Transcribed by Bert.
[February 27,2016 Part 1 (18:55 mark)]
Roxana: How do we really translate, for example, sound in our brain? How can we perceive the kingdoms?
iON: By decibels… by decibels of reverberation!
Roxana: Because this… ah… frequencies are so important into the dialogue we have with our words and… ah… outside the translation of the outside kingdom and the inside.
iON: Well, see! People have issue trying to catch your words because you’re very precise and specific. They want to get your meaning because it’s very dynamic and prolific. Now, we get it, and we kind of roll right with it. So, we soften the ability of getting you because we get it so fluidly. That example of reverberation captured or recaptured or “reverb” - that’s what Bob used to call it. He would listen to those ridiculous people that thought they were playing music. It was terrible… and sad… and pitiful… and all those things but ridiculous in every way.
Bob: I can dance to anything! I can dance to anything!
iON: For God’s sake, that’s true!
[February 27,2016 Part 1 (18:55 mark)]
Roxana: How do we really translate, for example, sound in our brain? How can we perceive the kingdoms?
iON: By decibels… by decibels of reverberation!
Roxana: Because this… ah… frequencies are so important into the dialogue we have with our words and… ah… outside the translation of the outside kingdom and the inside.
iON: Well, see! People have issue trying to catch your words because you’re very precise and specific. They want to get your meaning because it’s very dynamic and prolific. Now, we get it, and we kind of roll right with it. So, we soften the ability of getting you because we get it so fluidly. That example of reverberation captured or recaptured or “reverb” - that’s what Bob used to call it. He would listen to those ridiculous people that thought they were playing music. It was terrible… and sad… and pitiful… and all those things but ridiculous in every way.
Bob: I can dance to anything! I can dance to anything!
iON: For God’s sake, that’s true!
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