASTERN PART OF HEAVEN:" So, right away, iON, is Ra leaving the guf? And -

iON 8:58
No, no No, no, no, no, no, this is no, hold on. This is the same thing that the Bible does all the way through when Jesus splits the eastern sky. Remember on the resurrection morning he'll come to from the East. The same thing, that eastern part of that horsemen's gate. And this is another representation of when those levels or tiers are pierced and, ah, - well, we don't want to get it all confused and messed up but, Bob, it's like when Olivia went between the two worlds back and forth through the little chamber thingy on Fringe. She'd go back and forth, it's kind of like that. The eastern sky splits that back open. So, it opens up your capacity. It's actually how the aliens are going to come greet you, but that's another conversation. Put that in the subchapter notes.

Carolyn 9:58
(to Bob) You're muted.

Bob 9:58
So, you're saying the portals are a given in these opening lines.

iON 10:02
No, no. THAT particular portal is gonna open.

Oh, and that's - the aliens going to use that one?

Carolyn 10:09
The eastern sky.

iON 10:10
As well. The Eastern Gate.

Bob 10:13
That's good to know.

iON 10:15
Carolyn likes that song, "The Eastern Gate."

Carolyn 10:18
I do, I do. Vestal. Go, Vestal.

iON 10:21
She likes that. She likes that. She don't like all of them, but she likes that one.

Carolyn 10:27
Coming through the Eastern Gate, is that coming into godhood, goddom?

iON 10:33
No, no, no. Well, see, don't, no, because all this representation is, is the, is the celebration when it is opened. Okay? Now, you would say if you're gonna - here's your first Tech Body reference. You would say: "Why would these idiots have to tell us that? Why wouldn't they just do it?" Okay, because the Tech Body's got it sealed. Heaven is sealed. It's closed. That's the point. They want you to stay a little man.

Bob 11:02
Is that like heaven as the guf? The end of the guf?

iON 11:07
Okay. Okay. Okay.

Bob 11:09
Hm, yeah.

iON 11:10
You use words, you use words funny. You use words funny. We say yeah, but that's not what that means because heaven's here on earth, so it's not the guf, but -

Carolyn 11:19
Because I already asked that, Bob. Is Ra leaving the guf?

Bob 11:23
Oh, did you?

iON 11:24
Right. So, but it's okay. It's okay you're using words inappropriately, but that's okay because they have interchangeable meanings as well. But. heaven is here on this earth not somewhere esoteric, somewhere else.

Bob 11:40
But the Tech Body's sealed off. So, this is about now! This is since 2016!

iON 11:43
Yes! Yeah, yes! That is the battle - this is what's - and if you had've left them in the Thompson upside down, they would've been screwed to death for sure! But, thank God you got out of that mess. You almost screwed the pooch! You almost screwed the pooch right there, just sayin.

Bob 12:02
Okay, so where is the Tech Body actually referred to in the first five lines? Is there a -

iON 12:08
The first - the, the, in the eastern part of heaven. That's where it is. "RISETH IN THE EASTERN PART OF HEAVEN." That's the first reference. Now, go ahead.

Bob 12:17
Because it was sealed. That's why it's in the eastern part.

iON 12:20
Yeah.

Bob 12:21
Ah!

iON 12:22
That's where he's comin' through.

Bob 12:24
Geese. And that's where Jesus came through too, you said?

iON 12:27
As he supposed - supposed to - supposed to come through when he returns.

Bob 12:31
Ohhhh! He has to because the Tech Body's here.

iON 12:35
Correct. And remember, because he's got to get his church, Ginneybelle's church. You've got to get to church. So he's gotta -

Bob 12:43
That sounds like me, Carolyn. That sounds like Bob doing that. I mean, it's a now! It's now! There's no Jesus now! Jesus is - he's off in Afghanistan or someplace. So, yeah -

iON 12:55
Oh, oh, oh, oh, oh! Afghanistan didn't make it ya'll. Sorry about that.

Bob 13:00
(laughing) Okay, go ahead, Carolyn. Where are you, Carolyn? How far did you go? You just got to the title!

iON 13:08
Just sayin'.

Carolyn 13:08
(laughing) Okay, "Behold -

iON 13:10
We got the title. We're doing good.

Carolyn 13:12
Yeah. "Behold, the Osiris Ani," A-n-i, which I think of as - it means anus, but I don't -

iON 13:21
It's like Ani. It's, it's Ani. Ani. {Ed. pronounced with short "a" and long "i"}

Carolyn 13:27
"Osiris Ani, the scribe of the holy offerings of all the gods." Okay, so, scribe, does that mean the fake media? He's fake media -

iON 13:37
No. No, no. It's the recorder. It's just the recorder of what's been offered.

Carolyn 13:43
Mm hmm. Okay. So, -

iON 13:45
Notice how the gods they're little - notice how the gods is little "g." Ah huh.

Carolyn 13:50
Yeah, yeah.

iON 13:50
They make offerings, Carolyn.

Carolyn 13:53
Mm hmm. So even back then, scribes and recorders were - were they honored?

iON 14:05
Well, no. They weren't.

Carolyn 14:08
Okay. Okay. "Homage to thee" Let me get back on track. "Homage to thee, O thou who hast come as Khepera, Khepera..." Is that a mistake putting the two Kheperas together?

iON 14:28
No. One is Khepera then there's a comma, then Khepera is the creator of the gods and tellin' you what Khepera is.

Carolyn 14:36
Ah, got it. Yeah. So, being the creator of the gods, isn't that taking away from gods creating themselves?

iON 14:45
Look at the creator of the little "g."

Carolyn 14:48
Yeah, creating of - well, is it creating lesser gods or does a small "g" just mean a little man?

iON 14:57
Well, you'll see, you'll see the whole point because little man, the little gods, had to be created and they had to have a god. And, so now everybody praises god or Bob, and they worship Bob. Oh, wait, god. So that's the whole thing till they come back into their place as god.

Carolyn 15:14
Got it.

Bob 15:15
It's Tech Body time. They've given up their power.

iON 15:20
That would be the Tech Body reference(!) now, not what it is. That's what it causes. Good.

Carolyn 15:28
Okay, um, "Thou art seated on thy throne," So, these are words like we saw in - where Bob? We gotta bring Bob into this. "Thou art seated on thy..." -

iON 15:41
It's gotta be about Bob.

Carolyn 15:43
Revelation. Right Bob? Right? Right?

iON 15:45
Yeah. And the Emerald Tablets.

Bob 15:47
The throne stuff.

iON 15:49
And the Emerald Tablets.

Carolyn 15:52
"thou risest up in the sky" So, we had a lot of sky references in those. They can't do anything, but It's gonna be the same! It's going to be the same layers of -

iON 16:03
That's what we said in ev'r and ev'r religion ev'rthing will, ev'r, all the scribblings, all the stuff, everything you pick up, every book (indistict) is about Bob. Everyone one of them. Can't help it.

Carolyn 16:12
Yeah. Layers of dark godness. Dark soulness. Okay, "illuminating thy mother" Okay, they now, I haven't seen many mothers in the Revelation or Emerald Tablets.

iON 16:34
Right.

Carolyn 16:35
Correct? I mean - the what? They just talked about the whore of Babylon!

iON 16:39
Right, right, right.

Carolyn 16:39
So, what's the new motherness?

iON 16:42
Well, it has to balance. It has to balance. Has to be balanced. It's now illuminating that. It's now just now illuminating that.

Carolyn 16:54
Ah huh. So, are you saying that Revelation and Emerald were not balanced because they didn't emphasize motherness?

iON 17:01
No. They weren't. And that's why it's wrong. And that's what's wrong with the exegesis. When you start running those scriptures, you get lost.

Carolyn 17:09
Yeah.

iON 17:10
That's the point. That's why the Catholic says: "Oh, hell no, hell no, hell, no. We're gonna keep this in Latin. And we're gonna do the mass, and we gonna Amenaus Deo DD, that's all we're gonna do and you're not gonna know shit! And that's all right because you don't need to know shit anyway. Yeah. So, give us the monies. Leave the money on the nightstand."

Carolyn 17:29
(laughing) And the collection plate. Okay, -

iON 17:35
Yeah.

Carolyn 17:35
- so that's new. Bob, do you get that? Isis! Connie! Maggie! Tarr! I couldn't do it.

iON 17:48
True.

Carolyn 17:49
The first balance! Good timing to be reading this stuff.

iON 17:54
Mm hmm.

Carolyn 17:55
Okay, "thou art seated on thy throne as the king of the gods. {Thy} mother Nut stretcheth out her hands, and performeth an act of homage to thee." Who's the thee? That's us, that the -

iON 18:14
Khepera.

Carolyn 18:15
- god forming. Pardon?

iON 18:17
Yeah, Khepera.

Carolyn 18:20
Yeah. But is Khepera the gods "us" forming - creating our ownselves with gods?

iON 18:28
Well that's the creator, the gods, but that's what it's referring to. It's becoming. See, this is, this is, this is where you're making the, you're making the first shift to your potential godship.

Carolyn 18:44
Yeah, yeah, yeah.

Bob 18:45
And Carolyn, let's pronounce Nut properly. The mother, Connie, is nut.

Carolyn 18:50
(laughing) It's Nut.

Bob 18:51
Nut. Someone you'd nut?

Carolyn 18:54
No way.

Bob 18:56
So, what is - what line are you at? I don't see -

iON 19:01
One, two, three -

Bob 19:02
That's line two, Khepera but you've -

Carolyn 19:05
Right. I'm down now at, "The domain of Manu receiveth thee with satisfaction."

Bob 19:12
Oh yeah.

Carolyn 19:13
Okay, so let's say is the domain of Manu Tech Body media, iON?

iON 19:21
Ah, no. Do a little more.

Carolyn 19:25
Okay. "The Goddess Maat embraceth thee at the two seasons of the day. May Ra give glory, and power, and truth-speaking, and the appearance as a living soul" Okay we gotta stop there -

iON 19:51
Yeahhhh. Yeah, yeah, yeah. See what's happening now? Now do you see what's happening? You're, you're, you're, you're, they're noticing there's a problem. Houston. Picture it: Sicily, 1912. There's a problem. Now we got to deal with this. Now things are noted that there's something not right, not - there's something afoot or amiss that now has to be spoken to that they had to call all these things up. They had to bring them forth. They make a problem and now they're trying to make a solving. They had the salvation, now they're telling you what happened and how that applies. So, go ahead.

Carolyn 20:36
Yeah, cuz they want to be speaking truth and the soul is recording it, so, you can't mess up.

iON 20:43
Good.

Carolyn 20:44
Okay, and as a living - "and the appearance as a living soul so that he may gaze upon Heru-Khuti,

iON 20:58
Khuti. Heru-khuti.

Carolyn 21:05
Heru-Khuti, to the KA of the Osiris the Scribe Ani, who speaketh truth before Osiris, and who saith: Hail, O all ye gods (Carolyn: small "g") of the House (Carolyn: big "H") of the Soul (Carolyn: big "S")" Ah! Now why is that? Mmm.

iON 21:28
Right! Because this is the reference that you're now noting that there's a, that's the, that's the deposition. That's the position that the Soul now, it's gonna drive this conversation which issss, a point.

Carolyn 21:43
Ah, yeah, yeah, yeah. Which is, "who weigh heaven and earth in a balance," Now that, saying that right there is that because we, we acknowledge Nut?

iON 21:58
Yes.

Carolyn 22:00
Okay, acknowledge Nut. Making some notes, can't help it!

iON 22:09
No, no. It's good. Typers type. Remember, darlin'? Typers type.

Carolyn 22:13
Typers type. Can't help it. "and who give celestial food {to the dead}." Now, celestial food. Okay, we talkin' about RNA drops, living water?

iON 22:28
Angel. Angel food. No. We're talking about angel food.

Carolyn 22:31
Yeah, okay. Angel food. And so, that's not Bread of Life you're saying?

iON 22:38
Nope, nope, nope, nope it's not.

Carolyn 22:41
What is angel food?

iON 22:42
You see, it's what they, the dead, feed on. See, they're not, they have no form. They have no form. And Bob has been talking about this forever and his stupid chart, crap, business, messed up Kroker crap.

Carolyn 23:01
Okay, okay, enough, enough.

iON 23:01
Um, that applies, that applies to the thing that you - everything you can't explain comes into this apparition aspect that, so, that, so that's the giving the celestial food to the dead. Believing in spirits, believing in demons, believing in all those things can move them into your house.

Carolyn 23:26
Okay, so, angel food is giving nourishment to all the mysteries and the -

iON 23:37
Uncomlyness. The things that should be left in the graveyard.

Carolyn 23:40
Yeah and crap. Okay. Food. Food for thought to bad thought.

iON 23:47
There you go. Good.

Carolyn 23:49
Okay and then, "Hail Tatun, (Carolyn: and in brackets) {who art} One, (Carolyn: who art One)..."

iON 24:04
Mm hmm. Capital One.

Carolyn 24:05
"thou creator of" - Capital One. Yeah. "thou creator of mortals" Hmm. Not of God. So is that 'mortals' little man?

iON 24:19
Yeah, well, little man, little man. And now you're gonna have the watchers. You're gonna have some of the immortals that will be divisive in that same process. And you'll have some of those what we call hang abouts. Remember, back in the day?

Carolyn 24:35
I do not.

iON 24:37
Yeah, don't you remember Ginneybelle's mama was an immortal.

Carolyn 24:41
Got it. Yeah. Understood. Um, and -

iON 24:47
But they're not little men! They're not little men. They're immortal.

Carolyn 24:51
Yeah.

iON 24:52
That's the difference. There is a bit of a difference.

Carolyn 24:55
Got it. Mm hmm. "{and} of the Companies (Carolyn: capital C) of the Gods (Carolyn: capital G) of the South (Carolyn: capital S) and the North (Carolyn: capital N), and of the West (Carolyn: capital W) and of the East," So we're in heaven now. I mean, we're, we're ascended, we're flyin' right, iON?

iON 25:20
That's what your, that's what your, that's what your angel diagram says.

Carolyn 25:25
Hmmm. Okay. Now when you say "that's what your angel diagram says," - yeah, the angel diagram takes us to the place where we are ascended and we are all capital letters. Is that what you mean?

iON 25:45
It is. And guess what's gonna be fun. When Bert comes on tonight, Carolyn, you will - don't want to go to bed for this onnne! We're gonna tell ya how to, we're gonna tell ya, we're gonna tell you how to do it. We haven't told you how to do it yet. We're gonna tell you how to do it.

Carolyn 26:00
Okay, Bob, Bert's got to get on before I go to bed.

Bob 26:04
Yeah. Did you say angel diagram?

iON 26:07
(laughing) Yes, we did.

Carolyn 26:09
Yeah, yeah when I said all those capital letters that I said: "iON, so that means we're in heaven now we're flying, we're ascended." And iON said: "that's what your angel diagram says."

Bob 26:25
So from, from Companies these capitals are Companies of the gods: South, North, West and East?

Carolyn 26:30
All the capitals always indicate the god -

iON 26:34
The winds. The winds. Remember your four winds, the winds that blow? Remember your four horsemen?Remember all those capacities?

Carolyn 26:42
Mm hm. Okay, Bob, can we move on?

Bob 26:47
Okay.

Carolyn 26:48
"ascribe ye praise to Ra, the lord of heaven, the KING,". Now, King is all in - four, all four are capitalized. So, why is Ra being put above us Gods? Is -

iON 27:06
Because who, well, in Egypt who was Ra? Ra was the head of all. He set the heavens. He set the heavens.

Bob 27:16
Why is he the Lord of heaven with small letters?

Carolyn 27:18
In Egypt he set the heavens.

Bob 27:21
He's the Lord of heaven, I know -

iON 27:22
Sun Ra. Sun Ra.

Bob 27:26
I know but the Lord of heaven has small letters. Why?

iON 27:30
Yeah. Because he's not.

Carolyn 27:33
To emphasise the KING. Capital K, capital I, capital N, capital G.

iON 27:39
Yeah. Correct.

Bob 27:39
Okay, so, before, back with the word, "Soul, who weigh heaven and earth in a balance." Why are they small letters?

iON 27:47
Because they, that was the - that's the reference that you - that it was not opened. It's just now being opened and it's why it had to be opened to bring it up. So you, you have to make the difference like the house is cold. Okay, now you've turned on the heat. But you got to note the cold before you would notice to turn on the heat. And now once you get the house warm, you're gonna notice how the house is warm now because why? The heat is on. That would be a capital H, heat.

Bob 28:16
So, this is about getting past the Tech Body? Getting into all of heaven?

iON 28:23
Ah, ah. Don't, don't, don't mess that up. Let that - don't ask that question. You're gonna ask that question a little later and we'll explain it, but you will get ahead of it. And then it'll confuse you, which is -

Bob 28:37
We don't know it's opening the rest of heaven at this point.

iON 28:42
Correct. And that's why - you don't know - until these words, you didn't know heaven needed opening! See?

Bob 28:51
Yeah.

iON 28:53
See what I'm saying? Cuz look how confusing this can be. Hold on now. Look how confusing this could be. You're Jean. Okay? And you're doing your stuff. And you're living your life. And things are getting better. And your meatsack body's responding. And you hang on most of the time for, for showtime and that stuff which is great. Okay, but if you didn't know these words that this was to open "to be," you might think, "Well, heaven's already here and I just got to ascend and we're good" and call it a day. See there's another aspect added to this sojournment of the changing of the atmosphere, here. It's gonna merge with the atmosphere, there! But, Bob, you remember that waaay back yonder when they did the 4400? 'member that back in the Hoover days, Bob, right after they invented TV?

Bob 29:47
Heh, heh. What is the 4400?

iON 29:51
'member when the aliens come from another land, and they had to come back, and they wasn't here, they were somewhere else? They didn't know where they was - and this was before Lost. It was before the smoke monster. John Locke. That was a representation of THIS experience. But didn't nobody got it back then 'cause they wasn't there to get it. They just, they were just, there was just nothingness. So we giggled.

Bob 30:19
Right.

iON 30:19
And the Dark Soul just laughed.

Bob 30:23
Right, and what was the name of the family on the boat in Lost?

Carolyn 30:27
Nevermind.

Bob 30:29
They were -

iON 30:29
(laughing)

Bob 30:31
Nobody knew who that family was.

Carolyn 30:33
Okay, Bob.

iON 30:33
Nobody did. That's true.

Carolyn 30:39
You pulled me off the bench to get this back on track!

Bob 30:41
Okay. Well, I didn't bring anything up. iON just did.

Carolyn 30:41
Well, the last -

Bob 30:46
With the Hoover Dam, for God's sake. In 1930

Carolyn 30:48
The last sentence was "ascribe ye praise to Ra, the lord of heaven, the KING, Life, (Carolyn: capital L), Strength, (Carolyn: capital S) and Health," Look! They're mentioning health, iON! It's a direct nod to me!

Bob 31:11
Yeah. The maker of the gods.

Carolyn 31:14
Is that right, iON, health?

iON 31:16
Do. Do.

Carolyn 31:16
Never saw that before?

iON 31:19
Yeah.

Carolyn 31:19
Uh huh. The maker of Health. "the maker of the gods." Good grief. Wow.

iON 31:27
Charlie Brown.

Carolyn 31:28
Yeah. Heh, heh, heh. "Give ye thanks unto him" (Carolyn: small h) -

Bob 31:34
See that, Carolyn, the maker of the gods. That is that - I was just listening to iON talk last week. We need to be on the products to protect yourself from the Tech Body. So this is Tech Body stuff! Because only health in that context would be required.

iON 31:49
True. True.

Carolyn 31:53
Was a previous time when, when our Non-Physical was in jeopardy when Chernobyl blew? When there was that heavy metal possible damage to the body iON?

iON 32:12
Well, no more, no more than, no more than the Black Death. Each step was a guage. Each step was a gauge. Every - see, Bob is scared lifeless of a bacteria. Okay, he just can stand it. Viruses, not so much, but bacteria just makes him crazy because he says he can combat bacteria. If it's clean, it would be free of that. Viruses are everywhere. You can't, you know what I'm saying, you just got to deal with that. But he is on the bacteria side. That's the thing that sends him up the tree. Okay, so that's fine. But now here's the rub. That'd be, of course, appropriate from the Dark Soul, Carolyn, because that's where all the good things are distributed, are brought forth by, is the bacteria side. And this'll come clear a little bit later, but that's why he's so adamantly against anything bacterial.

Carolyn 33:09
And you said now here's the rub. What's the rub besides Vicks Vapour Rub?

iON 33:15
Well, the rub is that that's counter intuitive to what everybody would know or say. The Black Death was a bacteria that, that made that people's immunity that killed the sling load of them, but it made the ones that survived great at it. See, and like the influenza, the turn of the century wiped them out except for those that it didn't. Now they got the vaccines to keep you pumped full of it. We don't have a thing against all that. Take it, take a snot load of it. Get a boatload, get a tankerload that them vaccines. Don't bother us. It's all right. Shoot it up. It's good. Get you some meth to go along with it. It'll keep and make you feel better.

Carolyn 33:58
Okay, okay.

Bob 33:59
Here's a good pattern, and I don't know if this has ever been mentioned. We started taking the RNA drops in the end of November, 2010.

Carolyn 34:07
Yeah.

Bob 34:08
And we started exhaling. You, me and some of the people -

iON 34:12
Yeah.

Bob 34:12
- who were making it. And within a couple of months you needed an explosion to get the radiation up there to feed the new RNA drops. And that was Fukushima, March 11, 2011. Four months later. Look at the timing there. And that was the starting -

iON 34:29
It lined up.

Bob 34:31
Yeah, lined up, Carolyn.

Carolyn 34:33
It did.

iON 34:34
And, see, and they did this 40,000 years ago just to get ready for today. So, that was good of them, wasn't it?

Bob 34:41
They did what 40,000 years old? This. Yeah, this reading -

iON 34:44
Wrote these scribling. Wrote these scriblings. Took these pictures.

Carolyn 34:46
Ah ha.

Bob 34:50
Right now you're -

Carolyn 34:51
For today.

Bob 34:52
We say the Emerald, Emerald Tablets were done around 32,000 BC. Is this after the Emerald Tablets? They used -

iON 35:01
Before.

Bob 35:02
This is before the Emerald tablets! But see -

iON 35:05
The pictures, the pictures. They weren't writing. They had pictures only. They had no alphabet.

Bob 35:13
That's why it's so insular and hidden. So this is the first "book" or some kind of teaching manuscript -

iON 35:20
Welllll, see, you're gonna get bumpin' into Kohathites when you keep goin' a little bit. You'll see, they just borrowed some words to make it engaging. You already know this.

Bob 35:32
Right. So the Emerald Tablets were the first effort to start writing. When we talk about the phonetic alphabet, brilliantly it was the Emerald Tablets that got the writing meme going. The writing split the schizophrenia.

iON 35:45
(yawns)

Bob 35:46
Yeah. And, and they borrowed - the Emerald Tablets borrowed from this, or they didn't know about this, they just had the same knowledge? They didn't - the Emerald Tablet writers didn't know -

iON 35:57
The same inference.

Bob 35:57
- about the Book of the Dead?

iON 35:58
The same inference. The same inference.

Bob 36:01
Yeah, but they didn't know about the Egyptian Book of the Dead right?

iON 36:05
Corrrrr - some of them did but most did not.

Bob 36:09
Okay, well that's - now we got more information on the origin, Carolyn, than we did last week.

Carolyn 36:14
Because of me, Bob?

iON 36:15
It's like leakers -

Bob 36:16
No. Not because of you. -

iON 36:17
It's like leakers.

Bob 36:17
- I was the one -

iON 36:17
It's like leakers.

Bob 36:18
- talking the last five minutes.

iON 36:19
It's like leakers. It's like leakers in the Democratic Party. They tell you what they want you to know.

Bob 36:25
Right, right.

Carolyn 36:26
Heh, heh, heh. Alrighty. Continuing, "Give ye thanks unto him in his beneficent form which is enthroned in the Atett Boat;"

iON 36:41
Atett. Atett. Atett.

Carolyn 36:42
Hmmm. Atett Boat. Hmm. What's an Atett Boat iON?

iON 36:48
Oh, it's the one that there is a representation of that same boat sitting outside of Giza, the middle pyramid. It's the boat that, that comes in, they bring, it's the thing you have to pay the toll to. You know the guy, the guy, the goober with the scythe. You know, Bob's buddy.

Carolyn 37:11
Yeah, yeah.

iON 37:12
Yeah. That holds the scythe, the death angel. Death angel! Yeah, that's him!

Carolyn 37:18
Death angel bringing people across the river. Blah blah blah.

iON 37:23
To the, to the guf.

Carolyn 37:26
Yeah. Okay, got it. Um, continuing -

Bob 37:33
Hey, Carolyn, that's the archetype of the role of the angel. The angel takes people to the guf, so this is the chief KING, chief angel, or just the function of angeling? This is -

iON 37:42
It's what enthroned the form. It's what held the form.

Carolyn 37:53
The form of -

iON 37:53
Give ye thanks unto him in his benefits, beneficent, ben - ha, ha, we can't even say it, you don't even do it - form which is enthroned in the Atett Boat. It's what holds that imagery for you to come somewhere or go somewhere.

Carolyn 38:10
Yeah. Makes it real. Okay, so the previous sentence, "Give ye thanks unto him in his beneficent form which is enthroned in the Atett Boat; beings celestial praise thee, beings terrestial praise thee." There you go. Physical and Non-Physical together, but they are implying -

iON 38:37
Mm hm. It's lining up.

Carolyn 38:39
But they're implying it's in death.

iON 38:43
Well no, they're implying that it's merging.

Carolyn 38:46
Yes. Better. Okay.

iON 38:49
Mm hmm. See, they may be dead. Some of these in this side of heaven gonna be dead, too. Well, you're dead but you'r eternal. Well, you're eternal but you're dead. Well now, wait a second. How does - what's the difference? Am I gonna be dead alive or live dead? No, dead-dead, live-live, dead. wait, ah, no you better just ascend but, but go ahead with that. You see the rub start'n here.

Carolyn 39:12
Yeah. "Thoth and the goddess Maat mark out thy course for thee day by day and every day. Thine enemy the Serpent" Okay that's a capital S. We have to stop here. Come to a stop. Serpent is - that sounds like it's going back to Adam and Eve and the apple and the garden.

iON 39:36
That's the, that's the Tech Body.

Carolyn 39:39
Ha ha ha ha ha. Got that Bob? Bob's doing the laundry.

Bob 39:46
What words referred to the Tech Body?

Carolyn 39:49
Serpent! Serpent.

iON 39:51
Serpent. Capital S.

Bob 39:52
Oh, the Serpent is the Tech Body? Wow. When we said form, that was just the form of forms of making forms?

iON 40:00
Well, it what make - it's the form of the shadow. It's - the form is what caused the shadow.

Bob 40:08
Right. So that's what that was referring to. Going across the river.

iON 40:13
Mm hmm.

Carolyn 40:15
Okay. And going back, Thoth - "Thine enemy, the Serpent -

iON 40:22
"Thine enemy, the Serpent hath been given over to the fire."

Carolyn 40:29
Now, fire. Can that be equated with mercury and all those messenger messages?

iON 40:38
Not yet. Not yet. We'll get to that.

Carolyn 40:42
Okay. So, fire is not a capital.

iON 40:47
Correct. That fire is a condition. Fire is a condition. You'll get in a minute. You'll get a minute. Go ahead.

Carolyn 40:55
Got it. "hath been given over to the fire." Next sentence, "The Serpent-fiend Sebau hath fallen headlong, his forelegs are bound in chains," Oh, we've already got him. "and his hind legs hath Ra carried away from him." So we got the Tech Body under control.

iON 41:23
That's, well, hold on. No, that's eight elevenths of it. Yeah. It's eight elevenths of it. You got a friend in eight elevenths of it. So it's controlled and bound and becoming, do you think? So, you got that but now, now, wait, wait, wait, wait, no, don't flip the script! Will this eight elevenths chop your head off? You better believe it will. Just don't play the fool 'cause it will. Just so everybody knows. But that's not its drive. You see? It's not its drive. It's just like all these people going against the sitting President of the United States of America, Donald J. Trump. And we said, Oh, please don't do - oh, yeah, no, don't, oh, yeah, we wouldn't do. Don't do that. Don't do that. 'cause if you do, if you choose to do that, he comin', he's comin', just so you know, he's a comin', and you won't like it, we promise. Because all Trump does and this is the example for the parallel for what's going on right here and why Trump's mentioned in this whole thing all together anyway in the triumphant march, is that how Trump beats you is he brings whatever you accuse him of, he then proves it's exactly what you are doing.

Bob 42:43
All right, so Barbra Streisand was the figure today of attack of Trump.

iON 42:50
Yeah.

Bob 42:50
What did he accused Trump of doing that she does?

iON 42:55
Or what did she accuse him of doing?

Bob 42:58
Being a moron and lying and insulting -

iON 43:01
That's her.

Bob 43:02
- about these two women or something.

iON 43:04
That's her. That's her. That, that, there you go. That's her.

Bob 43:09
Yeah, I remember Zappa used to take a few snipes at Barbra, Carolyn. Snipe at her a bit..

Carolyn 43:16
Okay, continuing.

iON 43:18
Yeah. And what she did with James Brolin is again' the law.

Carolyn 43:21
(Bob and Carolyn laughing) The Sons of Anarchy. Oh, no, no, "The Sons of Revolt"

iON 43:30
No! That's a show, that's a show! That's a show. It's got Peg Bundy in it. It's great. She does great. She tears it up. She'll sleep with - she's a whore. She sleeps with everybody. It's amazing, yeah. The Sons of Anarchy. That's a good - that was a nice memory, Carolyn. You did good.

Bob 43:46
Yeah. Brian Johnson always went on about that show. He loved that show.

Carolyn 43:50
Yeah.

iON 43:51
Yeah, yeah, Peg Bundy can get it.

Carolyn 43:54
Here they are.

Bob 43:55
Now, Carolyn. About the fire. McLuhan, in the People's Almanac, they asked him what are the most dangerous media inventions in history and he named fire as the most dangerous. And then you have the electric environment is the extension of fire or fire as a symbol for the electric age. So, but iON's saying fire is desire did you say iON?

Carolyn 44:22
No, it wasn't much. It was a small -

iON 44:26
We're gonna develop it later. We're gonna develop it later because we didn't want to distract you by saying what that applies to from the


1800  ⇧

iON 0:00
...with the landscape, okay? Or the terra firma. We didn't say either, but it could be happening -

Bob 0:07
Could be some aspects where -

Carolyn 0:09
Bob, we're gonna do it later. We don't want the distraction -

Bob 0:12
No, no, I'm just telling you - yeah, but, so what? The - it's all no time Carolyn. When's later? Okay, we've arrived at later! Okay, here we are at later. Fire: can that reference the Tech Body? Is it the technological -

iON 0:27
No. It's what's happening, it's what's happening to California. It would be carbon.

Bob 0:32
Oh, okay.

Carolyn 0:33
And it's relevant to us -

iON 0:35
Gonna be.

Carolyn 0:35
- because it creates carbon.

Bob 0:38
Right.

iON 0:38
Correct, and see, that's not a bad thing; but yet, they're using it here as the most terrible thing that could ever be, ever be, ever be. You see? They're laying it out as this is the end all, be all, And we're saying; well, that end all, be all, is the end all, be all, that's going to save the day for the ascended. See, there's the caveat we'll have to add; you have to add for the goodins. Heh, heh, you know, there's the rub.

Bob 1:02
Yep.

Carolyn 1:03
Okay. Continuing, "The Sons of Revolt shall never more rise up." Okay, so now they are capitalized: Sons and Revolt.

iON 1:15
Yeah.

Carolyn 1:15
They had some unction, but now they've been -

iON 1:19
Sure.

Carolyn 1:20
- they've been stopped or banished?

iON 1:24
Ahhhhhh, they're rising. You'll see -

Carolyn 1:29
Shall never more rise.

iON 1:31
Right, but, so that means they're rising here. Let's say it's all this - we could put that in one box. It would be all this foolishness that they're doing. You did this, you did this, you're wrong, bad, you're bad, we want socialism, we want this, we want that, we're gonna run the world, we're gonna destroy the world, blablablablabla. That's rising, but they're not gonna rise anymore because of the next sentence.

Carolyn 1:57
And, "The House of the Aged One {Carolyn: capitals} keepeth festival, and the voices of those who make merry are in the Great Place" {Carolyn: capitals}

iON 2:13
Yeah, -

Carolyn 2:14
Okay, so the people who -

iON 2:14
- that's what Bob is doing. That's what, that's Bob's contagious laughter in the stage, this here stage, which serves so many people.

Bob 2:24
Yeah, I was just gonna say the Aged One is Ophenel, Carolyn.

iON 2:27
Yeah.

Carolyn 2:27
Hmm. Wow. Okay. As you go, Bob. And then, "The gods {Carolyn: but small g} rejoice when they see Ra crowned upon his throne, {Carolyn: no caps} and when his beams flood the world with light."{Carolyn: no caps.} So, that's Ra over little man, still.

iON 3:00
Mm-hmm.

Carolyn 3:01
Okay.

iON 3:02
Yeah.

Carolyn 3:05
"The majesty of his holy god {Carolyn: no caps} setteth out on his journey, and he goeth onwards until he reacheth the land of {Carolyn: Maui! Oh no} Manu; the earth becometh -

iON 3:21
It's close.

Carolyn 3:22
Yeah. "the earth becometh light at his birth each day; he proceedeth until he reacheth the place where he was yesterday." So, they're still dealing with time; there's no capitals. Correct, iON?

iON 3:36
Well, it's not time, it's a loop.

Carolyn 3:40
Ahh, okay.

iON 3:42
Bob goes everywhere he goes until he reaches where he was yesterday.

Carolyn 3:47
So, we don't want to be in the loop. So, let's see how we get out of this.

iON 3:50
Well, it's Groundhog's Day, but Bob likes Groundhog's Day 'cause then he can, at a second, notice. At a second, notice when something changed, you see.

Carolyn 4:02
But, he's getting tired.

iON 4:03
Carolyn! Carolyn! Well, we can't tell. Carolyn! The water's not as hot as it was. Carolyn! Why aren't there towels in the floor? Carolyn, there's water running down the steps and I'm not touching it. Carolyn - (iON laughing).

Bob 4:21
Hey, Carolyn, about 1976 at the corner of Roby and Spring Garden Row, remember that little restaurant people go into, the little diner? Anyways, I was in there one day with Marlene Coffee -

iON 4:36
It was a cafe. It was a cafe, it wasn't a diner.

Bob 4:39
- Rophie and we would hang out there. I was sitting there one day with Marlene Coffee. You know, Marsh's younger sister and Marlene has a twin sister Joanne. And she and her boyfriend, they asked about McLuhan -

iON 4:51
They called her Joanie.

Bob 4:53
Right. And we, we were talking - they asked me about McLuhan 'cause I think I had just been up in Toronto, and they said, "Why do you like him?" And I said, "Well, because he repeats himself." Ha ha ha. Of course, nobody understood why I said that, but there, I was just proven it. That's why I said it. I always remembered that.

Carolyn 5:14
Yeah. Good story.

iON 5:16
True. It bought you right up there to Heebie Jeebies.

Carolyn 5:19
Bob was wandering around the streets of Halifax when I was in surgery cutting people up.

iON 5:27
Nice.

Bob 5:28
I was the guy in the Leonard Cohen song. Watching Jesus, watching from my lonely, wooden tower.

Carolyn 5:34
"O be thou at peace with me. Let me gaze upon thy beauties. Let me journey above the earth. Let me smite the Ass." Capital A. Sounds familiar. "Let me slit asunder the Serpent {Carolyn: capitalized} the Serpent-fiend Sebau." Okay, so is this like the reveries we noticed in Revelations where we go through all kinds of crap and then we'd float around and -

iON 6:07
The vial. The vial, the vial judgments.

Carolyn 6:11
Yeah, okay. The vial judgments. Let me just put that down. Ah, "Let me destroy Aepep at the moment -

iON 6:31
Aepep. Aepep. Aepep.

Carolyn 6:32
"at the moment of his greatest power." Okay, so we float around for a bit now we come back to destroy someone. I mean, it's - why would you want -

iON 6:41
Well, you destroyed the machine, hold on. You destroyed the machine that's building up power that is some big thing. That it's not a big thing. See? The democrats - we'll use the democrats as a machine of what they're doing. What they're trying to do, but they're so clearly inept at it, that it's not working because everybody's looking like: "Oh, you mean like; oh, you mean like; oh, you mean the last 77,214 things you told me that weren't true?! Like those things?!" That people are kind of realizing that, yeah, this is ridiculous. Everybody's preaching that all this stuff is wrong are the ones that are doing the wrong. And, now, this is where they're gonna get their ass smote. Mm-hmm.

Carolyn 7:28
Got it. "Let me behold -

iON 7:32
But now it's pulling - it's pulling full circle at the moment when it's the most powerful.

Carolyn 7:40
Yeah, "Let me destroy Aepep at the moment of his greatest power." Yeah, let them go to, like, the McLuhan, the four whatever, Bob? The four blah, blah, blah, law. Let them go to their peak and then they'll crash.

iON 8:00
Like Andrew Crystal, you know.

Carolyn 8:04
Okay, "Let me behold the Abtu Fish at his season," Can you tell me what a - there's an Abtu Fish, Ant Fish, Ant Boat -

iON 8:17
It's the ichthus. It's the ichthus that represents the deity.

Carolyn 8:25
Yeah, ichthus is a fish, but what about - yeah. "and the Ant Fish with the Ant Boat as it piloteth it in its lake."

iON 8:36
Mm-hmm. The water from the Nile. Well, they're making the reference from the Nile of from when the Nile was in Giza, and how it applied. That it brought life. The flooding of the Nile is what brought -

Carolyn 8:52
Okay, got it. Okay, and continuing, "Let me behold Horus when he is in charge of the rudder {of the boat of Ra}, with Thoth and the goddess Maat on each side of him." Throughout, they're all getting together. "Let me lay hold of the tow-rope of the Sektet Boat, and the rope at the stern of the Matett Boat." Now is that the death boat again on the river?

iON 9:28
No, no, that is the one that - the barge that brings in the obelisk. The Matett is the huge barge -

Carolyn 9:36
Oh, yeah. Yeah, yeah, yeah.

iON 9:39
- that later Cleopatra was famous for riding on. It's like a, like a, one of the first. The first Norwegian Cruise Line was from Cleopatra. Ha ha ha ha.

Carolyn 9:51
Got it. "Let Ra grant me a view of the Disk {Carolyn: brackets} (the Sun), and a sight of Ah {Carolyn: bracket) (the Moon) unfailingly each day." So, they're definitely in the physical, honors watching the sun and the moon.

iON 10:11
Cycle.

Carolyn 10:13
Yeah, cycle. "Let my Ba-soul {Carolyn: B, a, dash, soul, small s} come forth to walk about hither and thither and whitheroever it pleaseth. Let my name be called out, let it be found inscribed on the tablet which recordeth the names of those who are to receive offerings. Let meals from the sepulchral offerings be given to me {Carolyn: because I'm not dead} in the presence {of Osiris}, as to those who are in the following of Horus." I guess we need to know what part Horus is playing as opposed to Osiris.

iON 10:56
Well, who was Horus? I guess we have to drag Bob in. Put 'em on the other side, Bob.

Carolyn 11:05
You talking about the laundry?

Bob 11:07
Yeah, he's telling me where to hang my shirt. Ha ha.

Carolyn 11:11
Horus is an ancient Egyptian -

Bob 11:13
No, Carolyn, you don't know Horus. This is why you're doing the low paying job of reading.

iON 11:24
(laughing with Bob)

Carolyn 11:24
Waaa. Oh yeah?

Bob 11:25
Horus is the son -

Carolyn 11:26
We know how much money you're making, Bob.

Bob 11:31
Money is vulgar, Carolyn. I don't get involved with money. Money is vulgar.

Carolyn 11:39
(laughing) He doesn't know (indistinct).

Bob 11:41
See, she's a little person.

iON 11:42
(laughing) He has no idea.

Bob 11:43
A little girl who thinks money is significant. Thinks you have to know about it. But Carolyn, Horus is the son of Isis and Osiris.

Carolyn 11:50
Ah.

iON 11:51
Right.

Carolyn 11:52
Okay.

Bob 11:53
So, does that mean an extension of them? Is that the first -

iON 11:56
It would. If you're following it, yes.

Bob 12:00
Right. And, while we're talking about extension, Carolyn, what did you - why did McLuhan come up five, ten minutes ago? You - the law? Why -

Carolyn 12:08
You brought it up.

Bob 12:10
No, I brought up rise in the fire. And you, later, you were saying something in law or something and you said McLuhan, and iON agreed, but I wasn't looking at the scripts. I didn't know what you were.

Carolyn 12:21
But, I would never say McLuhan.

Bob 12:23
She did. Okay, iON, you remember. What was the reference to McLuhan? I mean, I'll just ask - somebody type on the chatline what I'm referring to.

Carolyn 12:32
You're not even near your computer.

iON 12:35
(laughing)

Bob 12:35
I'll get there, once I, once I adjust the hanging of the clothes here, I did it all wrong.

iON 12:42
They are very wrongly hung, but they're clean.

Carolyn 12:45
On the chat - people laughing. Nikolas put a big," WHAAHA. Bob's so funny."

Bob 12:52
Well, this is, this is coming back to - it's like the great Revelation series. Bob and Carolyn attack the Bible. This is a very -

iON 12:59
Yeah, yeah, yeah.

Carolyn 13:00
And the subplot is Bob attacking Carolyn.

iON 13:03
George and Gracie -

Bob 13:04
And Carolyn's fighting back on behalf of the so-called females.

iON 13:07
George and Gracie. George, George Burns and Gracie Allen.

Bob 13:10
Yes, yes, yeah, yeah. But, no really, Carolyn, what is the - oh, you don't remember. I'll have to go back and hear the McLuhan reference. Go back and look at the word law or form.

Carolyn 13:23
Continuing on. "Let there be prepared for me a seat in the Boat of the Sun {Carolyn: capital B. Of the sun, capital S} on the day wheron the god saileth {Carolyn: small g}." So we're still dealing with the little guys, that's fine.

iON 13:39
Right. Yep.

Carolyn 13:40
"Let me be received in the presence of Osiris in the Land of Truth-speaking- the Ka of Osiris Ani." So, that's like the - that's it. Then we go to Appendix and that's the end of this section. So, they - that was a wrap up sentence. Okay, Bob? You want to go on to the next section?

Bob 14:04
Certainly. Yeah.

Carolyn 14:05
Okay. iON, anything on the wrap up?

iON 14:10
Well, no, no, that's appropriate. And it's laying, it's laying the track of how this is going. It's like, "How am I doing today?" You'd read that, and that would be how you're doing today.

Carolyn 14:21
Yeah. How am I doing? That's what Bob asked all the time. How am I doing, iON?

iON 14:28
How am I doing today?

Bob 14:29
As you read Grace Eckley's book on Finnegans Wake, "The Encounter in the Park," is this archetypal phatic thing where the prostitute asks the guy coming to the park: "How you doing? How you doing today?"

iON 14:40
Ohhh, Bob was talking about the - Marshall McLuhan talkin' about what happened to Andrew Crystal. Yes, that's what it was.

Bob 14:47
Yeah. You said Andrew Crystal. What was that about? What did he -

iON 14:51
About how he got his comeuppance. How he missed the boat. He missed the boat.

Bob 14:58
So, it was the section on the boat then?

Carolyn 15:00
Yeah.

Bob 15:01
The Sektet Boat. Yeah, the Sektet Boat.

Carolyn 15:05
Okay, this next section: "NEKHT, THE CAPTAIN OF SOLDIERS, THE ROYAL SCRIBE, SINGETH A HYMN OF PRAISE TO RA,..." So, that's the title.

iON 15:22
Yeah, you see, and Jack. Jack, this is for homie. For homie, for homie. This is for homie. Homage.

Carolyn 15:34
Yeah, "and saith:- Homage to thee, O thou glorious Being, {Carolyn: capital B} thou who art dowered {with all sovereignty}. O Tem-Heru-Khuti (Tem-Harmakhis)," So, is that, that whole big word there, is that a god or a person?

iON 16:00
Yeah. Yeah, it's the reference that set things into motion in the flow and to flux. Yeah.

Carolyn 16:10
Set things in motion. To whom, or to why, to where, to what?

iON 16:14
This, this process. The whole process of the Day of Ra.

Carolyn 16:20
Yeah. So, it's kind of addressing this - is it an entity? Tem-Heru, is that an entity?

iON 16:28
Well, yeah, it's, it's the - when people phatically praise the Lord, and this, and that, and this, and that. And they carry on this - it's like that. This is the setup of it. Praise God from whom all blessings flow. Like the doxology.

Carolyn 16:43
Got it. So it, thou art {mumbles, finding place} "when thou risest in the horizon of heaven a cry of joy goeth forth to thee from all people. O thou beautiful Being, thou dost renew thyself in thy season in the form of the Disk {Carolyn:capital D}, within thy mother, Hathor."

iON 17:17
Hathor.

Carolyn 17:18
Hathor. Another mother reference. That's nice.

iON 17:24
Mm-hmm.

Carolyn 17:24
"Therefore in every place every heart swelleth with joy at thy rising for ever." So, there's a reference to eternal. "The regions of the South -

iON 17:39
Eternal. Eternal groundhog, eternal Groundhog Day. It's like, Praise God from whom all blessings flow, Father and Son and Holy Ghost, da da de da da. It's like that. See, see how it kinda has a little flow to the music hymn, by the by.

Carolyn 17:55
More of a loop of praise.

iON 18:00
Yes, yeah. Correct.

Carolyn 18:04
Okay. "The regions of the South and North come to thee with homage, and send forth acclamations at thy rising on the horizon of heaven," Now it's, I just want to compare this heaven versus rising in the East. What's the difference?

iON 18:22
Well, the distance between - it's where they are and where they're going.

Carolyn 18:28
Yeah. Okay.

iON 18:30
See, "The regions of the South and the North come to thee with homage," So, they're all saying: yeah, come on. Yeah, come on. Yeah, come on. "and send forth acclamations at thy rising on the horizon of heaven," which would be the East, "and thou illuminest the Two Lands with rays of turquoise-{coloured light}." Now, it's startin' to set a bit of emotion.

Carolyn 18:57
Right. Yeah. Setting the stage. "O Ra who art Heru-Khuti, the divine man-child, {Carolyn: small letters} the heir of eternity, {Carolyn: small} self-begotten and self-born, king of the earth, prince of the Tuat (the Other World), governor of Aukert, thou didst come from the" -

iON 19:25
Aukert. Aukert. Like ankh. Like ankh.

Carolyn 19:29
"thou didst come from the Water-god, (Carolyn: W is capitalized} thou didst spring from the Sky-God {Carolyn: capital S} Nu, who doth cherish thee and order thy members." So, it's giving praise to this little man -

iON 19:51
The landscape. The landscape. It's setting the landscape.

Carolyn 19:58
Yeah. Yeah, because you gotta be praised and confident if you're gonna go to your God, God-self.

iON 20:07
If you're gonna run it, yeah. It's one thing to go is you gotta run it. There's the rub.

Carolyn 20:15
Right. "O thou god of life, {Carolyn: small g} thou lord of love, {Carolyn: small l} all men live when thou shinest; {Carolyn: so it's like a tide makes all boats rise. Ha ha} {iON: yes, yes, yes} thou art crowned king of the gods." {Carolyn" no caps.} The godess Nut embraceth thee, and the goddess Mut enfoldeth thee at all seasons. Those who are in thy following sing unto thee with joy, and they bow down their foreheads to the earth when they meet thee, the lord of heaven, the lord of earth,..." {Carolyn: Okay, lord, small letters and then} the King of Truth, {Carolyn: Here we go, capital K, capital T. So, then they drop back to small letters} the lord of eternity, the prince of everlastingness, thou sovereign of all the gods, thou god of life, thou creator of eternity, thou maker of heaven whein thou art firmly stablished." So, what we got with the King of Truth -

iON 21:19
Now, see, here's the rub, here's the rub, here's the rub, here's the rub. You kind of come along with this, and you're in a new, conditioned response. The conditioned response is that all those different things are different things. You see, they're different. They're not - you'd think them all as be the same, but they're not. The Egyptians laid everything out as its own god, its own portion, its own state in its own position. So, each has to be acknowledged; otherwise, all are potentially offended.

Carolyn 21:52
Right. My point is wondering about the King of Truth. Being capitals, is - is it just that Truth is the most important thing here before we move on? "T" capitalized?

iON 22:04
Well, the - what represents - well, it does - it sets it up 'cause it should have been said that you shouldn't know the difference between truth and facts.

Carolyn 22:15
Yeah.

iON 22:17
Ha ha ha. So, the truth is what you're looking for, not the facts, man.

Carolyn 22:22
Yeah. Yeah.

iON 22:24
Bob's supposed to say: "And coffee don't fax worth a damn."

Carolyn 22:28
He would never say that. He would, he didn't know what it means. {iON laughs} It's totally beyond him. Beyond his kin. Bob, do you want to take over?

Bob 22:39
No, no.

Carolyn 22:39
Now that you're back from laundry?

Bob 22:41
No. No, you're doing great.

Carolyn 22:42
"The Company of the Gods {Carolyn: So, that's capitalized, C and G} rejoice at thy rising, the earth is glad when it beholdeth thy rays;" So, it's like the Company of Gods is up there. Up there, in there, out there, waiting for more Gods to be created. Right, iON?

iON 23:05
You're trying to set the anthropomorphic anti.

Bob 23:11
That's not you, iON, the Company of the Gods?

iON 23:15
No.

Bob 23:19
And what did you just say?

iON 23:22
That's the anthropomorphic anti.

Bob 23:26
What would that be?

Carolyn 23:27
Setting the stage.

Bob 23:28
That's anti, the anthropomorphic form?

iON 23:31
The earth is glad when it beholdeth thy rays.

Bob 23:38
The anthropomorphic. But the anti means opposite. Opposing it.

iON 23:42
It is. It is, it does.

Bob 23:44
Something - So, this is, the anthropomorphic is little man's idea of human form; what we call the chemical body.

iON 23:51
Read the next, read the next sentence and you'll see which ones we mean.

Carolyn 23:56
"the people who have been long dead come forth with cries of joy to behold thy beauties every day. Thou goest forth each day over heaven and earth, and thou art made strong each day be thy mother Nut. Thou passest over the heights of heaven, thy heart swelleth with joy; and the Lake of Testes (the Great Oasis) is content thereat."

Bob 24:25
That's nuts. The male nut.

iON 24:31
Ha ha ha. For those testicular challenged.

Bob 24:34
Yeah.

Carolyn 24:35
Yeah. Continuing, "The Serpent-fiend -

Bob 24:41
Now, that's the Tech Body.

Carolyn 24:42
Yeah. Look at it. "The Serpent-fiend hath fallen, his arms are hewn off, the Knife hath severed his joints." So, the Tech Body is slayed.

Bob 24:54
Well, that must be when I come forth with our inventions, Cold play, and that -

iON 25:02
Mm-hmm.

Bob 25:02
- which is not far away. So, the Tech Body has a short reign? Is that the three and a half years of the tribulation? In the Revelation.

iON 25:10
Half of it.

Bob 25:12
Half of it. So, it becomes seven years?

iON 25:15
It always has been.

Bob 25:18
Always seven. So what led to this? Is this why the, the people have come forth with cries of joy? Because the Serpent-fiend has fallen?

iON 25:31
Yes, the anthropomorphic position is those little ones get a chance at it, too. They get to enjoy the beauty of the earth. For a second.

Carolyn 25:42
Hmm. So, this is the, this is the day after the election in 2020.

iON 25:48
About it, yeah. About it.

Bob 25:49
Ha ha. This is - talking about the election next year, Carolyn.

Carolyn 25:54
Yeah.

Bob 25:55
Ha ha. Talking about getting specific. Timed precise. Timely.

Carolyn 26:02
Yeah, yeah. Trump's trying to save the physical body, that's for sure.

Bob 26:07
Now, we're not pro-Trump, right? We're just stating what is.

Carolyn 26:11
Yeah. Continuing, "Ra liveth by Maat -

iON 26:16
We are. We're pro-Trump.

Bob 26:17
Ha ha. You don't know how to be pro anything. You're not consistent.

iON 26:24
Okay. Okay. Well, we're consistently not consistent. That's consistent.

Carolyn 26:30
"Ra liveth by Maat {Carolyn: in brackets} (Law), the beautiful!" Next sentence: "The Sektet Boat advanceth and cometh into port. The South and the North, and the West and East, turn to praise thee. O thou First, Great God (PAUTA), {Carolyn: boom! There it is, all caps. And it's called PAUTA. P_A-U-T-A, all in caps.

iON 26:59
PAUTA.

Carolyn 27:00
So, is that us now being God-Gods?

iON 27:03
That, that is, that's the representation of God-God when the lotus flower starts to open. And when you get your Bert section, when you get your Bert section, you'll know how to figure that out.

Carolyn 27:16
Okay.

Bob 27:16
And what line is that, Carolyn?

Carolyn 27:18
The line that says: The South the North the West and East turn to praise thee. O thou First, Great God.

Bob 27:26
Yeah, I wanted to say this word Maat shows up: M-a-a-t. The Aleister Crowley people made a lot out of the word Maat. I assume they've got it from this because -

iON 27:39
They did.

Bob 27:40
Yeah, he had a religious -

iON 27:42
Some, now, some say they got it from us, but that'd be a long way from the mountaintop. So, you know how that goes.

Bob 27:49
Right. The - some Thelemites, that's a - some faction of the Crowley world, some Thelemites believe that the Aeon of Maat will eventually replace the present one. According to one of Crowley's early students, the Aeon of Maat has already arrived or overlaps the present Aeon of Horus. Chaos magic is seen by some as having evolved from portions of the Crowley religion, the Thelemic religion, and then names a bunch of people that used it. So, you know Lovejob; his first name is Matt. He likes to think it refers to him. He likes to think that he predicted iON.

Carolyn 28:31
Okay, let's go. Continuing -

iON 28:35
Ah ha. Good for him. Call Odin.

Bob 28:39
What?

iON 28:41
Call Odin, see what they - Odin. See what they think about it.

Bob 28:45
Odin, yeah. Ha ha ha.

Carolyn 28:47
"who did come into being of thine own accord, Isis and Nepththys" Nepththys?

Bob 28:58
Nepththys.

iON 28:58
Nepththys.

Carolyn 28:58
"salute thee, they sing unto thee songs of joy at thy rising in the boat, they stretch out their hands unto thee. The Souls of the East follow thee, and the Souls of the West praise thee. Thou art the Ruler of all the gods."

iON 29:20
Little "g."

Carolyn 29:22
Mmm. Thank you. "Thou in thy shrine hast joy, for the Serpent-fiend Nak" Another - there's a different Serpent. So that's two Serpents -

Bob 29:34
No, no, it's always changing. Yeah, but it's -

iON 29:37
It's morphing. It's morphing.

Bob 29:39
Yeah, it morphs.

Carolyn 29:39
Hmm. Okay.

Bob 29:42
Hath been judged by the fire. Hmmm. The fire judges the Tech Body.

Carolyn 29:50
Yeah, let me -

iON 29:51
Well, that's what they're sayin' now. That's what they're sayin' now by burning California and all of this kind of stuff. That this is called that; the fire is ruin' us; no, the fire made us; no, you caused it; no, you didn't; no, you don't care; no, you don't; Medicare don't care, and yeah. And there it goes.

Carolyn 30:07
Okay -

Bob 30:08
Yeah. So, I wanted to throw in the point about the rising of the boat, Carolyn.

Carolyn 30:14
Yeah.

Bob 30:14
That's me with the foreign bodies when they come, and then I do something with them and -

Carolyn 30:20
You mean the aliens?

Bob 30:21
Yeah, the aliens. And I do something in their boat and -

iON 30:25
Not the ones from Mexico. He likes those because they, they push the wheelbarrow. He likes those.

Carolyn 30:31
Right. So let's -

Bob 30:32
Who's he? Me?

iON 30:34
Yeah, yeah.

Bob 30:36
I like the ones from Mexico?

iON 30:38
Not like the aliens from Mexico.

Bob 30:39
The aliens from Mexico.

iON 30:40
Not the aliens from Mexico, because they push the wheelbarrow. You like them.

Bob 30:45
The people like - no, he's talkin' about the aliens pushing the wheelbarrow, and then he says he isn't. So, you mean the people push the wheelbarrow?

iON 30:52
Yeah, people from Mexico. They call them aliens, too. Legal or illegal aliens.

Bob 30:57
Oh yeah, that's right. We let them in. Yeah, well, they're welcome if they push the wheelbarrow, Carolyn. You know, do the gardening.

Carolyn 31:04
Finishing - but this section is actually it's coming to an end, so let's not decompensate too much.

iON 31:10
True.

Carolyn 31:10
"Thou in thy shrine hast joy, for the Serpent-fiend Nak hath been judged by the fire, {Carolyn: perfect} and thy heart shall rejoice for ever. Thy mother Nut is esteemed by thy father Nu." So, there's the balance, and we're done with that section, and I'm done.

Bob 31:31
Well, why don't we have people come in and ask questions of iON?

iON 31:35
You'll be ready to start. Yeah, you'll be ready, you'll be ready to start next on the Hymn to Osiris Un-Nefer. It'll be good.

Bob 31:43
The United Nations.

Carolyn 31:45
U-N.

iON 31:45
Basically.

Carolyn 31:46
Wow.

Bob 31:47
Nefer.

iON 31:48
Un-Nefer.

Bob 31:50
Okay, that was very good.

Carolyn 31:51
Thank you, iON, that was awesome.

iON 31:54
Thank you very much, always. We didn't do much. You did all the hard work, Carolyn.

Carolyn 32:00
Mmm. You had my forehead, iON, I could feel it.

iON 32:03
True. It's true, it's true.

Bob 32:05
And the Skygoddess says: "Banook Canoe Club on the Lake of Testes." Ooo. Pretty Good. Was there a boat reference in there?

iON 32:16
Oh, yeah, we're so glad, we're so glad, we're so glad Sue is there 'cause we were going to talk about Garrett Dean tonight. So, that's good.

Bob 32:24
Ahhh, very good. Good timing there, Sue.

iON 32:27
Yeah, that's good, Sue.

Bob 32:28
Wasn't she just talking about all the males paddling on the Banook - the Canoe Club? Testes?

Carolyn 32:35
Yeah, perhaps -

iON 32:35
Yeah.

Bob 32:37
The Dennis Rings.

iON 32:38
The rowing. You know, the rowing. The rowing.

Bob 32:40
Ha ha. Yeah. Where's the Lake of Testes? Was that a phrase, the Lake of Testes?

iON 32:49
Remember? That was the one in the thing that, that was the Lake of Testes. It was.

Bob 32:53
Oh, oh yeah, there it is. I just saw the word Testes. Right. The Great Oasis. And you know, they say Banook Lake is an excellent riverbed for paddling in, and rowing. You know, it has international reputations like an oasis.

iON 33:09
Uh, uh, uh.

Bob 33:11
And iON knows -

Carolyn 33:12
You hear that? What iON is doing, is doing the stroke.

iON 33:15
Stroke, stroke, stroke.

Bob 33:16
Oh, is that right? I stood in the Banook Canoe Club in August. Or was it Natal Day, August 5? And -

iON 33:27
Natal Day.

Bob 33:27
- Steve and I looked up the lake, the Lake of Testes -

Carolyn 33:30
I know, and you said I could swim -

iON 33:31
How many days, how many days until Blooms Day?

Bob 33:34
I could swim those thousand meters.

Carolyn 33:36
- with one breath.

Bob 33:36
Yeah, Banook Canoe Club. I said I could - it brought out the testicle in me. The Dennis Ring in me. And I said I could swim that; I could swim that whole thing. And he was quite impressed that I could do that.

iON 33:48
Yeah.

Carolyn 33:48
No, that you could say that when he obviously didn't believe you.

iON 33:52
No, that you were ballsy, that you were ballsy enough to have that construct that's something you'd engage. So, yeah. That you were not testicularly challenged.

Bob 34:01
And, if I do go back to Dartmouth in the summer, I'm going to do it next time. We'll have a press conference. By then I'll be King Ra.

iON 34:07
Make sure, make sure the water's warm, because it'd be fucking freezing, like always. You'd die of the damn cold.

Bob 34:15
Ha ha. Remember, Mao Tse-tung? He did his swim in 1976, a few months, to prove he was still functioning. Just before he died. So, -

iON 34:22
True.

Bob 34:23
- we'll maybe make a nod to Mao. A two- or three-lettered name like that, you didn't hear.

iON 34:30
There were people underneath him, dragging him. There were people underneath him, dragging him though. It was okay.

Bob 34:33
(laughing) There were people underneath, dragging him, Carolyn. In the water. So, we can open up the gates here -

iON 34:42
He liked it because of the bouyancy.

Bob 34:43
- and have questions. Madeline's still paranoid. She's worried about: "We're not in the tribulation yet?" Yeah, it's gonna be a lot worse. (laughing)

Carolyn 34:56
(laughing in background)

iON 34:56
(laughing) Where - yeah, we are. We're dying of it. They're writin' prescriptions for the, for the, for the tribulation, now. We're going to have Untrib - the new drug will be Untribulation. It'll be good. That's a nice drug.

Bob 35:12
Okay, so I think rather than just everybody coming in, I'll do it individually. So, Jean, do you have some questions about this or statements?

Jean 35:23
I don't have any questions, Bob and iON. I see that this is a - singsongy. These are all the hymns. This is like the preface or the introduction of - we're going to get more into the meat of things in the next chapters, iON?

Bob 35:37
No, I think they're all hymns aren't they, iON?

iON 35:40
No. Some are prescriptions.

Bob 35:43
Right.

iON 35:43
Like, what to do when you got, when you got, when you, when you got the dropsy. And, how do you get rid of your extra gods? And, how do you straighten up your house when your help quits? You know, the basic, important stuff.

Bob 35:57
Yeah, so the, you're saying, Jean, that they're singing the praises that the Tech Body has fallen. You see that as a singsong.

Jean 36:07
It kind of feels like, yeah, the praises we sing to you and Carolyn, you know.

Bob 36:11
Yeah. And to you occasionally, Jean, when you -

Jean 36:14
We're just -

iON 36:14
You don't have to praise, you don't have to praise Carolyn. You don't have to praise Carolyn, but you do have to praise Bob.

Carolyn 36:19
(laughing in background)

Jean 36:20
We don't praise Carolyn enough. We don't.

Bob 36:23
What do you mean? Just listen on Monday. It's a Monday dead Bob show. It's ridiculous -

Jean 36:27
Yeah -

Bob 36:28
- the praise of Carolyn.

iON 36:29
But, they don't, they don't, but they don't have to. They do, but they don't have to, you see.

Jean 36:35
And they don't even know.

Bob 36:35
They have to, here.

Jean 36:37
They don't even know what they're praising. They really don't.

Bob 36:41
Here, they do. They know what they're praising.

Jean 36:43
Exactly. That's why. Yes.

Bob 36:47
But I don't demand people to prase me. You people do it, but I never demanded it. Matter of fact, it's -

Jean 36:52
I know, I know, I know. You never demand, Bob, but, but we do praise you. It's well deserved.

Bob 36:59
Right but -

Carolyn 36:59
But you wiggle. You wiggle so delightedly when they do praise you that people want to praise you to watch that wiggle.

Bob 37:08
It's a lie.

iON 37:09
AHHHHH, got the little wiggle, got the little wiggle. He's got a little wiggle.

Carolyn 37:13
Apparently, apparently kind of the same question you asked iON, Bob. How am I doing? How am I doing?Is that about me?

Bob 37:23
Ha ha ha. But Jean, there's more than hymning going on. You can't say we're goin' to meat. There's been meat already.

Jean 37:33
Yeah, but, okay. The next chapter is another hymn, and after -

iON 37:37
It sets the stage. It set the stage. It sets the stage for giving you the background, the players, so you can see what the meat is. Because you got to see, this is all playing. This is all playing. They're all simultaneous. So, you had to come back and put it together. Kinda like with the Revelations; you know, it's all in layers and you go lateral.

Jean 37:59
Oh, with the churches.

Bob 38:00
How much did James Joyce get out of the Egyptian Book of the Dead?

iON 38:04
Three.

Bob 38:04
Used it? What?

iON 38:07
Three. Three.

Bob 38:08
Three things?

iON 38:10
Ah huh.

Bob 38:11
Okay. Okay, so thank you, Jean, if you don't have any more to say.

Jean 38:14
Three-elevenths?

iON 38:14
How many days? How many days? How many days to Bloomsday, Bob?

Bob 38:20
Okay, June 16th. Like nine - July, August, September, October, four months - eight months - eight, 30 - 240!

iON 38:30
Two.

Bob 38:30
And then knock off for the weekend for now.

iON 38:33
240. 240.

Bob 38:33
Because middle of the month. 240

iON 38:35
Yeah. Okay.

Bob 38:36
Hear that, Jean? Check it out.

Jean 38:39
Yep.

Bob 38:39
June 16th

Jean 38:40
Yeah.

Bob 38:41
Okay, so we'll bring in Linda. You have statements about what you're listening to?

Linda R 38:48
Actually, I don't have any questions at this point.

Bob 38:52
Okay, you can have your own scene.

Carolyn 38:54
(in background) Bert, Bert, Bert.

Bob 38:55
Bert has to call in. Okay, let's see.

iON 38:58
Ha ha ha ha ha.

Bob 39:01
Thank you, Linda. We'll get back to you. All right.

iON 39:05
You're welcome, Linda, here. You're welcome here.

Bob 39:12
Trina, any comment?

iON 39:13
(whispers and then speaks) You have to have noise.

Trina 39:15
No comment tonight, Bob.

Bob 39:17
Why not?

iON 39:18
You're welcome. 'Cause, see, they're enjoying the flow of things.

Trina 39:22
Thank you.

iON 39:22
Yes, you're welcome here, always. They're in the flow, and you're putting them in the thing and they're not in the thing. They're, they're learning, they're gathering, they're collecting. They don't have enough to know to ask the question. And if they say one wrong word, you'll chide them and mute them and be ugly and be strident. That's what you'll be, so they don't want to do that.

Bob 39:44
(overtalk with Trina and iON) So, Trina does it bring back memories of listening to the Revelation - Book of Revelation.

Trina 39:48
(overtalk with Bob and iON) We don't mind that - oh, it does.

iON 39:50
You lost those three people. You lost those three people to CNN, and it was terrible. Poor Don Lemon is about to have a little gig gazam. He don't know how to hold himself together these days. Pretty sad.

Bob 40:00
Okay, thank you.

iON 40:01
I think Matt Lauer. I think Matt Lauer -

Trina 40:03
I'll be here. I'll talk later.

iON 40:05
- Matt Lauer had - Matt Lauer had his way with him, too, by the way.

Bob 40:09
Ohh. Okay, we did that. All right. So, Brent will have something to ask. He's young enough to have foolish questions. Go ahead, Brent.

iON 40:18
(laughing)

Brent 40:18
Sorry, Bob. I just tuned in, so I don't have any questions.

Yes, it was a typical late millennial.

iON 40:25
No, your supposed to say - you're supposed to say: "Who was Sun Ra and where is that in McLuhan?"

Brent 40:34
Who was Sun Ra and where is that in McLuhan?

iON 40:36
Who was Sun Ra and what does that have to do with McLuhan? Yeah, perfect! Now, go ahead, Bob. You got it.

Bob 40:42
Sun Ra is the black musician who did prefigured Zappa for the African American jazz -

iON 40:50
Before, before, before -

Bob 40:53
Before Wavy Gravy and before -

iON 40:59
Yes -

Bob 40:59
Zappa. Zappa -

iON 41:00
Captain Beefheart.

Bob 41:00
Zappa completes -

iON 41:01
Captain Beef - remember, Captain Beefheart. And before Captain Beefheart.

Bob 41:04
Well, there's a there's a close tie there. Beefheart was sneaking up on the zeitgeist with a four octave voice, yeah.

iON 41:06
But don't tell anybody.

Bob 41:12
But, and then, McLuhan was, you know, the greatest blues comedian of our time. So, you can't bypass McLuhan, no matter how, when, you happened. From Sun Ra to Zappa.

Brent 41:24
McLuhan was the greatest blues comedian of our time?

Bob 41:27
Yeah. Yeah. You like that?

Brent 41:29
McLuhan was a comedian? I've never heard that before.

Bob 41:32
Oh, no. People who known him, and what he - he was a satirist.

iON 41:36
And Rufus. Don't forget Rufus featuring Chaka Khan. Rufus was important, too.

Bob 41:42
Yeah. Yeah. And Dan Aykroyd says his parents were very close friends of Marshall McLuhan. So, maybe Dan Aykroyd got his humor from McLuhan. Or, his parents talked about McLuhan.

iON 41:53
And Nine Inch - and Nine Inch Nails. They were friends, too, with Leary.

Bob 41:57
Ha ha ha. And with Tim Leary. And they -

iON 42:01
And with, and with Tim Leary as a matter of fact, yes! Ho ho ho ho. He's on his "A" game tonight, y'all. This is pretty good.

Bob 42:12
He's on what?

iON 42:14
"A" game. "A" game.

Bob 42:16
"A" game. Okay, -

iON 42:18
Yeah, Bob.

Bob 42:19
- well, thanks for nothing, Brent. I mean, well, you brought up something -

iON 42:21
No, that was better than you - hey, that's better than you have done, so we're good. Just sayin', so hang on. We had to_(overtalk with Bob)__.

Brent 42:28
Ha ha ha.

Bob 42:29
So Brent, you haven't got a clue what we're talking about.

Brent 42:32
I know you got the Egyptian Book of the Dead.

Bob 42:35
What do you make of that?

Brent 42:38
I don't make anything of it. I read a few of the hymns, or whatever, a few months back and I didn't understand any of it. So, I don't make anything out of it.

iON 42:47
Oh, that's like, that's like Uncle Meat, isn't it?

Bob 42:51
Yes. Or, The Fugs. They did a great album in the late-60s. Same time in 69 as Uncle Meat, The Fugs of the East Village did a whole thing around the Egyptian Book of the Dead. Maybe I'll find a song or two and play it.

iON 43:04
Ah huh. See now, there you go. There's the hostess with the mostess.

Bob 43:10
Yeah.

iON 43:10
That's why he's in charge. Praise him. Praise him. Praise him.

Brent 43:14
Praise Bob.

Bob 43:14
A little wrinkle of Bob culture. Well, I think we're gonna have some statements Thank you, Brent. I think we got -Susana is here, or Sisanna. Sisanna, you ready to probe -

iON 43:28
And her phone's a little blurry, and her phone's a little blurry. Get off her, she's doing the best she can.

Susana 43:35
Ha ha. Well, now I took my other contact off and I have my glasses on, so I can see. I can see.

iON 43:41
Yay.

Susana 43:43
Yay. Well, I have a question that has to do with what was read last week, if you don't mind.

iON 43:51
We don't mind.

Susana 43:52
Okay. The - there is a sentence that talks about the imperishable stars are under thy supervision, and the stars which never set on thy throne. Is there a relationship here with what Galileo discovered?

iON 44:12
It's what he was trying to convey. See, Galileo was trying to keep his head from gettin' chopped off 'cause that damn D'Medici money was about to chop him up, you see.

Susana 44:24
Uh huh.

iON 44:25
So, yes, he was trying to reach for it. So, he was borrowing the terminology for this. So, yes, it was. Galileo was trying to meet it, it wasn't trying to - he wasn't trying to meet Galileo. The words did it. Galileo was borrowing it. He wasn't a reference to what Galileo was doing. Galileo was borrowing these words to make his stuff be true. Because you got to realize Galileo sounded like a nut when he said all that stuff.

Susana 44:54
Right, right. So, so, then what is being said here is not the same as what Galileo was trying to convey?

iON 45:04
Correct. But he used those words because they would be validated because of the profoundness of these particular words. You see?

Susana 45:15
Mm, okay. Uh huh. And then, is there a relationship with these words and what's in Genesis when there is discussion about the day and there being no night?

iON 45:30
Yes. Mm-hmm.

Susana 45:35
And so, this is a direct - is it a direct reference to no time?

iON 45:41
It's an inference, not a reference.

Susana 45:44
Okay. Okay. And so, would I be correct in saying that this is - what I am interpreting is that, that, that if God is the center of the universe and so that's why they - the stars never set. Because -

iON 46:03
Correct. Good. And in that realm. We don't say universe, we say realm because everybody's gonna have their realm. Yeah, that's right.

Susana 46:15
Okay. Okay. Awesome. Okay, but then what's interesting is about Galileo - then you talk about Galileo, you speak of Galileo as having profound discoveries, but it's not this.

iON 46:37
Mm-hmm.

Susana 46:38
So what is it? Can you speak more about what Galileo is so profound about?

iON 46:45
No.

Susana 46:51
You won't? And -

iON 46:54
Correct.

Susana 46:55
- how come?

iON 46:56
It's another conversation. It's another conversation.

Susana 47:03
Hmm. It doesn't relate to what we're going through now?

iON 47:11
No. No. See, we've been talking about Galileo forever. And now, just now, you're starting to ask them - all the right questions. You see?

Bob 47:23
Yeah, iON said that he was quite ascended and was going to parallel worlds and all that.

iON 47:30
Ah huh. And so, you're asking a specific question now of something that we're not going to detail presently because it has to do with what's becoming. Some of the, some of the teguments that he engaged were more valid than most people are aware. So, therefore, we're not going to address that presently. We will, but not at this moment.

Bob 47:56
Yeah, like this. The third Jesus made the mistake of going public. Galileo was the modern Jesus and he went public with his stuff by writing about it. And he wasn't crucified, but they gave him a longer punishment by confining him to his home. So, being a literate person being confined, that's painful because they like to move around because visual supports kinetic space. Tribal people, acoustic tactile people, they just sit there forever. They don't have pressures to keep moving. They don't have the neurotic effect of visual space balanced off by movement in kinetic space. So, he suffered the crucifixion of his time, of literate times, by being confined to his home, if he was confined. But, if he's doing parallel worlding, then they didn't really confine him. But, they use the image of house arrest, home arrest, to put the fear of Bob in people as the modern form of punishment. You get that, Susana?

Susana 49:04
Mm-hmm.

Bob 49:05
That's anthropological. Media anthropology I'm applying there. An ascended person has to have a handy skill in using media anthropology when dealing with social events and mortar.

Susana 49:20
Okay.

Bob 49:20
Which you haven't developed at all. None of you have. Nobody has.

iON 49:26
Damn.

Susana 49:27
Okay.

Bob 49:28
Did you watch the - Susana, did you watch the lectures by Nancy Spannaus in History of the LaRouche Movement? Did you do that?

Susana 49:35
Not yet, not yet. Not yet.

Bob 49:38
There's - you're gonna - you can learn a lot from it just in terms of historical events that you live through and don't remember. And they were in the middle of all of them.

Susana 49:46
Uh huh.

Bob 49:48
It was a modern form of art.

Susana 49:51
It gives a broader perspective than probably what we were, what we experienced or were taught at the time in school.

Bob 50:00
Oh yeah, you wouldn't know. Nobody knew that LaRouche was taking on Kissinger all the time unless you were some New York person. But, he, as an artist, took a dialectical approach, the raised fist, against the Queen and butthole surfers.

iON 50:18
Oh, nice.

Bob 50:19
So yeah, you like that? It was slippery, wasn't it? So the, from 1966-82 you have a detailed reference. All these news events all of them we're pretty important for their time, and everybody forgets them. So, this is an Akashic record of, of an artist, LaRouche, confronting artists, scientists confronting the early stages of the Android meme. And she does a very eloquent review of it, and they show all the magazines and articles they wrote at the time. And I have them all. It's like a guide to Bob's library, LaRouche quadrant.

Susana 51:02
Wow.

Bob 50:59
Really. I have all this stuff. Okay, so are you finished? Should we bring -

Susana 51:03
So, does this compare - is this comparatively - is this a similar thing to those, to those interviews, those essays, those -

Bob 51:13
What? No, I don't know what you're comparing. What?

Susana 51:16
I mean, it seems - this book, this book at what guys are doing with going through the Book of the Dead and then -

Bob 51:22
Yeah.

Susana 51:22
- freeing up a lot of current events.

Bob 51:25
Could be. Yes. LaRouche fought the bardos of the Android meme. He fought figures in the Android meme. That's what he did. 1960 to 1990. They all did: Zappa, McLuhan. They took on the phantoms of the global theatre which became the Android meme. That's why they are all Furry Lints. They are all Furry Lint.

Susana 51:49
Yeah. And I am hearing iON making references to events now with regard to the - what's written here in the Book of the Dead. And, was that done progressively throughout the ages as people read this, they would apply it to their current time and did it apply?

Bob 52:12
No. Nobody knew about it.

iON 52:14
They didn't read - they didn't read a thing.

Bob 52:17
Yeah, they didn't know about it. This is a very obscure document. I mean, how did they? I don't even know where it came forward unless maybe the British Empire interacted with Egypt, you know, two or 300 years ago? Is that where they first became aware of this thing, this collection of idiograms? What do you say, iON, when, which civilization became - saw the Egyptian Book of the Dead? Rome? Charlemagne? The Ottomans? Did any of them go to Cairo, wherever it was, and it see the, the runes? R-u-n-e-s. Idiograms. Or did the Egyptian priests keep it hidden, iON?

iON 53:02
Hidden. Hidden. It was hidden.

Bob 53:06
What caused it to be exposed? When the - did Napoleon cause that?

iON 53:11
You.

Bob 53:12
I did, of course. I was there, but who did I work with? Napoleon? Who was my cover?

iON 53:18
Leopold.

Bob 53:18
Ohh, Mr. Congo. Yes he was. He is a pretty - what do you call - awesome force or contender.

iON 53:19
In the day.

Bob 53:30
Yes. He's still around -

iON 53:32
He tore up the dowager. He tore up the Dowager Queen, that's for sure.

Bob 53:37
Yeah. And you know who we're talking about Susana?

Susana 53:42
Right. Leopold, Prussia, whose's wife was the one -

Bob 53:46
Not Prussia. No, Belgium.

Susana 53:47
No, Belgium. And his wife was the one who actually gave Tesla a lot of information for his -

Bob 53:53
Yeah, she was a great scientist, a great inventor. The Carolyn of her day.

iON 53:56
And it was, and it was Belgium. But guess what? They did come from Prussia because that was part of Prussia in the day. So, she's correct.

Bob 54:03
Yes. And Prussia had a lot of power in that period.

iON 54:07
It did.

Bob 54:09
Well, Leopold came from quote, "the past," and infiltrated -

iON 54:13
That's where Bob, that's where Bob got all of his, that's where Bob got all of his Stoke-on-Trent. He, he's a avid collector now, you know.

Bob 54:20
Of what?

iON 54:23
Stoke-on-Trent porcelain.

Bob 54:25
You mean Trent, the place?

Susana 54:29
Fine china.

iON 54:25
Yeah, that's where it's made.

Bob 54:31
Yeah.

iON 54:31
Very fine. He's quite the collector.

Bob 54:37
That's all there is to do when you're waiting, Susana. Just collecting.

iON 54:41
That and your Goldscheiders. He, like, he's got quite a fancy to Goldscheiders, too.

Bob 54:47
Gold ciders?

iON 54:48
He likes the - scheider, Goldscheider porcelain.

Bob 54:54
Oh, porcelain. Yes. Your phone's a little blurry. Sorry. So, are you finished?

iON 54:59
I'm blurry face and care what you think.

Bob 55:01
Yes, blurry face. Are you finished, Susana?

Susana 55:05
Yes, yes, because I wasn't able to pay a whole lot of attention to what you, what you went through today. So, I couldn't - please -

Bob 55:13
Why not?

iON 55:12
See, this is good because, no, this is good because, see, she listened to last week and got good things out of last week.

Bob 55:15
Yeah.

iON 55:19
She didn't even know what's going on and even know how it applies, and even got the details. So, kudos for her.

Bob 55:28
Yeah, Susanna will always be a week behind. So, that'll create a simultaneity by reminding me of what went before. So, I brought up LaRouche because you, you weren't doing McLuhan. So, you, that's how you can use one of the other quadrants as your alibi: "I was not doing McLuhan this week, Bob, I was in the LaRouche quadrant." See, so I try to give you an out.

iON 55:50
Well, it was actually a little closer to Thompson, but Thompson quadrant's worse. But, you know how it goes.

Bob 55:56
Yeah. There was a couple of points that brought up Thompson. He talks about the matriarchal societies in Asia Minor, 6000 BC. And as the patriarchal written, writing societies, Neolithic societies, took over, the battle between the great mother and whatever warrior showed up is repeated in the Akkadian epics, the Babylonian, the Gilgamesh. And I was wondering if there was an aspect of that when Carolyn was talking about Nut, or nut, the female thing, up against Osiris. That'd be a later stage of what Thompson's good at: going through the literature and oral epics of the different civilizations back then. Do you see -

iON 56:52
Now, you listen to that, you listen to that, you listen to that for a little while and you wonder why there's an upside down.

Susana 56:59
Ha ha. Did Thompson use any of this in his study - the Book of the Dead?

Bob 57:06
Well. Oh yeah, he talked, he talked about each phase. You know, he goes back to the matriarchal societies with the Great Mother; you know, a little fat thing, a little statue, little fat, overweight blob.

iON 57:18
(laughing) The fat bitch, the fat bitch.

Bob 57:19
Like, like Divine or something. Yeah, the fat bitch. This is the - where the fat lady sings. That, that's all the women had going for them. That was their God. They were so bad at it, they had a fat bitch as their deity for thousands of years. But then I brought in some writing and a bit of visual space that hoicked up the left hemisphere, and, and the guys started to take over and kick the shit out of the bitch. And so you have each kind of father deity. Father deity, you know from the -

iON 57:52
Bob, Carolyn hasn't, Carolyn hasn't gone to bed yet. What are you doing?

Bob 57:52
(laughing) Carolyn is over there eating, watching movies. She doesn't know what's going on.

iON 58:02
(laughing) She's answering emails and typing. That's right. Good. Okay, good for her.

Bob 58:08
Yeah. So yeah, look at a - take any Thompson lecture and any Thomspon book. He'll run through this history of - it makes sense. So, by the time you have the Romans, it's male gods and women are demons. They're just slaves. You know what I mean? So the flip -

Susana 58:26
Right.

Bob 58:26
- the, the, maybe Egypt was balanced.

Susana 58:29
It went upside down like Thompson.

Bob 58:31
Beg your pardon?

Susana 58:32
It went upside down like the Thompson quadrant.

Bob 58:36
Well, from the female point of view, but it's kind of balanced in Egypt. That's before you get to the patriarchal, I don't know, Sumerian, Mesopotamian civilizations.

iON 58:47
Ancient Sumerian - don't forget the ancient Sumeritan Hebrewloids.

Bob 58:48
Yeah, then the Jews. You know, the Jews get real patriarchal, don't they? So, the Jewish guys, that's the end of Nut. Women are now considered nuts. They're not Nut anymore. They're nuts and need to be well controlled.

iON 58:51
Are you nuts?

Bob 58:54
Ha ha. Are you nuts? So, anyways, that's the Thompson expertise. Now, Thompson, himself, was for balance and so he advocated the voluntourism school of feminism. I forget the name.

iON 59:25
Solipsism. Solipsism, mostly.

Bob 59:29
Ha ha ha. So, the - there are a couple of feminists in the 70s, 80s, who wrote about how men and women could work together in a voluntary kind of cooperation using the best of both. That was the ideal of feminists in the 80s. Not like we're going back to feminism or matriarchy, maintaining the best of the patriarchy the best of the matriarchy, intermingling. And Thompson used to talk about that author.

iON 59:31
Oh, is that like miscegenation?


1900  ⇧

Bob 0:00
I don't know. No, it's way off, iON. You've left your field of expertise. It's not your department.

iON 0:06
It was, it was a white knuckle flight for us, too. So, it's all right.

Bob 0:11
See, Susana? From iON's wacked out view, they think Thompson is upside down. They're not very well versed in Thompson like I am. Yeah, I don't see Thompson as upside down.

Susana 0:24
Well, I had wanted to ask -

iON 0:26
That's why there's, that's why there's suicide. It's cuz of Thompson.

Bob 0:30
Ha ha ha ha. Okay, go ahead.

Susana 0:32
Okay, I was gonna say, I did a class one time about the Bible. And the teacher that was conducting the class said that the Bible is actually comprised, especially the Old Testament, of lots of old myths, mythology, old stories, oral traditions. It got in - it was incorporated into the Old Testament. So, I wanted to ask iON, is, is that - was that the case? And if that's the case, did this also get incorporated in some way into the Bible?

Bob 1:05
Okay, I'm not saying which - what's your question? You're asking if - something about women are in the Bible?

Susana 1:12
No, I mean, it's the whole thing that the Bible incorporated in the Old Testament. Lots of old, old -

Bob 1:22
Well, the oral tradition is the content.

Susana 1:25
- religion. Yes, theology, mysticism. And I'm wondering if that was true, and if it is, did it - did they also incorporate elements of, of this book?

iON 1:39
Theocracy.

Bob 1:41
Yeah, theocracy. So, iON, were these fragmented cults tribal structures in the Bible?

iON 1:52
Okay, yeah. It's not gonna last long, but yeah.

Bob 1:57
Yeah, I don't think it is. The, the Bible, Susana, is very precise. You know, it's for the masses. The Emerald Tablets' for the masses. But, the meaning was not, was not expressed by the patriarchs who ran the cult of Christianity. You know, they didn't let anybody know about this stuff. You heard iON say that half an hour ago.

iON 2:20
Otherwise, you'd be like, otherwise you'd be like Thoreau livin' in the woods by yourself. Nobody to talk to.

Bob 2:25
Yeah, yeah. Yeah, I pointed out the - that's a good point there, iON. Because that was the theme this week on Facebook. I was explaining how I've had no social obligations for 50 years. So, the way someone avoided social obligation -

iON 2:39
You still don't.

Bob 2:39
- was becoming a hermit. Yeah, I still don't. Becoming a hermit. But, I was able to function without being a hermit!

iON 2:46
I'm not going to any restaurant! And I'm not going to any party! And I'm not going to do anything. I'm gonna come and visit but I'm not going to any meals, and I'm not going to lay out in the bars, and you can do whatever you want to do, but I'm not gonna do that!

Bob 2:58
That's true. I was thinking about that earlier today, Susana. Greg duffel bag, Greg duffel bag, he pointed out one day, he said: "You know, whenever I saw Bob in Toronto, he never ate anything." Ha ha. We go to dinner somewhere or his place, but I'd never eat anything That's exactly what iON just said there. I'll hang out with you, but I ain't gonna mingle with the social niceties.

Susana 3:20
Well, I don't get why if that was true, if that is the case with the Bible, then you'd be a hermit and live like Thoreau in the woods.

Bob 3:29
You're, you're saying why didn't I live like that?

Susana 3:32
No, I don't, I don't get the comment. I don't get how that's applies.

Bob 3:36
Okay, because of - with the electric worlds, I could be discarnate. I could engage socially without any personal, chemical body fallout from it.

Susana 3:47
No, no, no. I know with you. But, iON commented that if that was the case, with what I had asked, then you'd be out in the woods being a hermit.

Bob 3:57
Then you'd be a hermit. Everybody would have been ascended. The ascended person is not subject to social mortar. History of cultures is nothin' but social mortar and societies. And if everybody got the facts from the Emerald Tablet, they wouldn't be involved with anybody, they'd be hermits. That's exactly the effect. They'd be like caveman.

iON 4:18
It's what the Hermitage was.

Bob 4:20
Yeah, there's the Hermitage. You know, McLuhan said that the private individual was a form from waaay back there before tribal man. That would be like the ascended continent. Just human forms or people; beings that adopted human forms as an art form, walking around the ascended continent, in their own world of no sun, no oxygen. Very different from our situation. So, our closest image would be a wandering, isolated person. That's what they were on the ascended continent. And if they had social life, they'd do it like me. I was the king of it. I'd organize parties and they'd be the weirdest, fucking parties 'cuz there'd be no obvious content for it. Like this show.

Susana 5:09
Is that the_(overtalk)_ Carolyn and Bob?

Bob 5:10
That's a fine example of social life. I might even be ascended. What?

Susana 5:16
Is that - so, being ascended is being isolated.

Bob 5:19
No, you're not isolated. You're in touch with everything. So, there's no need to really go into it unless you want to do it as a playful art form or something.

Susana 5:33
Hmm.

Bob 5:31
Which is what I've done all the time in my radio career. I pretended to be involved.

iON 5:38
Career? Career?

Bob 5:39
Yeah, career. And, you know, what I did, Susana? I always was a guest on the show. I'd never had responsibility of running a show and all the headaches of that, come in with content and guests every week. I just would be a guest, and then I would take over the show on a cyclical basis. Every two weeks it would be my show.

iON 5:57
Was it north, was it north, was it north or south, Bob?

Bob 6:02
Ahh, it was downtown Toronto.

iON 6:05
No, no, no. North or South Korea?

Bob 6:09
You mean what did I have to do with it?

iON 6:12
You're just talking about Korea. You're tellin' about your Korea, I said: "Was it North or South Korea?"

Bob 6:16
Ohh, Korea! No, I said career. C-a-r-e-e-r.

iON 6:20
Well, you don't talk right. I don't know how anybody on the radio can't talk right.

Bob 6:26
Ha ha ha. You don't listen right.

iON 6:26
And he gets on, and he gets on the radio and can't say nothin'. And then says somethin' and then say he didn't say nothin'. And he says: "I didn't say that. I've never said that. If I would have said that, I would have heard myself say it. And I don't remember, anyway, so if I didn't remember not sayin' it, I might have said it if I didn't know I didn't say it. Right. Pretty much right.

Bob 6:50
Ha ha. That's some -

iON 6:52
Just sayin'. Just sayin'.

Bob 6:54
Yes, partly right. But - yes.

Susana 6:59
If you're listening to the recording now, you're listening to the archives now, aren't you?

Bob 7:05
Who is?

Susana 7:03
You are. You used to not listen to any of them.

iON 7:07
This is, this was, this was live in front of a taped audience.

Bob 7:11
Okay, I used to listen to the show two weeks. Two weeks later I would listen to the show to find out what I said.

iON 7:17
About what he said to see what he said he talked about that he wasn't gonna say.

Bob 7:23
Heh. And it's like iON said, I actually destroyed a lot of people's minds, because of this kind of a not taking account for what they thought I said. (laughing)

iON 7:32
To be fair, to be fair, Bob, they wasn't workin' with much in first place. Wasn't workin' with much. Just sayin'.

Bob 7:39
That's pretty esoteric, I said.

iON 7:41
You didn't tear up, you didn't tear up too much. That was in play. You're - not much of that wasn't play.

Bob 7:45
I was an employee of The Secret Council of Ten. I was not the chairman yet, so, I had to be careful. Like you said, Carolyn is very cautious. Oh, that's it. So, iON, I was gonna ask you this, um, I was prompted to watch the latest season of Peaky Blinders. And it's all about this guy -

iON 8:02
Hell, yeah. Ah huh.

Bob 8:04
Okay. And I sort of felt it was exactly what we're going through: you, me, JW and Carolyn, right now. He's rising up, he's a member of parliament, but he's got a lot of forces against him. And they're attacking him. And he has to live with slack in the middle of that; and that's what I do, and I'm doing now. We got a lot of people gunning for us right now, Susana, so the Peaky Blinders is sort of describing us right now for a few months. Correct, iON?

iON 8:30
Eh, sorta. But there's not much to it because every time they raise their little hand or shoot at you, they shootin' blanks. See, they're not, they're not testicularly, untesticularly challenged like you are, boss. You got it goin' on, see. So when they shoot at you, it don't matter. They shootin' blanks.

Bob 8:48
Right. For them, it matters. You're saying for them. It matters.

iON 8:51
Yes. Correct.

Susana 8:53
So, have you seen the whole thing? Have you seen the whole thing, the whole series?

Bob 8:57
No, I just seen the first two episodes. There's four more for this last - for the latest season. I'll see it soon. I like it though. It's an interesting show.

Susana 9:07
I won't say anything then. I won't say anything.

Bob 9:09
Did you like it? You liked it. Did you like the show?

Susana 9:14
I was a little disappointed. I was a little disappointed with it.

Bob 9:18
Oh, okay. But -

iON 9:18
Oh, now, hush that bullshit 'cuz he won't watch it. And he's got to see -

Bob 9:23
Yeah, I won't watch it.

Susana 9:24
Ha ha. I won't say anthing. I shouldn't have said anthing.

Bob 9:28
You shouldn't have said anything.

iON 9:29
But you did, you already did. Now, I'm not going to say anything -

Bob 9:34
You have no discipline, Susana. We caught you. I'm showing you why you're a little man and why you gotta get the hell out of your home. You got to move out as soon as possible.

iON 9:42
(overtalk) - I was surprised, I was surprised that it ended like. And then you fill in the blank.

Bob 9:48
But, But, Susana, you didn't know how it was going to end, if that's the problem. Didn't you enjoy the first few episodes?

Susana 9:55
I won't say anymore 'cause you won't watch it.

iON 9:57
Good.

Bob 9:58
Okay. Well, I'm enjoying it.

iON 10:00
Ah, shit. There you go. You won't like it. AHHH!

Bob 10:05
Here's what I was thinking. Here's what I was thinking of, Susana. In episode one, Michael returned from the States. And he's mad that they don't trust him. But I was thinking about how he was ignoring that he lost the family money because he didn't listen to Tommy's orders.

Susana 10:23
Right.

Bob 10:24
And he comes in all arrogant. Just think of that. It's -

Susana 10:26
Yep.

Bob 10:27
- I don't know if he's ever gonna be pointed out, but he's totally forgotten why they might not welcome him. You know what I mean?

Susana 10:34
No, (indistinct)

Bob 10:35
He thinks that it's over his bride.

Susana 10:37
His bride is the one who's leading him astray. If (indistinct)

Bob 10:41
Maybe. Maybe.

iON 10:44
That whore.

Bob 10:44
Did you like the scene -

Susana 10:46
(indistinct overtalk)

Bob 10:47
(indistinct) whore. Did you like the scene of the opening scene of the mother getting eaten out by the young pilot? Did you like that scene?

Susana 10:54
(laughing) She looked good, didn't she?

Bob 11:00
Yeah, it looks like he's enjoying it.

Susana 11:04
Yeah.

iON 11:04
Ha ha ha. See, see how you - look how Bob will drag you into this vile, vile talkin' -

Susana 11:14
iON, it always evolves to this.

iON 11:17
- speaking. Plays Vestal Goodman, plays the, plays the Gators, plays the Gator Brothers and then talks about getting eat out. Goin to eatin' tonight. Goin' to eatin' out. He won't, Bob won't eat out, but he'll eat you out, but he won't go out to eat. Is that how it goes, Bob? Is that how it goes?

Bob 11:26
Yeah, yeah. Excellent. Okay, Susana.

Susana 11:36
Remember, remember Carolyn's still awake.

Bob 11:40
No, she isn't. She's over there like - I don't know what she's doing. Oh, oh, she is throwing things. She's getting ready to throw soft towels at me.

iON 11:48
She starts to throw things. That's it, that's it. We told you. We told you.

Bob 11:51
That's all she's got over there is little rags.

iON 11:54
Those orange fingertips towels that's you're not supposed to use.

Bob 11:57
I know, the yellow ones. They're all soaked and dirty. I don't like like those.

iON 12:00
Oh, no. Oh, yeah, that's terrible.

Bob 12:03
Okay, that's it, Susana. We're goin' back over to Bert.

iON 12:07
That was good.

Bob 12:07
Gotta get Bert up before Carolyn goes to bed.

iON 12:09
Bert! Oh, is this Bert? Is Bert on? So, this is (overtalk)

Bob 12:13
Yes, but this is not about Bert's private session. This is Bert's response to the Egypts.

iON 12:19
Oh yeah, that's right. Oh, okay, that's what we thought. We thought, oh lord, sufferin' cats. Yeah.

Bert 12:23
iON, iON, I, I have a question. I was, I was listening again to Revelations this week, the vial judgments, and you and Bob discussed the Tibetan Book of the Dead. Can you describe the difference between the Tibetan Book of the Dead and the Egyptian Book of the Dead?

iON 12:40
One's from Tibet and one's from Egypt.

Bert 12:43
Okay, but are they the same? Are they the same?

iON 12:46
No.

Bert 12:46
Because you -

iON 12:47
No, they're not.

Bert 12:51
Because in the Revelation series, you all discussed that the Tibetan Book of the Dead talks about dealing with the angels.

iON 12:59
Right.

Bert 13:02
And the Egyptian, from what was just disclosed tonight, is more talking about theTech Body. Correct?

iON 13:11
More so. More So. It's going to develop more because you're going to get some of the prescriptions of how do you overcome it. It will keep - they teach you in the Sun Ra's version of the Book of the Dead how to overcome the Tech Body. Not the angels, but the Tech Body.

Bert 13:25
Mm hmm.

iON 13:26
But that's from an angelic position, obviously, you see.

Bert 13:30
Will the Egyptian Book of the Dead make the connection of the angels creating or collaborating with the Tech Body? Will there be any discussion of that?

iON 13:43
Maybe. Maybe.

Bert 13:45
Okay, cool. That's all I have, Bob.

Bob 13:51
Okay.

Bert 13:52
That was good. Get ready. Get ready.

Bob 13:55
Right. Here's an unknown person. And you have something to say, anonymous?

Alissa 14:03
Um, it's me, Alissa.

Bob 14:07
Oh, Alissa. You must have something. Did you listen to last week's content? Because I don't think you were here for it.

Alissa 14:15
The Egyptian section? Yeah. I commented on the end towards the end of the - I was on -

Bob 14:24
Well, you were here for it? You were here for it?

Alissa 14:27
Yeah.

Bob 14:27
Okay, so what do you think of today?

Alissa 14:30
Um, yeah, today I was listening passively. There's a lot of interesting points in there. I don't have any -

Bob 14:40
It's too much for everybody. Too much. It's - people are overwhelmed by it.

Alissa 14:45
Well, I liked what Carolyn was breaking down, but I was, I was kind of doing stuff around my house and listening more passively. I wasn't taking, taking notes. So yeah, -

Bob 14:58
You think this is not serious? This is really important. It's the Tech Body document. You know, that's what's pretty amazing about this.

iON 15:05
They were, they were extremely underwhelmed, Bob.

Bob 15:10
They can't see the present.

Alissa 15:13
No, no, I know it's important. I'm just telling you that I was, I was not actively able to listen this morning. So, -

iON 15:20
That's okay, that's okay because see - like, like, people get it from last week for next week. That's appropriate. It sometimes is easier.

Alissa 15:27
Yeah.

iON 15:27
Because sometimes when you're in the throes of it, it's like Carolyn was doing it and still trying to take notes in the doing of it. And it's challenging to do that when you have to drive. When you have to pitch and catch in your own party, it's kind of tough. Sometimes.

Alissa 15:41
So, today was a lot -

Bob 15:44
You have nothing to say.

Alissa 15:47
Today it was a lot about the, the woman, the Nut?

Bob 15:52
Yeah. About other things, but the Nut was a theme.Thompson theme.

iON 15:57
Mm hmm. Damn Thompson.

Bob 16:03
Have you read enough Thompson to know when I'm referring to how he goes through the phases of early civilizations -

Alissa 16:08
Yeah.

Bob 16:08
- and, and the ratios between the male and the female leadership?

Alissa 16:13
Yeah, we got into that like the summer before the Thompson quadrant flipped.

Bob 16:19
Yeah, yeah. Yeah, so -

Alissa 16:21
Yeah, that was - I know, I know the fat bitch you're talking about.

Bob 16:27
Yeah.

iON 16:28
Hm hmm. See, there you go.

Bob 16:30
But see, that'd be a tactile culture. And maybe the reason why obesity will be accepted in 50 years. As we move into the tactile cultures, a lot of them have fat women. It seems to be an attractive point.

iON 16:43
50 years!? They're obese, they're obese now!

Bob 16:45
I know. We're moving towards it. But it'll be accepted, iON said, in a few decades, as the norm.

Alissa 16:53
I'm just pulling up the PDF when you're, when you're talking about that. The thing about the Eastern sky, that was big.

Bob 17:00
Yeah. But go back to this, this tactile point. See, you can apply McLuhan to understand some of these cultural images in the social mortar world, nothing to do with the ionic world of ascendant, of ascendance, just why those images. Why they would have a fat bitch. That'd be norm. That would be a sign of beauty back then.

Alissa 17:26
Obesity. Yeah, the Buddha, the Buddha is often obese as well.

Bob 17:31
Yeah.

Alissa 17:33
What are you saying? You're saying the tactility because it was more of the tribal alternative? They weren't as kinetic therefore they were more, more like stay put -

Bob 17:44
Here's the mind blower. There's the big pattern you don't know. McLuhan said, when you move from tactile acoustic cultures and you begin to visualize with idiograms or early forms of writing, the visual space impression on a tactile culture which is used to tactically, they can only think of big spaces. And that's why they made the pyramids. They would make huge visual objects. That's how they saw visual space. Since it was so alien to their tactile, non-visual, they had no ability to visualize like writing people did. So, big mounds, big things -

Alissa 18:27
Yeah, big bodies.

Bob 18:28
- body shapes. Yeah, big bodies come in -

Alissa 18:30
Yeah.

Bob 18:30
- and it's the beginning. You know, the Goddess is big as they get ready to be removed by the new left hemisphere, patriarchal warriors. So the final -

Alissa 18:46
What's iON's comment on that?

Bob 18:48
He doesn't know anything about this. See, he doesn't about social motar. He only knows about ascension.

iON 18:54
Ha ha ha. We were just working around the house, we weren't listening. We were darning the petit point -

Bob 18:58
Ha ha ha. He didn't take any notes this time.

iON 19:04
We were darning the petit point. And darning a few socks, and knitting and crocheting. And we were tacking some Chantilly lace. You know, just somethin' to do.

Alissa 19:14
Yeah.

Bob 19:14
Yeah see, like, iON finds this kind of talk boring.

iON 19:17
Idle hand, idle hands is the devil's dingaling.

Bob 19:21
Yeah. Ha ha ha. Okay, so isn't that a nice pattern? The big space shapes, the big environments, the pyramids, that kind of thing come in as tactile person tries to visualize, tries to use their eyes and make it dominant because they're used to dancing in good shape and making it rain.

iON 19:43
Dancing the hexadic.

Alissa 19:45
That's a nice pattern. That's a nice pattern, like you said, like a media ecological, anthropological pattern. But, iON has said the pyramids are way more than just, like -

Bob 19:59
Yes, I know. That's the other part. You know, that's the rock part of the social motar. The social motar is a wall with rocks in it. And the rocks are frozen to the social mortar. iON's all for liberating the rocks to become sovereign, floating caveman guys. Occasional women.

Alissa 20:17
Mm hmm.

Bob 20:21
What? No reaction?

Alissa 20:22
Yeah.

iON 20:25
And if you don't come in (overtalk) the rocks are the ones that are gonna call out.

Bob 20:30
Yeah, the, the majority of sex life on the ascended continent is homosexual. It's just men.

Alissa 20:38
Ha ha. What?

Bob 20:38
Hardly any ascended women. Ha ha. What? You could say that they were bisexual, trisexual. So there was no difference in ascended cultures. But when they started to specialize as the ascended continent fell, the homosexual forum would take over. That'd be the first expression of non-, ah, trisexuality.

Alissa 21:07
What's trisexuality? You're all of it?

Bob 21:11
Yeah, you're male and female and something else. Animals.

iON 21:13
You'll try, you'll try anything. You'll try anything.

Bob 21:15
Yeah, you'll try anything, that's right. Try. Ha ha. Trisexuality, try anything. Ha ha ha.

Alissa 21:28
Sons of Revolt. What's the - who are the Sons of Revolt?

Bob 21:32
Is that a phrase in the document?

Alissa 21:35
Yeah.

Bob 21:37
That'd be little man. That'd be - in the Emerald Tablets that's the dark brothers. The little mafias. They're the guys that knock off the matriarchy.

iON 21:49
That's the Coen brothers.

Bob 21:51
Yeah. The filmmakers. The Coen brothers. Or, they were a faction in the Levites.

Alissa 22:02
Let me smite the Ass. Heh heh heh.

Bob 22:06
It might be what?

Alissa 22:08
It says: "Let me smite the Ass."

Bob 22:11
Oh, that's the donkey. The donkey was an image for the Logos. Ratios of foreignness in early writing cultures, Logos. The donkey was the image for it. That's the ass. See, another, another reason why they went homosexual first. We start getting, falling into motar. You started off as homosexual. You're alienated. You're falling. Start to specialize. Trying to match. People make, make spaces.

Alissa 22:56
Mm hmm. And how -

Bob 22:58
That's where social motor comes from. It's from matching. People trying to be on the same page. They're insecure -

Alissa 23:07
Yeah.

Bob 23:07
- little people, recently fallen. Profound stuff I'm saying. In the world of social motar, nothin' to do with ascension.

Alissa 23:14
Yeah. Well, it, it touches on ascension because ascension is the other.

Bob 23:23
Yeah, one's - one's concepts of ascension are riddled with mistaken stuff from social mortar. So, you're using what I'm talking about to clear up your, your concepts that you think is what ascension is about. So it's, it's like ReAlign. It removes the trash in your mind, which you didn't know is totally unable to understand ascension. You got to clear out the trash.

Alissa 23:55
You know, when you're talking about the private self, that point that you use in McLuhan, the private itself was actually before the tribal.

Bob 24:02
Yeah.

Alissa 24:04
Yeah, that's interesting. I mean, as I'm, as I'm going through this ascending process, I feel like there's, there's this part of me that just doesn't need anybody else. Like, I don't need another human. I don't need another - you know?

iON 24:23
That's called, that's called, that's called an autosexual.

Bob 24:29
Heh heh heh.

Alissa 24:29
Heh heh. So, so, iON, you say that when we're Gods we don't - we play with other Gods. There's not the same need for attachment. But, but it doesn't mean that we are -

iON 24:47
It varies. It varies. It varies different ways. Sometimes you feel like a nut and sometimes you don't.

Alissa 24:54
Yeah.

iON 24:55
Almond Joy got nuts and Mounds don't.

Alissa 25:01
Yeah. What's the House of the Soul? "Hail, O all ye gods of the House of the Soul, who weigh heaven and earth in a balance,"

iON 25:21
That's for Bob, isn't?

Alissa 25:25
House of the Soul is Bob?

iON 25:28
No. Ask that question toward Bob, isn't it?

Bob 25:33
Yes, if the soul are the recordings, it basically - the soul records mortar, social mortar, inventions -

iON 25:42
Yeah.

Bob 25:42
- and things that the collectivity thinks they need.

iON 25:45
Or require.

Bob 25:47
Yeah, or required. So, we've been talking about the House of the Soul the last 10 minutes.

Alissa 25:52
Mmmm.

iON 25:56
As opposed to the House of Blues.

Bob 25:57
What iON?

iON 25:58
The House of Blues.

Bob 26:00
Yes, yeah.

Alissa 26:04
"The goddess Maat embraceth thee at the two seasons of the day. May Ra give glory, and power, and thruth" And is that truth or thruth? What is that word? Thruth-speaking or thrust?

iON 26:18
The way it's spelled.

Alissa 26:22
It's just T-h-r-u-t-h.

iON 26:23
Mm hmm. Mm hmm. That's the way it's spelled. It's like, it's the, the, the language translation like perseverance. That's all it is.

Alissa 26:39
Mmm. "and the appearance as a living soul so that he may gaze upon Heru-khuti, to the KA of the Osiris the Scribe Ani, who speaketh truth before Osiris, and who saith: Hail, O all ye gods of the House of the Soul, who weigh heaven and earth in a balance, and who give celestial food {to the dead}. " So, House of the Soul being the social motar, and -

iON 26:44
Mostly, yes -

Alissa 26:45
- and so god, little "g," -

iON 27:13
- but not, but not exclusively, right.

Alissa 27:27
Mmm, you're saying we don't tie down that, that definition?

iON 27:32
Not yet.

Alissa 27:33
For what's the exclusively part?

iON 27:35
You could. You could, but not yet.

Alissa 27:39
Hmm.

iON 27:41
You know too much.

Bob 27:43
So listen this, Alissa, Skygodess Sue says that the big belly shape - listen to this. The big bell shape -

Alissa 27:51
Yeah.

Bob 27:51
- was fertility, pregnancy. The roundness and soft curves of the female form was prized for the ultimate symbol of reproduction: Marilyn Monroe, not Twiggy. Well -

Alissa 28:03
Yeah.

Bob 28:03
- later fat person, Marilyn Monroe, was compromised.

iON 28:06
It had to be - Marilyn Monrie was shaped like a coke bottle. She wasn't obese.

Bob 28:11
Yeah, she was in "Mechanical Bride."

iON 28:12
She was perfect.

Bob 28:12
Right. But, but the symbol reproduction that's cyclical. That's RHYEE and ISIS. That's cosmic awareness, Dave Worcester-view that the female form conspires with the male form to keep the stupid world going. The limited anthropomorphic world. So, what do you think? Do you think that -

iON 28:32
It is limiting.

Bob 28:35
Yeah, would - is that the main reason why matriarchal societies put the goddess on deity because it was a symbol of reproduction?

iON 28:48
Okay, yeah, it works. It changes. It goes up and down like a window shade. So, yeah, whatever.

Bob 28:57
What? The symbol of the goddess goes up and down?

iON 29:00
The conversation of every level of everything. Today it's this, tomorrow it's that, and it shifts and changes and now it becomes something damn Ronald Reagan did that caused all this, way back then, before it's over with.

Bob 29:15
Yes, that's Margaret Atwood's books. Yes.

iON 29:18
That's right.

Bob 29:19
Right. Now, wonder what was the fat deity that Thompson hoicks up? What was that a symbol of?

iON 29:28
Buddha.

Bob 29:30
Right. But, I was talking about it being fat because a tactile culture likes the fat form. So, I'm basing it on a sensory bias. Sue is basing it on a conceptual bias, an image of a process.

iON 29:46
Correct. Well, as the Elizabethan, the Elizabethan era. That's when it was appropriate, you see: the female form.

Bob 29:53
No, no. The ancient goddess was a symbol of reproduction. -

iON 29:57
I know.

Bob 29:57
I'm talking about way back there.

iON 29:58
I understand, I understand. That's the same one that she's referring to. It's the one that most made famous from the Elizabethan era.

Bob 30:07
Yeah, yeah. So, -

iON 30:12
Just saying.

Bob 30:13
- now, who's Blurry Face, iON?

Alissa 30:15
You're saying the sculpture?

Bob 30:19
Sculpture. Yes, The big -

Alissa 30:21
The sculpture was made famous in the Elizabethan era?

Bob 30:25
No, no, the image of the fat woman was an ideal image in the Renaissance.

Alissa 30:33
Okay.

Bob 30:35
Whose Blurry Face, iON? They're just posting away their problems of being in the music business. They can't, -

iON 30:43
Well, they care. They care. They care. They care about what you think, Bob.

Bob 30:49
Okay. Yeah, that's the next line in the song, Alissa, My name is Blurry Face and I care what you think. Heh heh. Yeah, okay.

iON 31:00
Wake up and get that money!

Bob 31:03
All right, we're gonna bring some other people in, Alissa. Thank you very much. We'll get back to you for your private session.

iON 31:09
You did good. You did good, darlin'.

Alissa 31:10
Okay, thank you. Bob.

Bob 31:12
Okay.

Alissa 31:13
Thank you, iON.

Bob 31:15
Okay, Daniel, do you have anything to say about the Egyptian Book of the Dead?

Daniel 31:21
No, not yet. I haven't really listened to it. But -

Bob 31:26
Okay. All right. We'll move on then.

iON 31:30
We haven't either, so it's okay.

Bob 31:33
There was, there's a - this is probably Nik. Do you have something to say Nik?

Nikolas 31:39
Hi, Bob. Hi, iON.

Bob 31:41
Hello.

iON 31:42
Hey.

Nikolas 31:42
Some juicy Bob gems in there and some fantastic revelations as well. The one that jumped out immediately - well, there are lots of them and there were some really good ones. "he proceedeth until he reacheth the place where he was yesterday." And you said: "stuck in a loop." And "same place as yesterday." And that seemed to evoke rather a moment that we kind of, in that stuck loop, it's start here, sunrise, sunsets, go there, Bob goes to the beach, comes back again. So that was the one that was really quite a profound one that jumped out at me.

iON 32:27
Sometimes he kills people.

Nikolas 32:30
Yes. And there was lots of Bob dodging bullets. And he kills people, and very, very good. The other one that came up was -

iON 32:42
He don't mean to, you know, He don't mean to, yet he does.

Nikolas 32:48
No. Ah, then setting the anthropomorphic anti was setting the stage. That was also a goodie. So, yeah, some good gems in there. Thank you, iON.

iON 33:00
Nice. See, Bob, you said nobody listens to this shit. They do, too.

Bob 33:06
They listen to a little bit. They don't have much.

iON 33:09
Oh, oh.

Bob 33:09
They can't take it all in.

iON 33:11
Oh, okay, well now, okay. Yes, yes. It's like peat and repeat, huh?

Bob 33:17
Yeah.

Nikolas 33:17
Repeat, that's it, yeah. And then the King of Truth. New conditioned responses and different things to know. The difference between truth and facts. That one also jumped out quite nicely.

Bob 33:31
Okay, Nik, thank you very much. We'll get back to you later for you private session.

Nikolas 33:35
Thank you.

Bob 33:35
And there may be one more person. Anonymous.

iON 33:39
That means about five o'clock in the morning, of course.

Bob 33:43
Heh heh heh. Anonymous, do you have anything to say?

iON 33:48
Ha ha ha. That's when Jack and Germaine are just sobering up by the time Nik comes back on. It's a good day.

Bob 33:55
Yes. Where's Jack? How come Jack doesn't have any questions? So, -

iON 34:01
He's been on the chitty chat.

Bob 34:04
So, the anonymous is -

iON 34:07
Er'body, er'body.

Bob 34:07
That's one of my employees. Not allowed to talk. Okay, so -

iON 34:11
Oh, oh, oh.

Bob 34:12
I'll let them rest.

iON 34:13
Oh, hell. Oh, hell.

Bob 34:14
Okay, so we're gonna play some music for a little bit to get out of this situation.

iON 34:18
Oh, yeah, music time you get out of somethin' - this is that stuff. This is the lemon sorbet to cleanse the palate after the heavy foie gras. Is that right, Bob?

Bob 34:27
Yeah. Let's see if Carolyn has any -

iON 34:29
Lemon Verbena. Lemon Verbena.

Bob 34:30
- Did you get anything out of what the other people said, Carolyn, that you want us to comment on?

Carolyn 34:37
No.

iON 34:37
Ha ha ha. You did good.

Bob 34:38
Did you enjoy reading the session, Carolyn?

iON 34:41
You did good on the reading part. The reading part was good. That was good.

Carolyn 34:46
Everybody should have a chance to do that because when you are in a semi-hot seat when the fire is on you, fire at your feet, then I think it makes you - makes me, anyway - focus real good. And I, I develop a brain with iON. I share a brain. Ha ha. And I get stuff.

iON 35:10
It is fun. It is fun.

Carolyn 35:11
I love it.

Bob 35:11
Well, I think the factor is me. I think people like the interaction between you and me doing this stuff. It brings back the Revelation series.

Carolyn 35:17
Noooo. Noooo.

Bob 35:18
Oh, yeah, they're all - they're all commenting on it.

Carolyn 35:20
No. You totally shut me down and my mind.

Bob 35:23
Well, that's what they like. They like you hallucinating separateness and all the nutty stuff you get into. This paranoia. They like that.

iON 35:31
Ha ha ha. Damn you, Bob! I'm going to bed. Slam! Ha ha ha.

Bob 35:34
Heh heh heh. Oh, oh, here's Madeline. Yeah, Madeline, you got a comment?

Madeline 35:42
Well, I have a question. I don't really even remember the serpent from Revelations. But stillI, I would like to ask what correlation does that have with the Tech Body serpent, if any?

iON 35:59
Ahhh, you can't, you're not -

Madeline 36:01
Oh, I mean, I'm thinking, -

iON 36:03
Yeah, go ahead.

Madeline 36:05
- I'm thinking of the garden. I said Revelations, but I didn't mean that. Yeah.

iON 36:11
Right. Right. Right. The garden is represented - it's where, it's where the Tech Body's born.

Bob 36:18
In the Garden of Eden? In the Garden of Eden?

Carolyn 36:21
(in background) Oh my goodness.

iON 36:22
Yeah. Yeah.

Bob 36:26
Well, you know, in that dialogue with the Rotterdam futurist three, four years ago when we played you what he said to the corporate executives and then you commented on it, basically you said: "People, you have no idea what's coming." And his, you know, slightly boring concepts of the future that were just extensions of Alfred, Alvin Toffler or something. Were you thinking of the Tech Body that was coming? If we go back and listen to that, we could hear intimations of the Tech Body.

iON 36:58
Yes.

Bob 37:00
Right. So, is -

iON 37:02
Now, the prescription, the lesson, that prescription was not definitive. The definitive aspect is, is if y'all keep pumping your shit into the facial book and in nap chat, snap that, that everybody's mat chat, you keep doing that just a little bit more you gonna see, sure'nuff, but, so don't mind us.

Bob 37:23
Right. So, are we in the Garden of Eden? We haven't arrived at that point in our going through the book of Revelation yet, have we?

iON 37:32
No. No, no, no. That's where it's birthed.

Bob 37:35
Okay, okay. That would be - what did you just say - when it is birthed. So, that the challenge when we get to the Garden of Eden is the Tech Body will be the final contrast to challenge your ascension.

iON 37:51
Ahhh, it won't challenge your ascension, it will try to quelch it.

Bob 37:56
Yes.

iON 37:56
It will try to distract you. It will distract you.

Bob 37:58
Yeah, yeah. So that, so, when the Tech Body showed up in the Garden of Eden, that was the beginning of the downfall of Adam and Eve? They were going to be -

iON 38:09
Of LaRouche.

Bob 38:11
Of LaRouche?

iON 38:13
Yeah.

Bob 38:14
It would be seduced. It would be kicked out.

iON 38:18
Yeah. It is. That's right. Do.

Bob 38:23
Okay. Anything else, Madeline?

Madeline 38:29
No, thank you.

iON 38:30
You don't get a raise or nothin', but that was pretty good, honey.

Carolyn 38:34
Yeah. Good evoking. Thank you.

Bob 38:39
All right. You don't have any to say, Jean, right? You're finished.

iON 38:47
She did already.

Jean 38:48
Well, actually, actually, I have a question about the -

Bob 38:52
She came back in at the bottom. So I thought maybe she had something to say.

iON 38:56
The loop. On the loop.

Bob 38:58
Yeah.

Jean 39:00
I actually had to resolve a cat fight in the barn, Bob. And so I called in on my phone to listen outside.

iON 39:07
Oooo, a cat fight! Ooooo, that's funny.

Jean 39:09
A cat fight!

iON 39:10
Is that some of them les bians, les bian thing going on? Some of that kind of stuff? Bob likes that.

Jean 39:20
Le besian? I don't know what that means.

iON 39:24
From lesbians, is lesbians.

Jean 39:29
Oh. Ha ha. No, these are - this is a feral cat against a neutered male.

iON 39:35
Oh, my god. So it really is, it really is a pussy fight. Okay. Okay.

Jean 39:42
Yeah, yeah. I have questions about the First God.

iON 39:47
Who won? Who won?

Jean 39:49
Well, the referee broke it up, so -

iON 39:53
I know but who is ahead?

Jean 39:56
Probably the feral. Yeah.

iON 39:58
Ahhhhh.

Jean 39:59
Marvin was running away, and I think Marvin was trying to get away.

iON 40:04
Okay.

Jean 40:04
He's been bit before. Yeah, he did. He got bit.

iON 40:07
Ohh. Damn it.

Jean 40:09
iON, let's talk about the First Great God.

iON 40:16
Okay.

Jean 40:16
The First Great God, PAUTA. Is that how you pronounce it? "who didst come into being of thine own accord"

iON 40:26
Yeah.

Jean 40:28
So, -

iON 40:28
It was a Honda. It was a Honda.

Jean 40:32
Honda Accord. Ha ha. We always refer to Carolyn as Isis. In that case, Isis and the other guy salute the First Great God.

iON 40:45
They always do.

Jean 40:48
So, first of all, this is supposed to be a hymn to Ra, so why is him, why is Ra praising these other gods?

iON 40:58
They have to acknowledge them; otherwise, they can't be a god themselves. If they don't actually acknowledge another god, they may not, they may not be god. You gotta make a god to worship it.

Jean 41:10
Okay, so, all right. It's kind of a diplomacy thing?

See, if you don't acknowledge, if you - well, if you don't acknowledge there's a church, how do you go there to worship God?

Okay, a building.

iON 41:30
Maybe, I don't know.

Jean 41:31
A big thing. A big thing. Is that like a representation?

iON 41:35
Maybe.

Jean 41:36
A big environment?

iON 41:38
Maybe.

Jean 41:42
Okay, and PAUTA came into being of thine own accord.

iON 41:47
Yep.

Jean 41:48
Now, you can come into being of your own accord but still use the products, right? I mean, I'm, that's what I'm thinking: coming into being of thine own accord.

iON 42:00
Ehhhh. That's not the, that's not the point. The point is is that the only reason it is necessary for the acknowledgment is that reason. You see?

Jean 42:10
That PAUTA was the first to come into being of her own accord? As a Great God.

iON 42:17
Correct. Correct.

Jean 42:21
Okay. All right. And is this -

iON 42:25
Get that? Got that?

Jean 42:30
I got that. I got that. Okay, that answers my question. Thank you, sir.

iON 42:35
Good. There's gonna be more to come from that, so don't, like, let that go. Just cuz we were a little bit forboding doesn't mean that it was inappropriate or out of whack. What we're trying to say is you ain't gonna get all that right then because we'll get ahead of it and y'all go, y'all go start - y'all be like, y'all be the first bra burner like, bra burner like Maude, and it ain't no reason for all that, you see. We don't wanna start no trouble - yet.

Jean 43:01
Got it. Got it. I must have intuited that. You read my mind.

iON 43:02
Notice, notice we said, notice, notice we said, "yet."

Jean 43:09
Yet. Well, I was gonna ask if we were gonna hear more. So, cool. Okay. Good. Now I'm anxious to hear what you got to say to Bert. If we're -

iON 43:20
Oh, yeah.

Jean 43:21
- if we're done with -

iON 43:22
Oh, yeah.

Jean 43:22
- the Book of the Dead tonight.

iON 43:23
It's gonna be exciting. Well, yeah. Hey, Bob, let her run this thing! He normally has to wait to two o'clock in the damn - OH!, it IS two o'clock in the damn - no, it ain't two o'clock in the damn morning.

Jean 43:35
No.

iON 43:36
He may not even have got up yet or going out yet or somethin'. We don't know. Can't keep track of it.

Bob 43:42
iON said the other day there's going to be the empire of Carolyn, the empire of Bob, the empire of iON or JW. Trina seems to be heavily in the empire of Carolyn. She says: "I love hearing Carolyn."

Carolyn 43:54
(in background) Ha Ha Haaaaa.

iON 43:54
Yeah.

Bob 43:55
They hear that in the background? The greed? The ego?

iON 43:59
That's the greed and avarice. The avarice has kicked in now. She's gonna kill you, Bob, and she's the only one close enough that can. She's the only one close enough that can.

Bob 44:10
And Nikolas says: "Great reading, Carolyn." So it looks like we won't be sharing the reading responsibilities with many people, Carolyn. You'll be doing most of it since everybody likes you.

iON 44:19
Oh yeah. No, you beat them all, Carolyn, you beat them all. You got it. It's yours to lose now, dear.

Carolyn 44:25
(laughing in background)

Bob 44:26
So, "S" who could be Sara, says: "Serpent. How is that not a snake? Also, is it true there was only one serpent to take on the ark?" So, -

iON 44:39
That's not true, Well, there are - snakes are asexual, too, they don't have to hook up. But you know, that's like, that's like tadpoles, too, or frogs, they're asexual.

Bob 44:52
So, there was only one serpent on the ark for that reason. And, how is the serpent not a snake? Well, it's the Tech Body. That's the important thing. The snake is what everybody gets fooled by their lying eyes. So, what's the point of the question -

iON 45:06
It's the imagery. Imagery. There's no point - it's just how they prescribe it. It's just how it's prescribed. It was the devil. What does the devil mean? Bob, you are the devil. What is the devil? We don't know. The devil is your dark lord and master? You know, what do you call the devil? We don't know. That's why we use - this what we know him as Bob, the devil.

Bob 45:28
So she says: "How is that not a snake?" Well, it is a snake, but that's not what it refers to. Is that what you're saying, iON?

iON 45:37
Yeah, correct.

Bob 45:39
The Tech Body, Sara, dig that! Stop worrying about whether it's a fuckin' snake. Figure out who's going to come up, who's going to go through Frank's Zappa's work and find a description of the Tech Body that's lurking in different parts -

iON 45:53
And what was J.D., what was J.D., what was J.D. Salinger really trying to say?

Bob 45:59
Yeah, Yes. He and his dialectic is split between Franny and Zooey.

Carolyn 46:08
(in background, pronunciation) Zo.

Bob 46:09
Zooey? It's spelled Z-o-o. It might be Zooey. And, Trina says: "Carolyn is soothing, especially reading the Emerald Tablets." Yes, a certain kind of woman finds Carolyn -

iON 46:22
Awwww. She's soothing. She's soothing. That's nice. I haven't heard that before. 'Cuz we know her as the sharpest machete in the shed, and we know, we know her as - what is it - she'd lop your head off? What is it? What is it, Bob, you call her?

Bob 46:40
Machete.

iON 46:41
No -

Bob 46:42
Machete. The sharpest machete in the shed.

iON 46:45
Yeah, yeah, yeah, it was something else, though.

Bob 46:48
Little Hitler. Little Hitler.

iON 46:49
Yeah, Little Hitler, that's right.

Bob 46:52
Uncle Meat.

iON 46:52
Uncle Meat, yeah.

Bob 46:54
You know, there was a woman who played Uncle Meat in Zappa's band.

iON 46:59
Mm hmm.

Bob 47:00
She would alternate with Suzy Cream Cheese.

iON 47:03
She ran the lawn mower. Isn't she, didn't she run the two-cycle engine, the lawn mower? Wasn't that her part?

Bob 47:10
No. No. Sara says: "Bob, why are you talking about Franny and Zooey? I gave you my copy." Well, there it is. I don't, I don't remember getting a copy of it. So, we're going to play some music. So, what would I start off with?

iON 47:25
Oh good. Well, that's obvious.

Bob 47:26
Well, with all that's happened so far.

Jean 47:28
The Fugue.

iON 47:30
Fugue?

Jean 47:31
Yeah, Fugue.

iON 47:32
Fugue in D minor or go to Bach Organ Blaster. That's even better.

Bob 47:39
Oh, wait a minute. Here's - Jack came in. Do you have a comment on the serpent stuff, Jack? The Book of the Dead?

iON 47:47
Serpent stuff? Book of the Dead, not serpent stuff.

Bob 47:50
Yeah. (pause) Have a comment, Jack? (pause) You know, Gemaine might have come home. Maybe they're busy. They're getting busy.

iON 48:09
He's trying, he's trying to get his clothes off in time.

Bob 48:12
Ah, okay. All right. We can't wait for Jack.

iON 48:14
Like he'd know, we'd know. Push the mute button.

Bob 48:17
Now there's another Anonymous came in. Do you have something to say? (pause) Anonymous? (pause) Yes, just trying to say something. Go ahead. Put your hand - look, we're hearing you.

iON 48:37
Nap chat, snap chat, nap -

Bob 48:38
You put your hand up twice.

iON 48:39
Nap chat, nap chat, everybody's nap chat.

Bob 48:42
Get your phone off your own mute. Yeah, we can hear you. So speak. (pause) See? How we can hear you?

iON 48:53
Well, to make, to make a real good sour salad, what you have to start with, get some nice high acidic apple cider vinegar. And you take some good cucumber. It doesn't have to be pickling cucumbers, but not them burpless things, real, regular cucumber.

Bob 49:10
And what would you do with that?

Carolyn 49:11
(in background) Salad.

iON 49:12
Well, you peel it, not all of it.

Bob 49:13
A salad.

iON 49:13
Well, you peel it part down the side and slice it up. And you take a good, either a hot Spanish -

Bob 49:20
Okay, okay, no, no., That's nothin' to do with The Book of the Dead.

Carolyn 49:23
(laughs in background)

Bob 49:23
Okay? Later.

iON 49:24
Or, or -

Bob 49:25
You and Bert can talk about that. (Bob coughs) Okay, so -

iON 49:33
Blahh! Aheh aheh aheh aheh aheh. Blahh!

Bob 49:36
Okay, here we go! No one guessed what I'm going to play first! Should be obvious what you're going to hear.

iON 49:41
(sings) Theme song from Bonanza.

Bob 49:46
Heh, heh. No, I better, I better mute iON. He's going to introduce this. He's going to ruin it. Okay, he's muted. All right, they are muted. Here we go, everybody, bow before the musicianship.

Music 49:47
(music plays to end)