Payday
NOTE:Timing based on Payday archives.
March 14/2015 1179564-3-1 with Tony Schwartz (455 W56th St., Manhattan):
(Part 13 at 19:05)
Watergate
20:02
silencing all the microphones in the world
21:21
more on Watergate
22:09
representing "TIME" in different media
23:35
Gary Powers and the U-2 spy plane scandal in 1960
28:18
more on Watergate
28:36
"it's going to get crazier and crazier... I wonder who's trying to orchestrate the whole thing... they probably have a big team of orchestral s/thinkers..."
29:27
"the airplane getting smaller"
32:58
acoustic space as a dome
33:23
sensory spaces are not "pure" ("they're nearly all multi-sensuous")
34:06
the peculiarity of tactile space and osmic space
34:56
William James' "The Principles of Psychology" (1890) is very naive on "tactile space"
35:25
McLuhan rejects Tony's categories of sensory engagement ("reception" vs. "perception") and recommends E. H. Gombrich's "Art and Illusion" (1960)
35:52
McLuhan defines "tactile space" ("the space of the bounding line... the space of Cubism")
37:22
"the user is the content", "filtering out," and the "unconscious"
38:10
McLuhan recommends Bartlett's "Remembering" (1932)
38:45
McLuhan recommends Dixon's "Subliminal Perception" (1971)
40:09
more on the effects of the microphone on the Church and meditation
42:52
the pastor via the microphone becomes a "soul singer"
46:12
McLuhan says he's now studying the hologram
46:24
McLuhan mentions TIME Magazine's film critic Richard Schickel's "wild attack" on McLuhan in "More" magazine
46:56
McLuhan mentions cultural criticism as "dancing on your toes"
47:49
fads are based on point-of-view
48:34
"looking into the 'current context'" is FIGURE/GROUND says McLuhan
48:48
Tony mentions his invention of "last-line-itis" in commercials in the late 50s
49:01
NOTE:Timing based on Payday archives.
March 14/2015 1179564-3-1 with Tony Schwartz (455 W56th St., Manhattan):
(Part 13 at 19:05)
Watergate
20:02
silencing all the microphones in the world
21:21
more on Watergate
22:09
representing "TIME" in different media
23:35
Gary Powers and the U-2 spy plane scandal in 1960
28:18
more on Watergate
28:36
"it's going to get crazier and crazier... I wonder who's trying to orchestrate the whole thing... they probably have a big team of orchestral s/thinkers..."
29:27
"the airplane getting smaller"
32:58
acoustic space as a dome
33:23
sensory spaces are not "pure" ("they're nearly all multi-sensuous")
34:06
the peculiarity of tactile space and osmic space
34:56
William James' "The Principles of Psychology" (1890) is very naive on "tactile space"
35:25
McLuhan rejects Tony's categories of sensory engagement ("reception" vs. "perception") and recommends E. H. Gombrich's "Art and Illusion" (1960)
35:52
McLuhan defines "tactile space" ("the space of the bounding line... the space of Cubism")
37:22
"the user is the content", "filtering out," and the "unconscious"
38:10
McLuhan recommends Bartlett's "Remembering" (1932)
38:45
McLuhan recommends Dixon's "Subliminal Perception" (1971)
40:09
more on the effects of the microphone on the Church and meditation
42:52
the pastor via the microphone becomes a "soul singer"
46:12
McLuhan says he's now studying the hologram
46:24
McLuhan mentions TIME Magazine's film critic Richard Schickel's "wild attack" on McLuhan in "More" magazine
46:56
McLuhan mentions cultural criticism as "dancing on your toes"
47:49
fads are based on point-of-view
48:34
"looking into the 'current context'" is FIGURE/GROUND says McLuhan
48:48
Tony mentions his invention of "last-line-itis" in commercials in the late 50s
49:01
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